{"id":9625,"date":"2018-10-26T09:07:58","date_gmt":"2018-10-26T08:07:58","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=9625"},"modified":"2018-10-28T13:32:15","modified_gmt":"2018-10-28T12:32:15","slug":"decors-de-theatre-inedits-exposition-louis-philippe-a-versailles","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/decors-de-theatre-inedits-exposition-louis-philippe-a-versailles\/","title":{"rendered":"D\u00e9cors de th\u00e9\u00e2tre in\u00e9dits: Exposition Louis Philippe \u00e0 Versailles"},"content":{"rendered":"

Trois somptueux d\u00e9cors de th\u00e9\u00e2tre \u2013 dont deux ont \u00e9t\u00e9 retrouv\u00e9s et identifi\u00e9s r\u00e9cemment \u2013 sont pr\u00e9sent\u00e9s \u00e0 l\u2019occasion de\u00a0l\u2019exposition consacr\u00e9e \u00e0 Louis-Philippe<\/a>.\u00a0<\/strong>Leurs dimensions, leur complexit\u00e9 de structure et leur richesse d\u2019ornementation illustrent magistralement l\u2019esth\u00e9tique th\u00e9\u00e2trale du temps de la monarchie de Juillet.<\/strong><\/p>\n

La galerie des Batailles en rideau d\u2019avant-sc\u00e8ne<\/strong><\/p>\n

Dans l\u2019exposition m\u00eame, est suspendu un rideau d\u2019avant-sc\u00e8ne repr\u00e9sentant la galerie des Batailles. Peint en 1838 pour un th\u00e9\u00e2tre provisoire du ch\u00e2teau des Tuileries, ce rideau \u00e9tait rest\u00e9 roul\u00e9 pendant plus d\u2019un si\u00e8cle \u00e0 Compi\u00e8gne (au Th\u00e9\u00e2tre imp\u00e9rial d\u2019abord, puis au ch\u00e2teau) o\u00f9 il avait fini par \u00eatre oubli\u00e9. De r\u00e9centes recherches ont permis d\u2019\u00e9tablir avec certitude son origine et de le rapprocher d\u2019un autre \u00e9l\u00e9ment de d\u00e9cor conserv\u00e9, lui, \u00e0 Versailles :
\nle cadre de sc\u00e8ne de ce th\u00e9\u00e2tre provisoire, encore intact, mais de dimensions trop importantes pour \u00eatre expos\u00e9.<\/p>\n

\"\"<\/a>
Rideau d\u2019avant-sc\u00e8ne repr\u00e9sentant la galerie des Batailles, 1838. \u00a9 Ch\u00e2teau de Versailles \/ Jean-Paul Gousset<\/figcaption><\/figure>\n

Le \u00ab Palais de marbre rehauss\u00e9 d\u2019or \u00bb au complet<\/strong><\/p>\n

Pour la repr\u00e9sentation donn\u00e9e le 10 juin 1837 \u00e0 l\u2019occasion de l\u2019inauguration du mus\u00e9e de Versailles, un somptueux d\u00e9cor a \u00e9t\u00e9 r\u00e9alis\u00e9 par le c\u00e9l\u00e8bre d\u00e9corateur de l\u2019Op\u00e9ra de Paris, Pierre-Luc-Charles Ciceri (1782-1868). \u00c9voquant la galerie des Batailles, ce \u00ab Palais de marbre rehauss\u00e9 d\u2019or \u00bb\u00a0servait de cadre au ballet final du spectacle. Il ne fut utilis\u00e9 qu\u2019une seule fois. Apr\u00e8s la chute du Second Empire,le S\u00e9nat, s\u2019installant dans l\u2019Op\u00e9ra royal, fit proc\u00e9der au d\u00e9barras de la sc\u00e8ne et de ses d\u00e9pendances et ce d\u00e9cor fut, lui aussi, transf\u00e9r\u00e9 \u00e0 Compi\u00e8gne. Retrouv\u00e9 et identifi\u00e9 en 1998, il fut de nouveau transport\u00e9 \u00e0 Versailles, mais dans un \u00e9tat, h\u00e9las, incomplet : si les ch\u00e2ssis avaient \u00e9t\u00e9 conserv\u00e9s, la toile de fond ainsi que les frises avaient \u00e9t\u00e9 vendues par l\u2019administration des Domaines en 1877.<\/p>\n

\"\"<\/a>
Utilis\u00e9 une seule fois pour l\u2019inauguration du mus\u00e9e de Versailles, en 1837, ce magnifique d\u00e9cor, qui avait perdu sa toile de fond et ses frises, a \u00e9t\u00e9 compl\u00e9t\u00e9 selon les indications des inventaires. \u00a9 Ch\u00e2teau de Versailles \/ Thomas Garnier<\/figcaption><\/figure>\n

Conscient de l\u2019exceptionnelle valeur patrimoniale de ce d\u00e9cor (dernier de cette taille subsistant en France), le ch\u00e2teau de Versailles a d\u00e9cid\u00e9, \u00e0 l\u2019occasion de l\u2019exposition Louis-Philippe, d\u2019en faire percevoir toute la splendeur au public. L\u2019absence de frises et de toile de fond risquait n\u00e9anmoins de rendre le propos d\u00e9cevant et peu lisible,la sc\u00e8ne s\u2019accommodant mal d\u2019une pr\u00e9sentation arch\u00e9ologique. Montrer les vingt-quatre ch\u00e2ssis seuls n\u2019aurait\u00a0pas suffi \u00e0 faire comprendre ni l\u2019organisation ni la coh\u00e9rence ni l\u2019ampleur de ce d\u00e9cor. La n\u00e9cessit\u00e9 de le compl\u00e9ter s\u2019est donc naturellement impos\u00e9e.<\/p>\n

Consid\u00e9rant que le th\u00e9\u00e2tre a toujours \u00e9t\u00e9 un espace de libert\u00e9, cette derni\u00e8re option a \u00e9t\u00e9 privil\u00e9gi\u00e9e, tout en respectant au plus pr\u00e8s la description donn\u00e9e par les inventaires. Fort d\u2019une exp\u00e9rience similaire et r\u00e9ussie au Th\u00e9\u00e2tre de la Reine \u00e0 Trianon, Antoine Fontaine a particip\u00e9 \u00e0 la restitution de l\u2019oeuvre. Le r\u00e9sultat, impressionnant, t\u00e9moigne du relief tout particulier que Louis-Philippe entendit donner aux fastes inauguraux du mus\u00e9e de Versailles en 1837.<\/p>\n

\"\"<\/a>
Le \u00ab\u00a0Palais gothique\u00a0\u00bb tel qu’il est pr\u00e9sent\u00e9 dans le Th\u00e9\u00e2tre de la Reine, au domaine de Trianon \u00a9 Ch\u00e2teau de Versailles \/ Thomas Garnier<\/figcaption><\/figure>\n

Un \u00ab Palais gothique \u00bb dans<\/strong>
\nle th\u00e9\u00e2tre de Marie-Antoinette<\/strong><\/p>\n

Enfin, le Th\u00e9\u00e2tre de la Reine \u00e0 Trianon, utilis\u00e9 lui aussi par Louis-Philippe pour quelques repr\u00e9sentations \u00e0 caract\u00e8re priv\u00e9, accueillera le magnifique et in\u00e9dit \u00ab Palais gothique \u00bb. Le ch\u00e2teau de Fontainebleau a tr\u00e8s g\u00e9n\u00e9reusement accept\u00e9 de pr\u00eater ce d\u00e9cor, d\u00fb lui aussi au pinceau de Ciceri, dont l\u2019histoire a pu \u00eatre retrac\u00e9e au prix d\u2019une longue enqu\u00eate dans les registres des Archives nationales. Cr\u00e9\u00e9 vers 1845, il \u00e9tait destin\u00e9 au th\u00e9\u00e2tre provisoire install\u00e9 sous une tente dans le parc du ch\u00e2teau d\u2019Eu. Cependant, les circonstances firent qu\u2019il n\u2019y fut jamais envoy\u00e9. Il fut conserv\u00e9, \u00e0 Paris, au Garde- Meuble, puis au th\u00e9\u00e2tre du ch\u00e2teau de Saint-Cloud. La destruction de ce dernier sur ordre de Napol\u00e9on III, en 1863, entra\u00eena son transport au ch\u00e2teau de Fontainebleau.<\/p>\n

Jamais utilis\u00e9, conserv\u00e9 dans d\u2019excellentes conditions, le \u00ab Palais gothique \u00bb se trouve aujourd\u2019hui dans un \u00e9tat de fra\u00eecheur incomparable. L\u2019oeuvre pour laquelle il avait \u00e9t\u00e9 con\u00e7u, reste inconnue. On pense aujourd\u2019hui \u00e0 La Dame blanche, mais, selon les usages du temps, il aurait fort bien pu servir \u00e0 plusieurs ouvrages du r\u00e9pertoire. Toujours est-il que l\u2019on demeure surpris de la vivacit\u00e9 de ses coloris et de l\u2019inventivit\u00e9 de son dessin. Ces trois d\u00e9cors t\u00e9moignent de la richesse du patrimoine th\u00e9\u00e2tral du xixe si\u00e8cle encore conserv\u00e9 dans les collections des palais nationaux et permettent de comprendre les go\u00fbts de la monarchie de Juillet dans ce domaine.<\/p>\n

Jean-Paul Gousset,<\/strong>
\nDirecteur technique de l\u2019Op\u00e9ra royal<\/p>\n

Source de l’article<\/span><\/p>\n

Les carnets de Versailles<\/a><\/p>\n

En savoir plus:\u00a0<\/span><\/p>\n

L’exposition\u00a0Louis-Philippe et Versailles jusqu’au 3 f\u00e9vrier<\/p>\n

Site:\u00a0http:\/\/www.chateauversailles.fr<\/p>\n","protected":false},"excerpt":{"rendered":"

Trois somptueux d\u00e9cors de th\u00e9\u00e2tre \u2013 dont deux ont \u00e9t\u00e9 retrouv\u00e9s et identifi\u00e9s r\u00e9cemment \u2013 sont pr\u00e9sent\u00e9s \u00e0 l\u2019occasion de\u00a0l\u2019exposition consacr\u00e9e \u00e0 Louis-Philippe.\u00a0Leurs dimensions, leur complexit\u00e9 de structure et leur richesse d\u2019ornementation illustrent magistralement l\u2019esth\u00e9tique th\u00e9\u00e2trale du temps de la monarchie de Juillet. La galerie des Batailles en rideau d\u2019avant-sc\u00e8ne Dans l\u2019exposition m\u00eame, est suspendu […]<\/p>\n","protected":false},"author":6,"featured_media":9637,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-9625","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"\nD\u00e9cors de 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