{"id":762,"date":"2012-06-11T08:28:44","date_gmt":"2012-06-11T07:28:44","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=762"},"modified":"2017-12-22T11:31:27","modified_gmt":"2017-12-22T10:31:27","slug":"les-livres-dart-3","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/les-livres-dart-3\/","title":{"rendered":"Les Livres d’Art"},"content":{"rendered":"

\"livre<\/a>. Potiers et fa\u00efenciers entre Moyen-Age et 18e si\u00e8cle<\/span><\/strong><\/p>\n

Auteur: Vallauri Lucy<\/p>\n

Editeur: Silvana<\/p>\n

M<\/span>ontpellier est une terre d\u2019\u00e9lection pour la c\u00e9ramique: nombre d\u2019\u00e9rudits en ont soulign\u00e9 l\u2019importance depuis le XIXe si\u00e8cle. Les travaux fondateurs de Jean Thuile publi\u00e9s en 1943 avaient d\u00e9j\u00e0 consacr\u00e9 le r\u00f4le primordial de la capitale languedocienne dans le d\u00e9veloppement de la fa\u00efence en France. Les r\u00e9centes d\u00e9couvertes de l\u2019arch\u00e9ologie ont permis de renouveler la connaissance de ce centre de production et de d\u00e9voiler la richesse d\u2019une industrie qui se d\u00e9veloppa sans discontinuit\u00e9 du XIIIe au XVIIIe si\u00e8cle.<\/p>\n

C<\/span>et ouvrage permet \u00e0 la lumi\u00e8re d\u2019un corpus unique de documents d\u2019archives, de r\u00e9sultats de fouilles et de donn\u00e9es arch\u00e9om\u00e9triques, de montrer toute la diversit\u00e9 de ces productions autant que la ma\u00eetrise atteinte par les fa\u00efenciers montpellli\u00e9rains. Les essais publi\u00e9s ici appuy\u00e9s sur une abondante iconographie mettent ainsi en lien les r\u00e9sultats de la recherche arch\u00e9ologique avec les pi\u00e8ces conserv\u00e9es en collections et apportent une contribution majeure \u00e0 l\u2019\u00e9tude des origines et du d\u00e9veloppement de la fa\u00efence en France, entre Espagne et Italie.<\/p>\n

\"livre<\/a>1740 un abr\u00e9g\u00e9 du monde,Savoirs et collections autour de Dezallier d’Argenville<\/strong><\/span><\/p>\n

Auteur: Collectif<\/p>\n

Editeur: Anne Laffont<\/p>\n

1740 un abr\u00e9g\u00e9<\/strong> du monde<\/strong> traite des modalit\u00e9s de pr\u00e9sentation des objets naturels et artificiels au sein des cabinets de curiosit\u00e9s, des relations entre les marchands et les collectionneurs de coquillages, estampes, tableaux, dessins, et des syst\u00e8mes de classification en vigueur au temps de l’Encyclop\u00e9die<\/em> et de Linn\u00e9…R\u00e9dig\u00e9 par vingt sp\u00e9cialistes sous la direction d’Anne Lafont, conseill\u00e8re scientifique \u00e0 l’INHA, l’ouvrage gravite autour de la figure du naturaliste, historien de l’art et collectionneur fran\u00e7ais Dezallier d’Argenville (1685-1765), pivot de la dynamique nature\/culture au XVIIIe si\u00e8cle.<\/p>\n

I<\/span>l est organis\u00e9 sous la forme d’un ab\u00e9c\u00e9daire de vingt-sept articles illustr\u00e9s abordant des concepts qui sont au c\u0153ur de cette enqu\u00eate sur les arts et les savoirs naturalistes : Abr\u00e9g\u00e9, Amateur, Basseporte, Cabinet, Dessein, \u00c9cole, Fossiles, Grotesque, Histoire naturelle, Illustration, Jardin, Kiosque, Laboratoire, Mani\u00e8re, Num\u00e9rotation, Ornement, Parterre, Plume, Quartz, Rocaille, Syst\u00e8me, Table, Unique, Vernis, Vie, Watteau, Zoomorphose.<\/p>\n

\"livre<\/a>Le biscuit et la gla\u00e7ure. Collections du mus\u00e9e de la c\u00e9ramique de Rouen<\/span><\/strong><\/p>\n

Auteur: Gay Mazuel Audrey<\/span><\/p>\n

Editeur: Flammarion<\/p>\n

L<\/span>e mus\u00e9e de la C\u00e9ramique de Rouen conserve l’une des plus prestigieuses collections de fa\u00efences en France, comptant plus de cinq mille pi\u00e8ces.Ouvrage de r\u00e9f\u00e9rence sur l’histoire du mus\u00e9e et de ses oeuvres les plus remarquables, Le Biscuit et la gla\u00e7ure est plus qu’un guide. Riche de plus de trois cents images, il fait le point sur la totalit\u00e9 des collections conserv\u00e9es dans l’h\u00f4tel d’Hocqueville, et donne une vision d’ensemble de cet art d\u00e9coratif qui a accompagn\u00e9 les grands tournants de l’histoire de l’art occidental.<\/p>\n

I<\/span>l s’adresse au n\u00e9ophyte comme au lecteur averti et offre une introduction \u00e0 l’art de la c\u00e9ramique europ\u00e9enne, du XVIe au XXe si\u00e8cle, au sein de laquelle la fa\u00efence de Rouen occupe une place de premier plan.<\/p>\n","protected":false},"excerpt":{"rendered":"

. Potiers et fa\u00efenciers entre Moyen-Age et 18e si\u00e8cle Auteur: Vallauri Lucy Editeur: Silvana Montpellier est une terre d\u2019\u00e9lection pour la c\u00e9ramique: nombre d\u2019\u00e9rudits en ont soulign\u00e9 l\u2019importance depuis le XIXe si\u00e8cle. Les travaux fondateurs de Jean Thuile publi\u00e9s en 1943 avaient d\u00e9j\u00e0 consacr\u00e9 le r\u00f4le primordial de la capitale languedocienne dans le d\u00e9veloppement de […]<\/p>\n","protected":false},"author":6,"featured_media":765,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[16],"tags":[145,138,60],"class_list":["post-762","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-livres-dart","tag-biscuit","tag-faience","tag-livre-dart"],"yoast_head":"\nLes Livres d'Art Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\". 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