{"id":8512,"date":"2018-02-23T15:45:05","date_gmt":"2018-02-23T14:45:05","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=8512"},"modified":"2018-02-25T14:06:51","modified_gmt":"2018-02-25T13:06:51","slug":"lemailleur-camille-faure","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/lemailleur-camille-faure\/","title":{"rendered":"L\u2019\u00e9mailleur Camille Faur\u00e9"},"content":{"rendered":"

\u00c0 la suite de la\u00a0R\u00e9volution, alors que l’art de l’\u00e9mail dispara\u00eet \u00e0\u00a0Limoges\u00a0pour quelques d\u00e9cennies, il devient rapidement l’objet d’un vif int\u00e9r\u00eat historique. \u00c0 cette p\u00e9riode le Moyen \u00c2ge et la Renaissance sont red\u00e9couverts et l’on se passionne notamment pour les objets d’art. La red\u00e9couverte des techniques de l\u2019\u00e9mail\u00a0d\u00e8s le milieu du\u00a0XIXe<\/sup><\/abbr>\u00a0si\u00e8cle \u00e0 la\u00a0manufacture de S\u00e8vres, puis \u00e0\u00a0Limoges\u00a0donne lieu \u00e0 des cr\u00e9ations int\u00e9ressantes dans des styles divers (coupe couverte<\/i>, par Gobert\u00a0;\u00a0Plat au faisan<\/i>,\u00a0Hallebardier<\/i>\u00a0par Fernand Thesmar,\u00a0Coffret \u00e0 la joueuse de mandoline<\/i>\u00a0par Charles Lepec\u2026).<\/p>\n

\"\"<\/a>
Vase Art D\u00e9co en cuivre \u00e9maill\u00e9 \u00e0 d\u00e9cors d’an\u00e9mones multicolores.
Sign\u00e9 C Faur\u00e9 Limoges.
(c) Pascale Drieux Antiquit\u00e9s, Proantic<\/figcaption><\/figure>\n

D\u00e8s la fin du\u00a0XIXe<\/sup><\/abbr>\u00a0si\u00e8cle, de nombreux ateliers fonctionnent \u00e0 nouveau \u00e0\u00a0Limoges. Certains artistes cherchent \u00e0 renouveler la production traditionnelle (Paul Bonnaud, Jules Sarlandie, Alexandre Marty, etc.) ou produisent une \u0153uvre tout \u00e0 fait originale et personnelle (\u00a0L\u00e9on Jouhaud).<\/p>\n

\u00c0 l\u2019or\u00e9e des ann\u00e9es 20, la production d\u2019\u00e9maux de Limoges\u00a0 connait un nouvel essor en la personne de Camille Faur\u00e9 (1874-1956) , Entrepreneur de g\u00e9nie, il sut saisir l\u2019air du temps dans ses ateliers actifs de 1920 \u00e0 1980.<\/p>\n

 <\/p>\n

\"\"<\/a>
Vase de Camille Faur\u00e9 \u00e9mail de Limoges.
(c) Antiquit\u00e9s Maitre, Proantic<\/figcaption><\/figure>\n

Ses d\u00e9buts\u00a0<\/strong><\/p>\n

\u00c0 21 ans,\u00a0 Camille reprend l’activit\u00e9 de son p\u00e8re, peintre en b\u00e2timents, d\u00e9c\u00e9d\u00e9 et multiplie les march\u00e9s de niche en se sp\u00e9cialisant sur les enseignes, les vitrines, les \u00e9glises ou le faux marbre.\u00a0 En contact permanent avec le milieu des \u00e9mailleurs de la r\u00e9gion, il d\u00e9cide en 1920 de consacrer une partie de son activit\u00e9 aux \u00e9maux d’art.<\/p>\n

\"\"<\/a>
Vase Art d\u00e9co en \u00e9mail sur Bronze – Camille Faur\u00e9.<\/figcaption><\/figure>\n

Il engage Alexandre Marty, un \u00e9mailleur exp\u00e9riment\u00e9, \u00e9l\u00e8ve et gendre d’un d\u00e9corateur sur porcelaine r\u00e9put\u00e9, Alfred Broussillon. Leur travail consiste \u00e0 proposer des petits vases flamm\u00e9s et givr\u00e9s, estampill\u00e9s \u00ab\u00a0Faur\u00e9 Marty Limoges\u00a0\u00bb. Des collections \u00e9labor\u00e9es dans le ton de ce qui se fait depuis quelques ann\u00e9es \u00e0 Limoges<\/p>\n

En 1924, Faur\u00e9 se s\u00e9pare de Marty souhaitant changer de client\u00e8le.\u00a0il vise une client\u00e8le haut de gamme compos\u00e9e d’acheteurs \u00e9trangers, de magasins sp\u00e9cialis\u00e9s et des \u00e9tablissements parisiens du faubourg Saint-Honor\u00e9.<\/p>\n

\"\"<\/a>
Vase Art d\u00e9co en \u00e9mail sur Bronze – Camille Faur\u00e9.<\/figcaption><\/figure>\n

1925-1930, des pi\u00e8ces exceptionnelles\u00a0<\/strong><\/p>\n

Camille Faur\u00e9 embauche cinq \u00e9mailleurs de grand talent. Il laisse travailler ses ouvriers \u00e0 leur rythme, pour cr\u00e9er des pi\u00e8ces exceptionnelles marqu\u00e9s par les l\u2019Art D\u00e9co. Jusqu’en 1930, des vases aux d\u00e9cors g\u00e9om\u00e9triques et cubistes font irruption sur le march\u00e9 de l’art et s\u00e9duisent le tout-Paris. C’est la mode des \u00e9maux en relief. Leurs cr\u00e9ateurs (Louis Valade, Lucie Dadat, Pierre Bardy et d’autres\u2026) vont rester dans l’ombre tout en fabriquant des vases qui restent aujourd’hui comme les plus prestigieux. D\u00e8s 1925, il rencontre un franc succ\u00e8s \u00e0 la Foire de Lyon et ce jusqu\u2019en 1930 o\u00f9 il est frapp\u00e9 par la crise.<\/p>\n

\"\"<\/a>
Vase Art d\u00e9co en \u00e9mail sur Bronze – Camille Faur\u00e9.<\/figcaption><\/figure>\n

1940-1985 :\u00a0le temps des florals<\/strong><\/p>\n

Face \u00e0 la crise, Faur\u00e9 d\u00e9cide une nouvelle fois de r\u00e9orienter sa production en se tournant cette fois ci vers un march\u00e9 de masse, en r\u00e9alisant des \u0153uvres \u00e0 petits prix \u00e0 d\u00e9cor floral et naturaliste. Il continue dans le m\u00eame temps d\u2019\u00e9diter des vases de la p\u00e9riode pr\u00e9c\u00e9dente.<\/p>\n

L’activit\u00e9 de l’atelier de Camille Faur\u00e9 s’av\u00e8re grandissante jusque dans les ann\u00e9es 1960. Une vingtaine d’ouvriers produisent de nombreuses pi\u00e8ces pour tous les budgets. Camille Faur\u00e9 meurt en 1956 et sa fille Andr\u00e9e prend la succession, avec son mari Louis. Si les vases \u00e0 d\u00e9cor g\u00e9om\u00e9trique reviennent \u00e0 la mode dans les ann\u00e9es 1960, l’atelier ferme ses portes en 1985, malgr\u00e9 de nombreuses tentatives de relance par son fils G\u00e9rard. La mode a d\u00e9finitivement chang\u00e9.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00c0 la suite de la\u00a0R\u00e9volution, alors que l’art de l’\u00e9mail dispara\u00eet \u00e0\u00a0Limoges\u00a0pour quelques d\u00e9cennies, il devient rapidement l’objet d’un vif int\u00e9r\u00eat historique. \u00c0 cette p\u00e9riode le Moyen \u00c2ge et la Renaissance sont red\u00e9couverts et l’on se passionne notamment pour les objets d’art. La red\u00e9couverte des techniques de l\u2019\u00e9mail\u00a0d\u00e8s le milieu du\u00a0XIXe\u00a0si\u00e8cle \u00e0 la\u00a0manufacture de S\u00e8vres, […]<\/p>\n","protected":false},"author":6,"featured_media":8548,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[180],"tags":[],"class_list":["post-8512","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-decoratifs-proantic"],"yoast_head":"\nL\u2019\u00e9mailleur Camille Faur\u00e9 Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"\u00c0 la 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