{"id":8642,"date":"2018-03-23T12:06:10","date_gmt":"2018-03-23T11:06:10","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=8642"},"modified":"2018-03-25T10:34:41","modified_gmt":"2018-03-25T09:34:41","slug":"rever-chine-chinoiseries-regards-croises-entre-chine-leurope-xviieme-xviiieme-siecle","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/rever-chine-chinoiseries-regards-croises-entre-chine-leurope-xviieme-xviiieme-siecle\/","title":{"rendered":"R\u00eaver la Chine: Chinoiseries et regards crois\u00e9s entre la Chine et l&rsquo;Europe, XVII\u00e8me et XVIII\u00e8me si\u00e8cle"},"content":{"rendered":"<p>De la pagode chinoise construite par l\u2019architecte britannique William Chambers dans les jardins de Kew en Angleterre aux palais baroques europ\u00e9ens con\u00e7us par le peintre et missionnaire j\u00e9suite Giuseppe Castiglione pour le jardin imp\u00e9rial\u00a0<em>Yuanmingyuan<\/em>\u00a0(jardin de la Clart\u00e9 parfaite) \u00e0 P\u00e9kin, l\u2019histoire moderne des relations sino-europ\u00e9ennes a montr\u00e9 que l\u2019Europe et la Chine n\u2019ont cess\u00e9 de se tendre le miroir au cours des XVII<sup>e<\/sup>\u00a0et XVIII<sup>e<\/sup>\u00a0si\u00e8cles.<\/p>\n<p>La Chine au miroir de l\u2019Europe, l\u2019Europe au miroir de la Chine\u00a0: cet ouvrage explore le sens multiple de l\u2019entrelacs des regards entre ces deux contr\u00e9es et propose de faire le r\u00e9cit d\u2019une fascination mutuelle, en expliquant les modalit\u00e9s culturelles sp\u00e9cifiques du regard port\u00e9 sur l\u2019autre. L\u2019extr\u00eame mobilit\u00e9 de ces \u00e9changes entra\u00eena une complexe circulation d\u2019objets, de mod\u00e8les, de formes, de motifs, accompagn\u00e9e de la diffusion de r\u00e9cits de voyages, d\u2019ambassades ou de missions apostoliques, et conduisit \u00e0 un ph\u00e9nom\u00e8ne d\u2019acclimatation et d\u2019adaptation de l\u2019image de l\u2019autre.<\/p>\n<p>Ainsi, des objets et des esth\u00e9tiques hybrides, sino-europ\u00e9ennes et anglo-chinoises, virent le jour, tandis que la Chine fut le point de d\u00e9part en Europe de r\u00e9flexions esth\u00e9tiques, politiques et culturelles, parmi lesquelles l\u2019\u00e9volution de l\u2019art du jardin paysager. Ce livre retrace les grands moments de ces regards crois\u00e9s et s\u2019appuie sur la th\u00e9orie de l\u2019orientalisme et l\u2019esth\u00e9tique de la r\u00e9ception pour explorer la fonction ornementale de la Chine comprise \u00e0 la fois comme \u00e9l\u00e9ment de surface et de structure, constitutif \u00e0 l\u2019\u00e9laboration de la conscience europ\u00e9enne.<\/p>\n<p>Dans une premi\u00e8re partie, l\u2019\u00e9tude de la circulation des textes, des objets et des formes permettra de comprendre le processus d\u2019adaptation et de r\u00e9ception de la Chine et de ses objets en Europe. La deuxi\u00e8me partie s\u2019int\u00e9ressera \u00e0 la place du style chinois dans la culture mat\u00e9rielle europ\u00e9enne pour montrer que la Chine a contribu\u00e9 \u00e0 l\u2019essor d\u2019un art de vivre des Lumi\u00e8res. L\u2019entrelacs des regards et l\u2019hybridit\u00e9 sino-europ\u00e9enne seront abord\u00e9s dans une troisi\u00e8me partie consacr\u00e9e \u00e0 la peinture, l\u2019art des jardins et la pr\u00e9sence de la Chine sur la sc\u00e8ne th\u00e9\u00e2trale europ\u00e9enne.<\/p>\n<p>LES AUTEURS<\/p>\n<p>Ouvrage plac\u00e9 sous la direction de Vanessa Alayrac-Fielding, ma\u00eetre de conf\u00e9rences en civilisation britannique, Universit\u00e9 Lille 3. Sp\u00e9cialiste de l\u2019histoire du go\u00fbt chinois et de la repr\u00e9sentation de la Chine en Angleterre. Avec les contributions de\u00a0: Jacques Marx, docteur en lettres et philosophie. Professeur \u00e9m\u00e9rite \u00e0 l\u2019Universit\u00e9 Libre de Bruxelles et sp\u00e9cialiste de l\u2019anthropologie culturelle du catholicisme et des contacts interculturels entre Occident et Extr\u00eame-Orient. Fleur Morfoisse, conservateur au Palais des Beaux-Arts de Lille en charge des objets d\u2019art. Florence Raymond, conservateur au Palais des Beaux-Arts de Lille en charge du d\u00e9partement des peintures du XVIII<sup>e<\/sup>\u00a0si\u00e8cle.<\/p>\n<p>Auteur:\u00a0<strong>Vanessa Alayrac-Fielding<\/strong><\/p>\n<p>Editeur:\u00a0 <strong>Invenit<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>De la pagode chinoise construite par l\u2019architecte britannique William Chambers dans les jardins de Kew en Angleterre aux palais baroques europ\u00e9ens con\u00e7us par le peintre et missionnaire j\u00e9suite Giuseppe Castiglione pour le jardin imp\u00e9rial\u00a0Yuanmingyuan\u00a0(jardin de la Clart\u00e9 parfaite) \u00e0 P\u00e9kin, l\u2019histoire moderne des relations sino-europ\u00e9ennes a montr\u00e9 que l\u2019Europe et la Chine n\u2019ont cess\u00e9 de [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":8654,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[16],"tags":[],"class_list":["post-8642","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-livres-dart"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ 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