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Murol-auvergne School / Adolphe Rey (1863–1944) / Bouquet Of Mimosa In A Blue Vase

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Murol-auvergne School / Adolphe Rey (1863–1944)  / Bouquet Of Mimosa In A Blue Vase
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Murol-auvergne School / Adolphe Rey (1863–1944)  / Bouquet Of Mimosa In A Blue Vase -photo-2
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Murol-auvergne School / Adolphe Rey (1863–1944)  / Bouquet Of Mimosa In A Blue Vase -photo-3
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Murol-auvergne School / Adolphe Rey (1863–1944)  / Bouquet Of Mimosa In A Blue Vase -photo-4
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Murol-auvergne School / Adolphe Rey (1863–1944)  / Bouquet Of Mimosa In A Blue Vase -photo-1
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Murol-auvergne School / Adolphe Rey (1863–1944)  / Bouquet Of Mimosa In A Blue Vase -photo-2
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Murol-auvergne School / Adolphe Rey (1863–1944)  / Bouquet Of Mimosa In A Blue Vase -photo-3
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Murol-auvergne School / Adolphe Rey (1863–1944)  / Bouquet Of Mimosa In A Blue Vase -photo-4
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Murol-auvergne School / Adolphe Rey (1863–1944)  / Bouquet Of Mimosa In A Blue Vase -photo-5
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Murol-auvergne School / Adolphe Rey (1863–1944)  / Bouquet Of Mimosa In A Blue Vase -photo-6
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Murol-auvergne School / Adolphe Rey (1863–1944)  / Bouquet Of Mimosa In A Blue Vase -photo-7
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Murol-auvergne School / Adolphe Rey (1863–1944)  / Bouquet Of Mimosa In A Blue Vase -photo-8
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ADOLPHE REY (1863–1944)
MIMOSA BOUQUET IN A BLUE VASE
Watercolor on paper, signed lower right.
33 x 27 cm (image size)

54 x 44 cm with frame

A charming and luminous watercolor byAdolphe Rey, an iconic figure of the famous Murol School, depicting a generous bouquet of vibrant mimosa in a striking deep blue vase.
This work sensitively demonstrates the artist’s mastery of the challenging art of watercolor, where transparency, spontaneity, and freshness of execution come together with rare artistry.
The eye is immediately drawn to the subtle contrast between the sun-drenched mimosa blossoms, rendered in a range of vibrant golden yellows, and the powerful presence of the cobalt-blue vase, whose deep reflections give structure to the composition.
Here, Rey draws on the full range of watercolor techniques: fluid washes, areas of light, quick brushstrokes, and suggestion rather than meticulous description. The entire scene is bathed in a luminous and airy atmosphere that evokes the coloristic explorations of the finest watercolorists of his era. While Adolphe Rey is primarily known for his Auvergne landscapes and mountain scenes, this floral still life reveals a more intimate facet of his talent.
Nevertheless, it embodies the qualities that made the Murol School famous: a sincere observation of nature, a constant exploration of light effects, and a vibrant palette inherited from the Impressionists. Founded in the late 19th century around the village of Murol, in the heart of the Auvergne volcanoes, the Murol School brought together artists captivated by the untamed beauty of the Auvergne landscapes and by the atmospheric variations of this unique region.
Adolphe Rey is among the most celebrated representatives of this major regional movement, which helped put Auvergne on the map in the history of French painting. Born in 1863 and died in 1944, Adolphe Rey regularly participated in regional and national exhibitions.

Long remaining in the shadows due as much to his temperament as to his modesty, Adolphe Rey devoted his entire life to painting, far from social circles and major exhibitions. It was not until the 1930s that he agreed to exhibit a few works at the Salon of the Lyon Society of Fine Arts, where several of his landscapes attracted attention. 
Born on April 8, 1863, in Châteauvillain, in the Isère department, Adolphe Rey first studied architecture in Paris before embarking on a military career in Lyon in 1884. An infantry officer, he was promoted to captain in 1904. Weakened by a lung condition, he subsequently returned to Bourgoin-Jallieu, where he passed away on August 26, 1944.
His encounter with Victor Charreton, his childhood friend and future leading painter of the Murol School, would prove decisive.Charreton invited him to come paint in Murol between 1915 and 1918, amidst the volcanic and snow-covered landscapes of Auvergne that would profoundly inspire his work.
A painter of light and the seasons, Adolphe Rey created powerful and vibrant oil paintings, celebrating the landscapes of the Dauphiné and the snows of Auvergne with a generous and luminous touch. But
he excelled above all in the art of watercolor, becoming a remarkable exponent of the medium, working with great technical mastery both en plein air and in the studio.
Institutional recognition of his work came late, but it was significant:In 2008, the Musée des Peintres de l’École de Murol(s) dedicated a major retrospective to him titled “À la découverte d’Adolphe Rey” (Discovering Adolphe Rey), organized by Philippe Auserve.This major exhibition revealed to the public the scope and quality of his work, more than sixty years after his death. 
Adolphe Rey’s works captivate with their sincerity, luminous sensitivity, and profound poetry, making this unassuming artist a unique and endearing figure of the Murol School.




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