{"id":7819,"date":"2017-11-12T16:09:13","date_gmt":"2017-11-12T15:09:13","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=7819"},"modified":"2017-11-12T16:12:39","modified_gmt":"2017-11-12T15:12:39","slug":"decor-kakiemon-porcelaine-de-chantilly","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/decor-kakiemon-porcelaine-de-chantilly\/","title":{"rendered":"Le d\u00e9cor Kakiemon de la manufacture de Chantilly"},"content":{"rendered":"

Les\u00a0porcelaines\u00a0Kaki\u00e9mon<\/b>\u00a0\u00e9taient produites au\u00a0Japon\u00a0dans les ateliers d’Arita, dans la\u00a0pr\u00e9fecture de Saga, durant le milieu du XVII\u00e8me\u00a0si\u00e8cle, et pr\u00e9sentent beaucoup de similitude avec les\u00a0c\u00e9ramiques chinoises de la \u00ab famille verte \u00bb. La superbe qualit\u00e9 de ses d\u00e9corations\u00a0 \u00e9tait tr\u00e8s recherch\u00e9e en\u00a0Occident, et fut largement imit\u00e9e par les producteurs de porcelaine occidentaux.<\/p>\n

La Chine et plus largement l\u2019Asie fascinent les Occidentaux charm\u00e9s par les r\u00e9cits de voyages des j\u00e9suites ou des ambassadeurs qui publient des livres illustr\u00e9s m\u00ealant observations scientifiques et contes merveilleux.<\/p>\n

\"\"<\/a>
Boite en porcelaine de la manufacture de Chantilly au d\u00e9cor \u00ab\u00a0Kakiemon\u00a0\u00bb.
(c) Galerie Verrier, Proantic<\/figcaption><\/figure>\n

Tout naturellement, les premi\u00e8res manufactures europ\u00e9ennes de porcelaine vont donc imiter ces objets si recherch\u00e9s et puiser leur source d\u2019inspiration dans les motifs chinois et japonais, remani\u00e9s et adapt\u00e9s au go\u00fbt fran\u00e7ais. Les formes vont quant \u00e0 elles rester occidentales.<\/p>\n

Comme ses contemporains, le prince Louis-Henri de Bourbon-Cond\u00e9 (1692-1740) se passionne pour les arts d\u2019Extr\u00eame-Orient et collectionne laques, indiennes et porcelaines. Lors de son inventaire apr\u00e8s d\u00e9c\u00e8s, on d\u00e9nombre pr\u00e8s de 2000 pi\u00e8ces de porcelaine dont la plupart viennent de Chine et du Japon (seules 79 \u00e9taient des pi\u00e8ces de Chantilly).<\/p>\n

\"\"<\/a>
Manufacture de Chantilly, d\u00e9cor kakiemon dit au \u00ab\u00a0hanneton\u00a0\u00bb,
(C) RMN-Grand Palais (domaine de Chantilly) \/ Michel Urtado<\/figcaption><\/figure>\n

Afin de compl\u00e9ter sa collection, mais aussi fascin\u00e9 par le myst\u00e8re que constitue encore alors la fabrication de la porcelaine, vers 1730, il d\u00e9cide de patronner un porcelainier nomm\u00e9 Cicaire Cirou. Il le nomme \u00ab ma\u00eetre de manufacture \u00bb et l\u2019\u00e9tablit dans le bourg de Chantilly.<\/p>\n

Dans les ateliers on d\u00e9nombre plus de trente ouvriers :\u00a0\u00a0tourneurs, mouleurs, graveurs, peintres et des ouvriers en charge de l\u2019entretien des fours. Au cours de son histoire longue de 70 ans, la manufacture va produire des pi\u00e8ces tr\u00e8s prises pour leur qualit\u00e9 et leur beaut\u00e9.<\/p>\n

\"\"<\/a>
Porcelaine de Chantilly, d\u00e9cor polychrome kakiemon.
(C) RMN-Grand Palais (domaine de Chantilly) \/ Michel Urtado<\/figcaption><\/figure>\n

La d\u00e9coration\u00a0<\/strong><\/p>\n

Le premier style d\u00e9coratif adopt\u00e9 \u00e0 Chantilly r\u00e9pond au go\u00fbt dominant en Europe \u00e0 l\u2019\u00e9poque : le go\u00fbt des \u00ab chinoiseries \u00bb<\/p>\n

De 1730 aux ann\u00e9es 1750, Chantilly va ainsi adopter le \u00ab go\u00fbt japon \u00bb aussi connu sous le nom de Kakiemon. On utilise alors une palette de couleurs intenses et lumineuses mais assez r\u00e9duite (bleu de cobalt, vert, turquoise, jaune p\u00e2le, rouge, brun violac\u00e9) dite de \u00ab grand feu \u00bb (car cuite \u00e0 haute temp\u00e9rature entre 800 et 1400 degr\u00e9s). Les couleurs sont pos\u00e9es au pinceau sur fond blanc en aplats avec un fin cerne de couleur brune. On dit que les couleurs sont chatironn\u00e9es.<\/p>\n

\"\"<\/a>
Rafra\u00eechissoir, Manufacture de Chantilly, d\u00e9cor kakiemon .
(C) RMN-Grand Palais (domaine de Chantilly) \/ Michel Urtado<\/figcaption><\/figure>\n

Le style Kakiemon se caract\u00e9rise\u00a0 par des motifs \u00ab japonisants \u00bb tels que les branches fleuries, bambous, haies, semis de fleurs, grenades, perdrix, grues, dragons, ph\u00e9nix, papillons, sc\u00e8nes de vie quotidienne et jeux d\u2019enfants\u2026 dispos\u00e9s sans perspective.<\/p>\n

Les compositions sont faites d\u2019un nombre tr\u00e8s r\u00e9duit d\u2019\u00e9l\u00e9ments, donnant ainsi des d\u00e9cors sobres et purs mettant en valeur la blancheur de la porcelaine. Comme en Extr\u00eame-Orient, le vide blanc structure et organise la composition, g\u00e9n\u00e9ralement asym\u00e9trique. Le d\u00e9cor sera ensuite cuit \u00e0\u00a0800\u00b0C pour \u00eatre fix\u00e9 dans l’\u00e9mail.<\/p>\n

\"\"<\/a>
Boite en porcelaine de la manufacture de Chantilly au d\u00e9cor \u00ab\u00a0Kakiemon\u00a0\u00bb.
(c) Galerie Verrier, Proantic<\/figcaption><\/figure>\n

La mort de Louis-Henri de Bourbon-Cond\u00e9 en 1740 puis le d\u00e9part de Cicaire Cirou en 1751 sonnent la fin d\u2019une \u00e9poque exclusivement tourn\u00e9e vers l\u2019exotisme. Parall\u00e8lement, les perfectionnements techniques comme la mise au point d\u2019une p\u00e2te plus blanche et l\u2019adoption du d\u00e9cor de petit feu \u00e0 la large palette chromatique, permettent \u00e0 la manufacture de diversifier sa production et d\u2019engager un renouveau stylistique avec l\u2019adoption du style rocaille alors en vogue.<\/p>\n","protected":false},"excerpt":{"rendered":"

Les\u00a0porcelaines\u00a0Kaki\u00e9mon\u00a0\u00e9taient produites au\u00a0Japon\u00a0dans les ateliers d’Arita, dans la\u00a0pr\u00e9fecture de Saga, durant le milieu du XVII\u00e8me\u00a0si\u00e8cle, et pr\u00e9sentent beaucoup de similitude avec les\u00a0c\u00e9ramiques chinoises de la \u00ab famille verte \u00bb. La superbe qualit\u00e9 de ses d\u00e9corations\u00a0 \u00e9tait tr\u00e8s recherch\u00e9e en\u00a0Occident, et fut largement imit\u00e9e par les producteurs de porcelaine occidentaux. La Chine et plus largement l\u2019Asie […]<\/p>\n","protected":false},"author":6,"featured_media":7843,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[372],"tags":[],"class_list":["post-7819","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-abc-du-decor"],"yoast_head":"\nLe d\u00e9cor Kakiemon de la manufacture de Chantilly Le Magazine de Proantic<\/title>\n<meta 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