{"id":7163,"date":"2017-06-23T09:46:27","date_gmt":"2017-06-23T08:46:27","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=7163"},"modified":"2017-06-25T15:27:41","modified_gmt":"2017-06-25T14:27:41","slug":"charles-schneider-verre-francais","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/charles-schneider-verre-francais\/","title":{"rendered":"Charles Schneider – Le Verre Fran\u00e7ais"},"content":{"rendered":"

La verrerie Schneider fut assur\u00e9ment l\u2019une des plus importantes du XXe si\u00e8cle<\/strong>. Infatigable cr\u00e9ateur, Charles Schneider cr\u00e9a plusieurs centaines de mod\u00e8les entre 1918 et 1933, diffus\u00e9s par deux lignes commerciales : Schneider et Charder, le verre Fran\u00e7ais. Caract\u00e9ris\u00e9es par des couleurs vives, puissantes, contrast\u00e9es et des motifs naturalistes et stylis\u00e9es, les verreries Schneider eurent un succ\u00e8s retentissant \u00e0 l\u2019Exposition universelle de 1925 et furent massivement export\u00e9es vers l\u2019Am\u00e9rique.<\/p>\n

\"\"<\/a>
Vasque le Verre Fran\u00e7ais d\u00e9cor de fuchsias. XX\u00e8me
(c) Stephan Heliez Antiquit\u00e9s, Proantic.<\/figcaption><\/figure>\n

En 1913, les fr\u00e8res Schneider rach\u00e8tent une verrerie \u00e0 \u00c9pinay-sur-Seine gr\u00e2ce aux indemnit\u00e9s per\u00e7ues par Ernest lors de son d\u00e9part de la maison Daum et \u00e0 l\u2019apport financiers de leur associ\u00e9, l\u2019architecte Henri Wolff . Mais en 1914, \u00e0 peine les activit\u00e9s de la verrerie avaient-elles d\u00e9but\u00e9 qu\u2019elles doivent \u00eatre interrompues \u00e0 cause du conflit mondial et de la mobilisation g\u00e9n\u00e9rale. Cependant, les besoins nationaux en verreries sanitaires entra\u00eenent en 1917 la d\u00e9mobilisation des fr\u00e8res Schneider pour remettre l\u2018usine en marche et produire de la verrerie m\u00e9dicale.<\/p>\n

\"\"<\/a>
Verseuse de Charles Schneider, signature Le Verre Fran\u00e7ais. XX\u00e8me.
(c) Galerie Quattro, Proantic .<\/figcaption><\/figure>\n

En 1918, l\u2019entreprise est reconvertie en verrerie d\u2019art. Ernest s\u2019occupe habilement de g\u00e9rer la manufacture, tandis que Charles con\u00e7oit les mod\u00e8les \u00e9dit\u00e9s. Les premi\u00e8res pi\u00e8ces \u00e0 d\u00e9cors \u00e9maill\u00e9s de fleurs et de paysages reprennent ses \u00e9tudes dessin\u00e9es avant-guerre, ainsi que celles de son ami Gaston Hoffmann, rencontr\u00e9 aux Beaux-Arts de Paris. Toutefois, Charles Schneider devient vite l\u2019unique cr\u00e9ateur des pi\u00e8ces.<\/p>\n

S\u2019\u00e9loignant progressivement de l\u2019Art Nouveau, il d\u00e9veloppe un genre tr\u00e8s personnel, caract\u00e9ris\u00e9 par des couleurs vives, puissantes, contrast\u00e9es et des motifs naturalistes et stylis\u00e9s, symbolisant parfaitement le style Art d\u00e9co de l\u2018Entre-deux guerres.<\/p>\n

\"\"<\/a>
Vase \u00a0\u00bb Le Verre Fran\u00e7ais\u00a0\u00bb.
(c) Galerie Loic Vall\u00e9e, Proantic.<\/figcaption><\/figure>\n

Diffus\u00e9es par les lignes commerciales Schneider et Charder, Le Verre Fran\u00e7ais, les verreries d\u00e9coratives se vendent si bien que la manufacture doit s\u2019agrandir en 1925 pour accueillir les cinq cents verriers n\u00e9cessaires \u00e0 la production et r\u00e9pondre au march\u00e9 am\u00e9ricain. Toutefois, la verrerie est lourdement frapp\u00e9e par la crise de 1929 et est contrainte de cesser sa production peu apr\u00e8s. Ses activit\u00e9s n\u2019auront dur\u00e9 qu\u2019une quinzaine d\u2019ann\u00e9es.<\/p>\n

La marque Le Verre Fran\u00e7ais<\/strong> fut d\u00e9pos\u00e9e en octobre 1918 pour cr\u00e9er une seconde ligne plus fantaisiste, distincte des verreries haut de gamme de la ligne Schneider.
\nCependant, les formes simples et les d\u00e9cors stylis\u00e9s inspir\u00e9s de la nature rencontrent un vif succ\u00e8s, en particulier aupr\u00e8s d\u2019une client\u00e8le am\u00e9ricaine. Celle-ci appr\u00e9cie l\u2019audace et la modernit\u00e9 des couleurs, ainsi que le contraste des motifs lisses et brillants qui se d\u00e9tachent des fonds mats grav\u00e9s a l\u2019acide.<\/p>\n

\"\"<\/a>
Verre grav\u00e9e d’\u00e9poque Art D\u00e9co vers 1920 par Charles Schneider sign\u00e9 Le Verre Fran\u00e7ais .
(c) Galerie Tramway<\/figcaption><\/figure>\n

Si les couleurs utilis\u00e9es sont restreintes (dix-sept teintes ont \u00e9t\u00e9 r\u00e9pertori\u00e9es), plus de cent quatre-vingts d\u00e9cors sont en revanche d\u00e9nombr\u00e9s. Ils apparaissent indiff\u00e9remment sur des vases de formes diff\u00e9rentes et dans plusieurs couleurs, multipliant du fait les mod\u00e8les. La ligne est donc rentable gr\u00e2ce \u00e0 sa large diffusion mais sa marge b\u00e9n\u00e9ficiaire est restreinte \u00e0 cause des interventions suppl\u00e9mentaires de gravure des d\u00e9cors. Vers la fin des ann\u00e9es 1920, les pi\u00e8ces \u00e9voluent vers des formes et des d\u00e9cors plus g\u00e9om\u00e9triques, inspir\u00e9es des mouvements artistiques du moment, \u00a0le cubisme, le futurisme, \u00e0 travers les couleurs et les lumi\u00e8res.<\/p>\n

\"\"<\/a>
Lampe en bronze et verre dit \u00ab\u00a0p\u00e2te de verre\u00a0\u00bb grav\u00e9, mod\u00e8le \u00ab\u00a0\u00c9chassier\u00a0\u00bb s\u00e9rie \u00ab\u00a0Raisins\u00a0\u00bb par Le Verre Fran\u00e7ais .
(c) Maison Moderne – Patrick Verhelst, Proantic<\/figcaption><\/figure>\n

Charles Schneider <\/strong>signe de son nom de famille sur les \u0153uvres les plus ch\u00e8res et \u00e9labor\u00e9es, ou \u00ab\u00a0Charder\u00a0\u00bb sur celles qui r\u00e9pondent \u00e0 une forte demande du march\u00e9, surtout aux Etats-Unis et en Argentine, qui deviendront les premiers importateurs du \u00ab\u00a0Verre fran\u00e7ais\u00a0\u00bb..<\/p>\n","protected":false},"excerpt":{"rendered":"

La verrerie Schneider fut assur\u00e9ment l\u2019une des plus importantes du XXe si\u00e8cle. Infatigable cr\u00e9ateur, Charles Schneider cr\u00e9a plusieurs centaines de mod\u00e8les entre 1918 et 1933, diffus\u00e9s par deux lignes commerciales : Schneider et Charder, le verre Fran\u00e7ais. Caract\u00e9ris\u00e9es par des couleurs vives, puissantes, contrast\u00e9es et des motifs naturalistes et stylis\u00e9es, les verreries Schneider eurent un […]<\/p>\n","protected":false},"author":6,"featured_media":7186,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[327],"tags":[],"class_list":["post-7163","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entreprise-du-patrimoine"],"yoast_head":"\nCharles Schneider - Le Verre Fran\u00e7ais Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"La verrerie Schneider fut assur\u00e9ment l\u2019une des plus importantes du XXe si\u00e8cle. 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