{"id":7631,"date":"2017-10-08T10:53:16","date_gmt":"2017-10-08T09:53:16","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=7631"},"modified":"2017-10-08T10:55:05","modified_gmt":"2017-10-08T09:55:05","slug":"pierre-bobot-talentueux-laqueur-francais","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/pierre-bobot-talentueux-laqueur-francais\/","title":{"rendered":"Pierre Bobot, un talentueux laqueur fran\u00e7ais"},"content":{"rendered":"
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Pierre BOBOT (Paris, 1902-1974) est un laqueur fran\u00e7ais, \u00e9l\u00e8ve de l’\u00c9cole Bernard Palissy et, \u00e0 partir de 1921, de l’\u00c9cole Nationale Sup\u00e9rieure des Arts D\u00e9coratifs. Au d\u00e9but de sa carri\u00e8re, il travaille chez un restaurateur de laques anciens chinois : il s’initie ainsi \u00e0 de difficiles techniques qui l’int\u00e9ressent et d\u00e9cident de sa vocation.<\/p>\n

En 1923 il installe son propre atelier et en m\u00eame temps qu’il continue ses premiers travaux, il est devenu restaurateur des Mus\u00e9es et Palais Nationaux, il continue ses recherches et entreprend son oeuvre personnelle.<\/p>\n

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Buffet bas en bois laqu\u00e9 \u00e0 d\u00e9cor polychrome et or de Pierre Bobot.
(c) Galerie Atena,Proantic<\/figcaption><\/figure>\n<\/div>\n
Deux caract\u00e9ristiques vont distinguer d\u00e8s lors le ma\u00eetre: l’utilisation de laque synth\u00e9tiques et l’abandon des sujets traditionnels chinois au profit d’une occidentalisation des th\u00e8mes.<\/div>\n
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Outre leur non-toxicit\u00e9, les laques synth\u00e9tiques permettent des effets interdits aux mati\u00e8res naturelles v\u00e9g\u00e9tales, comme les laques blancs . De plus, la laque synth\u00e9tique peut facilement et diversement \u00eatre color\u00e9e dans la masse, d’o\u00f9 l’obtention d’effets de variation de tons en transparence. L’artiste n’oublie pas les techniques classiques telle l’incrustration de coquille d’oeuf.<\/div>\n
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Paravent Pierre BOBOT, 1929.<\/figcaption><\/figure>\n

Technicien \u00e9prouv\u00e9, Pierre Bobot sait appr\u00e9cier la beaut\u00e9 propre \u00e0 la laque, aime les irisations d’or et d’argent et a souvent remis en honneur les laques grav\u00e9es \u00e0 l’imitation des anciennes laques chinoises dites de \u00ab\u00a0Coromandel\u00a0\u00bb.<\/p>\n<\/div>\n

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Petite table haute laqu\u00e9e.
Pierre Bobot, 1960<\/figcaption><\/figure>\n<\/div>\n
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Il obtient aussi d’int\u00e9ressants effets en superposant deux laques d’\u00e9paisseurs diff\u00e9rentes : fond uni sur lequel se d\u00e9tachent des motifs ornementaux, fleurs, oiseaux, voire sc\u00e8nes anecdotiques, en relief. Il con\u00e7oit ses panneaux comme pr\u00e9texte \u00e0 de grandes compositions d\u00e9coratives dont il \u00e9tudie le dessin et l’iconographie avec un soin tout particulier.<\/div>\n
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Laque de Pierre Bobot sauv\u00e9e avant la d\u00e9construction de l’ex-France (\u00a9 : J-C LEMEE)<\/figcaption><\/figure>\n<\/div>\n
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Quant aux th\u00e8mes trait\u00e9s, vues panoramiques de Paris, sc\u00e8nes de la nature, vues portuaires, pierre Bobot en con\u00e7oit le projet, en r\u00e9alise l’ex\u00e9cution. Il n’h\u00e9site, pas pour ce faire, \u00e0 fr\u00e9quenter les biblioth\u00e8ques d’o\u00f9 il tire les documents originaux dont il s’inspire. Ses conceptions en vue cavali\u00e8re, si souvent mises en valeur pour le Paris d’hier et\u00a0 d’aujourd’hui, sont n\u00e9es de son exp\u00e9rience d’a\u00e9rostier mais aussi de la pratique du restaurateur de paravents chinois o\u00f9 la vision de haut en bas est depuis toujours celle de la peinture chinoise.<\/div>\n
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Paravent en laque Pierre Bobot,
le pond neuf.<\/figcaption><\/figure>\n<\/div>\n
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Il expose depuis 1932 aux Salons d’Automne puis \u00e0 ceux des Artistes D\u00e9corateurs et de la Nationale des beaux-arts. Il collabore avec Leleu, Dominique, Jallot, Pascaud et compose parfois lui-m\u00eame des meubles enti\u00e8rement laqu\u00e9s ou incrust\u00e9s de motifs ornementaux.<\/p>\n

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Meuble du salon ivoire et or, 1955. Pierre Bobot<\/figcaption><\/figure>\n

Des oeuvres de Bobot acquises par la Ville de Paris et par l’\u00c9tat figurent \u00e0 l’H\u00f4tel de Ville, au Mobilier National, au Minist\u00e8re de la Reconstruction, \u00e0 l’H\u00f4tel des Tabacs. Il ex\u00e9cute les panneaux offerts par le Pr\u00e9sident de la R\u00e9publique \u00e0 la Reine Juliana, et fait d’importants travaux pour les compagnies maritimes fran\u00e7aises et pour le paquebot hollandais \u00ab\u00a0Orange\u00a0\u00bb.<\/p>\n

De 1934 \u00e0 1968, il est le seul professeur de laque en France, enseignant \u00e0 l’\u00e9cole des Arts Appliqu\u00e9s de Paris\u00a0o\u00f9 il forme de jeunes talents aux techniques complexes du laque.<\/p>\n

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 <\/p>\n","protected":false},"excerpt":{"rendered":"

Pierre BOBOT (Paris, 1902-1974) est un laqueur fran\u00e7ais, \u00e9l\u00e8ve de l’\u00c9cole Bernard Palissy et, \u00e0 partir de 1921, de l’\u00c9cole Nationale Sup\u00e9rieure des Arts D\u00e9coratifs. Au d\u00e9but de sa carri\u00e8re, il travaille chez un restaurateur de laques anciens chinois : il s’initie ainsi \u00e0 de difficiles techniques qui l’int\u00e9ressent et d\u00e9cident de sa vocation. En […]<\/p>\n","protected":false},"author":6,"featured_media":7661,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[180],"tags":[],"class_list":["post-7631","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-decoratifs-proantic"],"yoast_head":"\nPierre Bobot, un talentueux laqueur fran\u00e7ais Le Magazine de Proantic<\/title>\n<meta name=\"description\" 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