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Cupid Carving Son Arc 140 X 103 Full Length Portrait Hst XVIII
Italian school after Francesco MAZZOLA called PARMESAN (1503-1540)
Cupid cutting his bow Imposing Oil on canvas in Very Good condition Label on the back of the frame -
Late 18th century Old restorations Dim: 140 X 103 cm
Disturbing androgyny -
Ambiguity graceful -
Our painting is a copy of the famous painting painted around 1533, described by Vasari and kept in Vienna at the Kunsthistorisches Museum (inv.-Nr.GG_275).
Various other copies are kept in public collections: -
Paris, Musée du Louvre, MG 497, Dim: 42 X 30 cm. -
Nantes, Museum of Arts, Inv 2810, Dim 69 X 51 cm. -
Besançon, Museum of Fine Arts and Archaeology, Inv 885.13.1, Dim: 125 X 63 cm -
Grenoble Museum, Inv MG 497, Dim: 40 X 27 cm -
Bourg-en-Bresse, Brou Museum, Inv. 902.1, Dim: 138 X 105 cm
It is difficult to date the work precisely after the restorations, but the pictorial layer showing a fine network of homogeneous micro-cracks reinforces the hypothesis of an old workmanship. Our table approximates in size to
Cupid cutting his bow Imposing Oil on canvas in Very Good condition Label on the back of the frame -
Late 18th century Old restorations Dim: 140 X 103 cm
Disturbing androgyny -
Ambiguity graceful -
Our painting is a copy of the famous painting painted around 1533, described by Vasari and kept in Vienna at the Kunsthistorisches Museum (inv.-Nr.GG_275).
Various other copies are kept in public collections: -
Paris, Musée du Louvre, MG 497, Dim: 42 X 30 cm. -
Nantes, Museum of Arts, Inv 2810, Dim 69 X 51 cm. -
Besançon, Museum of Fine Arts and Archaeology, Inv 885.13.1, Dim: 125 X 63 cm -
Grenoble Museum, Inv MG 497, Dim: 40 X 27 cm -
Bourg-en-Bresse, Brou Museum, Inv. 902.1, Dim: 138 X 105 cm
It is difficult to date the work precisely after the restorations, but the pictorial layer showing a fine network of homogeneous micro-cracks reinforces the hypothesis of an old workmanship. Our table approximates in size to
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