Bernard Régis appears to have worked in a figurative, post-Impressionist tradition, strongly influenced by mid-20th-century French marine painting. While biographical information on the artist remains limited, his style aligns closely with regional coastal painters active in France during the 1950s and 1960s, particularly those inspired by Mediterranean and Atlantic harbors. The subject matter—working sailboats, small dinghies, and open horizons—suggests a direct observation of everyday maritime life rather than an idealized or academic composition.
The painting is presented in its original carved and gilt wooden frame, which enhances its decorative presence and supports the proposed mid-20th-century dating. Overall, this work is a charming and expressive example of French marine art, combining strong painterly technique with a timeless nautical atmosphere, ideal for both classic and contemporary interiors.





































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