{"id":9106,"date":"2018-07-22T15:43:40","date_gmt":"2018-07-22T14:43:40","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=9106"},"modified":"2018-07-22T15:44:33","modified_gmt":"2018-07-22T14:44:33","slug":"claude-iii-audran-1658-1734-legerete-finesse-lornement","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/claude-iii-audran-1658-1734-legerete-finesse-lornement\/","title":{"rendered":"Claude III Audran (1658-1734), la l\u00e9g\u00e8ret\u00e9 et la finesse dans l’ornement"},"content":{"rendered":"

Claude\u00a0III (1658-1734) est un peintre ornemaniste qui eut une grande influence sur l’\u00e9volution du d\u00e9cor int\u00e9rieur de son temps. Il s\u2019est sp\u00e9cialis\u00e9 dans les d\u00e9corations murales et a cr\u00e9\u00e9 des tapisseries et des panneaux d\u00e9coratifs d\u2019un style l\u00e9ger, fin et fouill\u00e9\u2026<\/strong>\u00a0 Sa production, tr\u00e8s vari\u00e9e, touche \u00e0 toutes les disciplines\u2009: textiles (broderies, v\u00eatements d\u2019\u00c9glise), tapis de la Savonnerie, carrosses, clavecins et programmes d\u00e9coratifs d\u2019importance.<\/p>\n

N\u00e9 \u00e0 Lyon, Claude III Audran a v\u00e9cu chez son oncle, Claude II Audran, peintre et collaborateur de\u00a0Le Brun,\u00a0Jouvenet\u00a0et\u00a0Coypel. Peintre ordinaire du roi en 1699, il obtient la charge de concierge, conservateur du palais du Luxembourg en 1704. Il participa en 1700-1701 au d\u00e9cor de la M\u00e9nagerie de Versailles et \u00e0 la chapelle de Versailles, ainsi qu\u2019aux ch\u00e2teaux de Fontainebleau\u00a0<\/strong>,\u00a0d\u2019Anet, de Meudon\u00a0<\/strong>, aux Invalides\u00a0<\/strong>et aux Gobelins\u00a0<\/strong>.<\/p>\n

\"\"<\/a>
Ensemble de six panneaux d’apr\u00e8s la s\u00e9rie des douze mois de Claude III Audran.
(c) Bonhams<\/figcaption><\/figure>\n

En 1704, il d\u00e9core le nouvel appartement de la\u00a0duchesse du Maine\u00a0\u00e0 Sceaux. En 1709, il ex\u00e9cute un d\u00e9cor de singeries pour le roi\u00a0Louis XIV\u00a0au ch\u00e2teau de Marly\u00a0<\/strong>. Ce d\u00e9cor, aujourd\u2019hui d\u00e9truit, est connu par des dessins pr\u00e9paratoires.<\/p>\n

Audran est proche des grands du Royaume.\u00a0Monseigneur, le fils de Louis XIV, l\u2019appr\u00e9cie consid\u00e9rablement, allant jusqu\u2019\u00e0 lui confier la d\u00e9coration de l\u2019ensemble des plafonds de son Grand Appartement, situ\u00e9 au premier \u00e9tage du Ch\u00e2teau Vieux de Meudon.<\/p>\n

\"\"<\/a>
Claude III Audran, Projet de plafond<\/figcaption><\/figure>\n

Il travaille aussi au ch\u00e2teau d\u2019Anet pour le duc de Vend\u00f4me en 1689, puis d\u00e9core, au d\u00e9but des ann\u00e9es 1700, le pavillon de chasse du prieur de Vend\u00f4me, fr\u00e8re du duc de Vend\u00f4me, situ\u00e9 au 7 rue de Landry \u00e0 Clichy. Au ch\u00e2teau de R\u00e9veillon\u00a0<\/strong>, dans la vall\u00e9e du Grand-Morin\u00a0<\/strong>, il peignit en 1731, en collaboration avec Jean-Baptiste Oudry, les Fables de la Fontaine pour Jules-Robert de Cotte, fils de l\u2019architecte, qui acheta le ch\u00e2teau en 1730. En, 1733, Audran retravailla au ch\u00e2teau d\u2019Anet\u00a0: il y peignit le salon dor\u00e9 en collaboration avec Christophe Huet.<\/p>\n

\"\"<\/a>
Panneau peint attribu\u00e9 \u00e0 Claude III AUDRAN (1658-1734) .
(c) SVV Leclere<\/figcaption><\/figure>\n

Claude III Audran \u00a0<\/strong>eut comme collaborateurs de ses grands d\u00e9cors, les plus grands artistes confirm\u00e9s de son \u00e9poque comme son ami le peintre animalier Jean-Baptiste Oury\u00a0ou encore\u00a0Lagilli\u00e8re\u00a0et\u00a0Desportes. Il employa, \u00e0 ses d\u00e9buts,\u00a0Watteau\u00a0qu\u2019il fit travailler comme apprenti.\u00a0L\u2019artiste s\u2019est impos\u00e9 comme le propagateur des d\u00e9cors arabesques remis \u00e0 la mode par\u00a0Jean Berain.<\/p>\n

Les\u00a0 dessins d’arabesques de claude III Audran composent encore des s\u00e9ries\u00a0 triomphes des dieux ou les douze mois de l’ann\u00e9e, livrent ainsi leur fid\u00e9lit\u00e9 \u00e0 une symbolique traditionnelle; mais en m\u00eame temps, leur stylisation s’accentue en l\u00e9g\u00e8ret\u00e9, dans une \u00e9criture de gr\u00e2ce subtile sur fonds blancs ou or; leur besoin d’expression naturaliste grandit, dans le\u00a0traitement de feuillages et de fleurs, ou dominent l’acanthe et les guirlandes; leur fantaisie va de pair avec leur l\u00e9g\u00e8ret\u00e9 subtile et leur tentation de nature ; c’est le temps ou naissent, singeries et chinoiseries.<\/p>\n

\"\"<\/a>
Les dieux: Jupiter
Tapisserie de la manufacture des gobelins. Claude III Audran.<\/figcaption><\/figure>\n

Beaucoup de ces travaux d\u00e9coratifs ont \u00e9t\u00e9 d\u00e9truits. Mais, heureusement, bon nombre de tapisseries pour lesquelles il donna des cartons ont \u00e9t\u00e9 conserv\u00e9es. Par ailleurs, le collectionneur su\u00e9dois\u00a0Cronstedt\u00a0acheta, \u00e0 la mort d\u2019Audran, son fond d\u2019atelier, soit plus de 2\u00a0000 dessins. Ils appartiennent aujourd\u2019hui aux collections du Nationalmuseum de Stockholm.<\/p>\n","protected":false},"excerpt":{"rendered":"

Claude\u00a0III (1658-1734) est un peintre ornemaniste qui eut une grande influence sur l’\u00e9volution du d\u00e9cor int\u00e9rieur de son temps. Il s\u2019est sp\u00e9cialis\u00e9 dans les d\u00e9corations murales et a cr\u00e9\u00e9 des tapisseries et des panneaux d\u00e9coratifs d\u2019un style l\u00e9ger, fin et fouill\u00e9\u2026\u00a0 Sa production, tr\u00e8s vari\u00e9e, touche \u00e0 toutes les disciplines\u2009: textiles (broderies, v\u00eatements d\u2019\u00c9glise), tapis […]<\/p>\n","protected":false},"author":6,"featured_media":9141,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[372],"tags":[],"class_list":["post-9106","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-abc-du-decor"],"yoast_head":"\nClaude III Audran (1658-1734), la l\u00e9g\u00e8ret\u00e9 et la finesse dans l'ornement Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"Claude\u00a0III (1658-1734) est un peintre ornemaniste qui eut une grande influence sur l'\u00e9volution du d\u00e9cor int\u00e9rieur de son temps. 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