{"id":9332,"date":"2018-09-09T08:53:10","date_gmt":"2018-09-09T07:53:10","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=9332"},"modified":"2018-09-09T12:32:29","modified_gmt":"2018-09-09T11:32:29","slug":"marbre-grand-antique","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/marbre-grand-antique\/","title":{"rendered":"Le marbre Grand Antique"},"content":{"rendered":"

Appel\u00e9 \u00ab\u00a0Grand Deuil\u00a0\u00bb au XIX\u00e8 si\u00e8cle, Le grand antique \u00e9tait le mat\u00e9riau pr\u00e9f\u00e9r\u00e9 par Jacques-Emile Ruhlmann pour la cr\u00e9ation de ses chemin\u00e9es et est consid\u00e9r\u00e9 comme le marbre le plus prestigieux des Pyr\u00e9n\u00e9es fran\u00e7aises.<\/p>\n

Le marbre GRAND ANTIQUE d\u2019AUBERT\u00a0 est extrait de la vall\u00e9e du fleuve Lez \u00e0 Aubert, au sud-est de Saint-Girons, dans le d\u00e9partement de l\u2019Ari\u00e8ge. Ce marbre prestigieux est noir et blanc; ses tonalit\u00e9s cr\u00e9ent un contraste tr\u00e8s net, qui n\u2019est pr\u00e9sent dans aucun autre marbre aux m\u00eames couleurs. La formation de cette br\u00e8che tectonique, compos\u00e9e de br\u00e8ches de calcaire noir et calcite couleur blanche est vraisemblablement fin cr\u00e9tac\u00e9, suite au plissement de la zone nord-pyr\u00e9n\u00e9enne d\u2019il y a 65 millions d\u2019ans environ.<\/p>\n

\"\"<\/a>
Carri\u00e8re de marbre d’Aubert dont est extrait le marbre Grand Antique<\/figcaption><\/figure>\n

Les premiers travaux dans la carri\u00e8re sont dat\u00e9s de l\u2019\u00e9poque romaine. Les romains export\u00e8rent ce mat\u00e9riau, qu\u2019ils appelaient \u00ab marmor celticum \u00bb, en grandes quantit\u00e9s \u00e0 Rome et \u00e0 Constantinople. Plus tard, durant l\u2019\u00e9poque byzantine, il fut tr\u00e8s utilis\u00e9 pour la d\u00e9coration du plus grand chef-d\u2019\u0153uvre de l\u2019architecture de l\u2019\u00e9poque: l\u2019Hagia Sophia d\u2019Istanbul.<\/p>\n

Apr\u00e8s cette p\u00e9riode de grande activit\u00e9, la carri\u00e8re fut abandonn\u00e9e et les blocs furent employ\u00e9s pour la d\u00e9coration de la Basilique de Saint-Pierre, de Sainte-Marie Majeure, de la Basilique de Sainte-C\u00e9cile \u00e0 Rome et de la Basilique de Saint-Marc \u00e0 Venise.<\/p>\n

\"\"<\/a>
Paire de vases en marbre grand antique. XIX\u00e8me.
(c) galerie des Minimes, Proantic.<\/figcaption><\/figure>\n

Ce marbre tr\u00e8s d\u00e9coratif est surtout utilis\u00e9 pour les colonnes, les rev\u00eatements de mur et d’autres d\u00e9cors architecturaux, des chemin\u00e9es, plateaux de tables et pour la pietra dura.<\/p>\n

La carri\u00e8re fut rouverte du XIXe si\u00e8cle jusqu\u2019\u00e0 la premi\u00e8re moiti\u00e9 du XXe si\u00e8cle. Ensuite elle fut ferm\u00e9e d\u00e9finitivement et le silence qui y r\u00e9gnait lui a valu le nom de \u00ab Trouc de Desmembreri \u00bb ou \u00ab Trou de l\u2019oubli \u00bb, comme l\u2019appel\u00e8rent les habitants du lieu<\/p>\n

\"\"<\/a>
Les Invalides – Tombeau de Joseph Napol\u00e9on en marbre Grand Antique<\/figcaption><\/figure>\n

Durant cette p\u00e9riode le Grand Antique est alors tr\u00e8s utilis\u00e9 en France et export\u00e9 dans le reste du monde. A l’\u00e9glise Saint-Louis-les-Invalides, \u00e0 Paris, les piliers entourant l’autel de la chapelle sont des colonnes torsad\u00e9es r\u00e9alis\u00e9es en Grand Antique. La tombe de Joseph Napol\u00e9on Bonaparte, au m\u00eame endroit, est \u00e9galement r\u00e9alis\u00e9e dans ce marbre. La grande table due la Grande Poste du Capitole de Toulouse, aujourd’hui conserv\u00e9e au Mus\u00e9e de Bagn\u00e8res de Bigorre fut r\u00e9alis\u00e9e dans le marbre Grand Antique.<\/p>\n

\"\"<\/a>
Pi\u00e9destaux du Salon de Diane au Ch\u00e2teau de Versailles en marbre Grand Antique.<\/figcaption><\/figure>\n

La base de la statue de saint Pierre dans la Cath\u00e9drale de Westminster, \u00e0 Londres, est en Grand Antique. Les colonnes de la cath\u00e9drale de Tarbes sont \u00e9galement r\u00e9alis\u00e9es en Grand Antique, tout comme les quatre pi\u00e9destaux du Salon de Diane au Ch\u00e2teau de Versailles. Enfin, nous pouvons nommer les trois f\u00fbts de colonnes, dans les thermes du mus\u00e9e de Cluny, \u00e0 Paris, qui sont r\u00e9alis\u00e9s dans ce m\u00eame marbre.<\/p>\n

Le \u00ab Trou de l\u2019Oubli \u00bb rempli d\u2019eau a \u00e9t\u00e9 red\u00e9couvert par Giorgio en 2012 et l\u2019exploitation a repris depuis 2014, apr\u00e8s 70 ans d\u2019inactivit\u00e9 par la soci\u00e9t\u00e9 Escamavar<\/a>, soci\u00e9t\u00e9 italienne bas\u00e9e dans la r\u00e9gion de Carrare qui a acquis le droit exclusif sur l\u2019extraction de blocs de marbre GRAND ANTIQUE.<\/p>\n","protected":false},"excerpt":{"rendered":"

Appel\u00e9 \u00ab\u00a0Grand Deuil\u00a0\u00bb au XIX\u00e8 si\u00e8cle, Le grand antique \u00e9tait le mat\u00e9riau pr\u00e9f\u00e9r\u00e9 par Jacques-Emile Ruhlmann pour la cr\u00e9ation de ses chemin\u00e9es et est consid\u00e9r\u00e9 comme le marbre le plus prestigieux des Pyr\u00e9n\u00e9es fran\u00e7aises. Le marbre GRAND ANTIQUE d\u2019AUBERT\u00a0 est extrait de la vall\u00e9e du fleuve Lez \u00e0 Aubert, au sud-est de Saint-Girons, dans le […]<\/p>\n","protected":false},"author":6,"featured_media":9346,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[372],"tags":[],"class_list":["post-9332","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-abc-du-decor"],"yoast_head":"\nLe marbre Grand Antique Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"Appel\u00e9 "Grand Deuil" au XIX\u00e8 si\u00e8cle, Le grand antique \u00e9tait le mat\u00e9riau pr\u00e9f\u00e9r\u00e9 par Jacques-Emile Ruhlmann pour la cr\u00e9ation de ses chemin\u00e9es et est\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.proantic.com\/magazine\/marbre-grand-antique\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le marbre Grand Antique Le Magazine de Proantic\" \/>\n<meta property=\"og:description\" content=\"Appel\u00e9 "Grand Deuil" au XIX\u00e8 si\u00e8cle, Le grand antique \u00e9tait le mat\u00e9riau pr\u00e9f\u00e9r\u00e9 par Jacques-Emile Ruhlmann pour la cr\u00e9ation de ses chemin\u00e9es et est\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.proantic.com\/magazine\/marbre-grand-antique\/\" \/>\n<meta property=\"og:site_name\" content=\"Le Magazine de Proantic\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/pages\/Proantic\/\/259180871793\" \/>\n<meta property=\"article:published_time\" content=\"2018-09-09T07:53:10+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-09-09T11:32:29+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2018\/09\/382798-2.jpg?fit=1200%2C800&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"C\u00e9line Autant\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"C\u00e9line Autant\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.proantic.com\/magazine\/marbre-grand-antique\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.proantic.com\/magazine\/marbre-grand-antique\/\"},\"author\":{\"name\":\"C\u00e9line Autant\",\"@id\":\"https:\/\/www.proantic.com\/magazine\/#\/schema\/person\/63707e8f4e7d0172de7ddde897688be0\"},\"headline\":\"Le marbre Grand Antique\",\"datePublished\":\"2018-09-09T07:53:10+00:00\",\"dateModified\":\"2018-09-09T11:32:29+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.proantic.com\/magazine\/marbre-grand-antique\/\"},\"wordCount\":659,\"image\":{\"@id\":\"https:\/\/www.proantic.com\/magazine\/marbre-grand-antique\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2018\/09\/382798-2.jpg?fit=1200%2C800&ssl=1\",\"articleSection\":[\"ABC du d\u00e9cor\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.proantic.com\/magazine\/marbre-grand-antique\/\",\"url\":\"https:\/\/www.proantic.com\/magazine\/marbre-grand-antique\/\",\"name\":\"Le marbre Grand Antique Le Magazine de Proantic\",\"isPartOf\":{\"@id\":\"https:\/\/www.proantic.com\/magazine\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.proantic.com\/magazine\/marbre-grand-antique\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.proantic.com\/magazine\/marbre-grand-antique\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2018\/09\/382798-2.jpg?fit=1200%2C800&ssl=1\",\"datePublished\":\"2018-09-09T07:53:10+00:00\",\"dateModified\":\"2018-09-09T11:32:29+00:00\",\"author\":{\"@id\":\"https:\/\/www.proantic.com\/magazine\/#\/schema\/person\/63707e8f4e7d0172de7ddde897688be0\"},\"description\":\"Appel\u00e9 \\\"Grand Deuil\\\" au XIX\u00e8 si\u00e8cle, Le grand antique \u00e9tait le mat\u00e9riau pr\u00e9f\u00e9r\u00e9 par Jacques-Emile Ruhlmann pour la cr\u00e9ation de ses chemin\u00e9es et est\",\"breadcrumb\":{\"@id\":\"https:\/\/www.proantic.com\/magazine\/marbre-grand-antique\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.proantic.com\/magazine\/marbre-grand-antique\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\/\/www.proantic.com\/magazine\/marbre-grand-antique\/#primaryimage\",\"url\":\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2018\/09\/382798-2.jpg?fit=1200%2C800&ssl=1\",\"contentUrl\":\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2018\/09\/382798-2.jpg?fit=1200%2C800&ssl=1\",\"width\":1200,\"height\":800},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.proantic.com\/magazine\/marbre-grand-antique\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\/\/www.proantic.com\/magazine\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Le marbre Grand Antique\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.proantic.com\/magazine\/#website\",\"url\":\"https:\/\/www.proantic.com\/magazine\/\",\"name\":\"Le Magazine de Proantic\",\"description\":\"Magazine d'art et expositions\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.proantic.com\/magazine\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.proantic.com\/magazine\/#\/schema\/person\/63707e8f4e7d0172de7ddde897688be0\",\"name\":\"C\u00e9line Autant\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Le marbre Grand Antique Le Magazine de Proantic","description":"Appel\u00e9 \"Grand Deuil\" au XIX\u00e8 si\u00e8cle, Le grand antique \u00e9tait le mat\u00e9riau pr\u00e9f\u00e9r\u00e9 par Jacques-Emile Ruhlmann pour la cr\u00e9ation de ses chemin\u00e9es et est","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.proantic.com\/magazine\/marbre-grand-antique\/","og_locale":"fr_FR","og_type":"article","og_title":"Le marbre Grand Antique Le Magazine de Proantic","og_description":"Appel\u00e9 \"Grand Deuil\" au XIX\u00e8 si\u00e8cle, Le grand antique \u00e9tait le mat\u00e9riau pr\u00e9f\u00e9r\u00e9 par Jacques-Emile Ruhlmann pour la cr\u00e9ation de ses chemin\u00e9es et est","og_url":"https:\/\/www.proantic.com\/magazine\/marbre-grand-antique\/","og_site_name":"Le Magazine de Proantic","article_publisher":"https:\/\/www.facebook.com\/pages\/Proantic\/\/259180871793","article_published_time":"2018-09-09T07:53:10+00:00","article_modified_time":"2018-09-09T11:32:29+00:00","og_image":[{"width":1200,"height":800,"url":"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2018\/09\/382798-2.jpg?fit=1200%2C800&ssl=1","type":"image\/jpeg"}],"author":"C\u00e9line Autant","twitter_misc":{"\u00c9crit par":"C\u00e9line Autant","Dur\u00e9e de lecture estim\u00e9e":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.proantic.com\/magazine\/marbre-grand-antique\/#article","isPartOf":{"@id":"https:\/\/www.proantic.com\/magazine\/marbre-grand-antique\/"},"author":{"name":"C\u00e9line Autant","@id":"https:\/\/www.proantic.com\/magazine\/#\/schema\/person\/63707e8f4e7d0172de7ddde897688be0"},"headline":"Le marbre Grand Antique","datePublished":"2018-09-09T07:53:10+00:00","dateModified":"2018-09-09T11:32:29+00:00","mainEntityOfPage":{"@id":"https:\/\/www.proantic.com\/magazine\/marbre-grand-antique\/"},"wordCount":659,"image":{"@id":"https:\/\/www.proantic.com\/magazine\/marbre-grand-antique\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2018\/09\/382798-2.jpg?fit=1200%2C800&ssl=1","articleSection":["ABC du d\u00e9cor"],"inLanguage":"fr-FR"},{"@type":"WebPage","@id":"https:\/\/www.proantic.com\/magazine\/marbre-grand-antique\/","url":"https:\/\/www.proantic.com\/magazine\/marbre-grand-antique\/","name":"Le marbre Grand Antique Le Magazine de Proantic","isPartOf":{"@id":"https:\/\/www.proantic.com\/magazine\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.proantic.com\/magazine\/marbre-grand-antique\/#primaryimage"},"image":{"@id":"https:\/\/www.proantic.com\/magazine\/marbre-grand-antique\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2018\/09\/382798-2.jpg?fit=1200%2C800&ssl=1","datePublished":"2018-09-09T07:53:10+00:00","dateModified":"2018-09-09T11:32:29+00:00","author":{"@id":"https:\/\/www.proantic.com\/magazine\/#\/schema\/person\/63707e8f4e7d0172de7ddde897688be0"},"description":"Appel\u00e9 \"Grand Deuil\" au XIX\u00e8 si\u00e8cle, Le grand antique \u00e9tait le mat\u00e9riau pr\u00e9f\u00e9r\u00e9 par Jacques-Emile Ruhlmann pour la cr\u00e9ation de ses chemin\u00e9es et est","breadcrumb":{"@id":"https:\/\/www.proantic.com\/magazine\/marbre-grand-antique\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.proantic.com\/magazine\/marbre-grand-antique\/"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/www.proantic.com\/magazine\/marbre-grand-antique\/#primaryimage","url":"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2018\/09\/382798-2.jpg?fit=1200%2C800&ssl=1","contentUrl":"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2018\/09\/382798-2.jpg?fit=1200%2C800&ssl=1","width":1200,"height":800},{"@type":"BreadcrumbList","@id":"https:\/\/www.proantic.com\/magazine\/marbre-grand-antique\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.proantic.com\/magazine\/"},{"@type":"ListItem","position":2,"name":"Le marbre Grand Antique"}]},{"@type":"WebSite","@id":"https:\/\/www.proantic.com\/magazine\/#website","url":"https:\/\/www.proantic.com\/magazine\/","name":"Le Magazine de Proantic","description":"Magazine d'art et expositions","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.proantic.com\/magazine\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":"Person","@id":"https:\/\/www.proantic.com\/magazine\/#\/schema\/person\/63707e8f4e7d0172de7ddde897688be0","name":"C\u00e9line Autant"}]}},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2018\/09\/382798-2.jpg?fit=1200%2C800&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p7EkP3-2qw","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.proantic.com\/magazine\/wp-json\/wp\/v2\/posts\/9332","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.proantic.com\/magazine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.proantic.com\/magazine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.proantic.com\/magazine\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.proantic.com\/magazine\/wp-json\/wp\/v2\/comments?post=9332"}],"version-history":[{"count":0,"href":"https:\/\/www.proantic.com\/magazine\/wp-json\/wp\/v2\/posts\/9332\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.proantic.com\/magazine\/wp-json\/wp\/v2\/media\/9346"}],"wp:attachment":[{"href":"https:\/\/www.proantic.com\/magazine\/wp-json\/wp\/v2\/media?parent=9332"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.proantic.com\/magazine\/wp-json\/wp\/v2\/categories?post=9332"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.proantic.com\/magazine\/wp-json\/wp\/v2\/tags?post=9332"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}