{"id":7063,"date":"2017-05-30T10:15:40","date_gmt":"2017-05-30T09:15:40","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=7063"},"modified":"2017-06-04T15:28:08","modified_gmt":"2017-06-04T14:28:08","slug":"duchesse-de-berry-mobilier-charles-x","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/duchesse-de-berry-mobilier-charles-x\/","title":{"rendered":"La duchesse de Berry et le mobilier charles X"},"content":{"rendered":"<p>La d\u00e9faite de Napol\u00e9on en 1815 entra\u00eene la restauration de la monarchie. Jusqu\u2019en 1830, deux fr\u00e8res de Louis <span class=\"caps\">XVI<\/span>, Louis <span class=\"caps\">XVIII<\/span> puis Charles X, se succ\u00e8dent sur le tr\u00f4ne de France. Belle-fille du roi Charles X, la duchesse de Berry s\u2019installe ici, au pavillon de Marsan. Elle m\u00e8ne un train de vie luxueux et favorise le nouveau go\u00fbt pour les bois clairs qui tranchent avec l\u2019acajou si pris\u00e9 sous l\u2019Empire. Appr\u00e9ci\u00e9s pour leurs surfaces ond\u00e9es et mouchet\u00e9es, les placages de bois blonds sont orn\u00e9s de bronzes dor\u00e9s ou incrust\u00e9s de motifs en bois fonc\u00e9. Les lignes courbes caract\u00e9risent ce mobilier.<\/p>\n<figure id=\"attachment_7064\" aria-describedby=\"caption-attachment-7064\" style=\"width: 665px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/15403671_1177677908975396_73132837637636497_o.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"7064\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/duchesse-de-berry-mobilier-charles-x\/15403671_1177677908975396_73132837637636497_o\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/15403671_1177677908975396_73132837637636497_o.jpg?fit=2000%2C1331&amp;ssl=1\" data-orig-size=\"2000,1331\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Le mus\u00e9e des arts d\u00e9coratifs de Paris (Paris, France) .\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Le mus\u00e9e des arts d\u00e9coratifs de Paris (Paris, France) .&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/15403671_1177677908975396_73132837637636497_o.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/15403671_1177677908975396_73132837637636497_o.jpg?fit=665%2C442&amp;ssl=1\" class=\"size-large wp-image-7064\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/15403671_1177677908975396_73132837637636497_o-1024x681.jpg?resize=665%2C442\" alt=\"\" width=\"665\" height=\"442\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/15403671_1177677908975396_73132837637636497_o.jpg?resize=1024%2C681&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/15403671_1177677908975396_73132837637636497_o.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/15403671_1177677908975396_73132837637636497_o.jpg?resize=768%2C511&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/15403671_1177677908975396_73132837637636497_o.jpg?resize=180%2C120&amp;ssl=1 180w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/15403671_1177677908975396_73132837637636497_o.jpg?w=2000&amp;ssl=1 2000w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/15403671_1177677908975396_73132837637636497_o.jpg?w=1330&amp;ssl=1 1330w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/a><figcaption id=\"caption-attachment-7064\" class=\"wp-caption-text\">Le mus\u00e9e des arts d\u00e9coratifs de Paris (Paris, France) .<\/figcaption><\/figure>\n<p>Le <b>pavillon de Marsan<\/b> est un \u00e9l\u00e9ment du palais du Louvre, qui faisait partie autrefois du palais des Tuileries, \u00e0 Paris.<\/p>\n<p>Un d\u00e9cret de 1801 de Bonaparte\u00a0(qui r\u00e9side au palais des Tuileries) expulse les artistes et autres personnes qui resident au Louvre. Les maisons \u00e9tablies \u00e0 l&rsquo;int\u00e9rieur de l&#8217;emprise du Louvre sont d\u00e9truites. Les architectes Percier et Fontaine sont charg\u00e9s de la conduite des op\u00e9rations et travaux \u00e0 la fois aux Tuileries et au Louvre. Ils ach\u00e8vent les fa\u00e7ades de la cour. L&rsquo;aile nord est prolong\u00e9e du pavillon de Rohan au pavillon de Marsan qui devient le pavillon d&rsquo;angle des Tuileries. Pour avoir une unit\u00e9 architecturale, on construit une r\u00e9plique de la fa\u00e7ade d&rsquo;Androuet du Cerceau sur la galerie du bord de l&rsquo;eau. Percier d\u00e9missionne en 1812, Fontaine restera l&rsquo;architecte du Louvre jusqu&rsquo;en 1848.<\/p>\n<figure id=\"attachment_7065\" aria-describedby=\"caption-attachment-7065\" style=\"width: 665px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/arton3806-resp1090.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"7065\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/duchesse-de-berry-mobilier-charles-x\/arton3806-resp1090\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/arton3806-resp1090.jpg?fit=1090%2C1568&amp;ssl=1\" data-orig-size=\"1090,1568\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"F\u00e9lix R\u00e9mond (1779- apr\u00e8s 1860) Paris, 1823, Exposition des produits de l\u2019industrie Ch\u00eane, placage de loupe d\u2019orme, de loupe d\u2019amboine, d\u2019acajou, de fr\u00eane et de citronnier, bronze dor\u00e9 D\u00e9p\u00f4t du Mobilier national, 1980 Inv. MOB NAT GME 4325 \u00a9 Les Arts D\u00e9coratifs \/ photo : Jean Tholance\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;F\u00e9lix R\u00e9mond (1779- apr\u00e8s 1860)&lt;br \/&gt;\nParis, 1823, Exposition des produits de l\u2019industrie&lt;br \/&gt;\nCh\u00eane, placage de loupe d\u2019orme, de loupe d\u2019amboine, d\u2019acajou, de fr\u00eane et de citronnier, bronze dor\u00e9&lt;br \/&gt;\nD\u00e9p\u00f4t du Mobilier national, 1980&lt;br \/&gt;\nInv. MOB NAT GME 4325&lt;br \/&gt;\n\u00a9 Les Arts D\u00e9coratifs \/ photo : Jean Tholance&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/arton3806-resp1090.jpg?fit=209%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/arton3806-resp1090.jpg?fit=665%2C956&amp;ssl=1\" class=\"size-large wp-image-7065\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/arton3806-resp1090-712x1024.jpg?resize=665%2C956\" alt=\"\" width=\"665\" height=\"956\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/arton3806-resp1090.jpg?resize=712%2C1024&amp;ssl=1 712w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/arton3806-resp1090.jpg?resize=209%2C300&amp;ssl=1 209w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/arton3806-resp1090.jpg?resize=768%2C1105&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/arton3806-resp1090.jpg?resize=125%2C180&amp;ssl=1 125w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/arton3806-resp1090.jpg?w=1090&amp;ssl=1 1090w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/a><figcaption id=\"caption-attachment-7065\" class=\"wp-caption-text\">F\u00e9lix R\u00e9mond (1779- apr\u00e8s 1860)<br \/>Paris, 1823, Exposition des produits de l\u2019industrie<br \/>Ch\u00eane, placage de loupe d\u2019orme, de loupe d\u2019amboine, d\u2019acajou, de fr\u00eane et de citronnier, bronze dor\u00e9<br \/>\u00a9 Les Arts D\u00e9coratifs \/ photo : Jean Tholance<\/figcaption><\/figure>\n<p>Le pavillon de Marsan se trouve \u00e0 l&rsquo;extr\u00e9mit\u00e9 nord-ouest du palais du Louvre. Il faisait simultan\u00e9ment partie du palais des Tuileries, il \u00e9tait un des deux points de raccordement entre les deux palais (avec le Pavillon de Flore au sud). Il a \u00e9t\u00e9 d\u00e9truit lors de l&rsquo;incendie des Tuileries en 1871, puis reconstruit \u00e0 partir de 1874. Le pavillon de Flore sert de mod\u00e8le au pavillon de Marsan qui remplace celui de Le Vau. Le long de la rue de Rivoli, l&rsquo;aile nord du Louvre double alors en largeur.<\/p>\n<figure id=\"attachment_7066\" aria-describedby=\"caption-attachment-7066\" style=\"width: 665px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/arton3808-resp1090.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"7066\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/duchesse-de-berry-mobilier-charles-x\/arton3808-resp1090\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/arton3808-resp1090.jpg?fit=1090%2C1482&amp;ssl=1\" data-orig-size=\"1090,1482\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Fauteuil gondole France, vers 1825 Placage d\u2019\u00e9rable incrust\u00e9 d\u2019amarante Legs Mademoiselle de Saint-Maurice, 1905 Inv. 11866.B \u00a9 Les Arts D\u00e9coratifs \/ photo : Jean Tholance\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Fauteuil gondole&lt;br \/&gt;\nFrance, vers 1825&lt;br \/&gt;\nPlacage d\u2019\u00e9rable incrust\u00e9 d\u2019amarante&lt;br \/&gt;\nLegs Mademoiselle de Saint-Maurice, 1905&lt;br \/&gt;\nInv. 11866.B&lt;br \/&gt;\n\u00a9 Les Arts D\u00e9coratifs \/ photo : Jean Tholance&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/arton3808-resp1090.jpg?fit=221%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/arton3808-resp1090.jpg?fit=665%2C904&amp;ssl=1\" class=\"size-large wp-image-7066\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/arton3808-resp1090-753x1024.jpg?resize=665%2C904\" alt=\"\" width=\"665\" height=\"904\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/arton3808-resp1090.jpg?resize=753%2C1024&amp;ssl=1 753w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/arton3808-resp1090.jpg?resize=221%2C300&amp;ssl=1 221w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/arton3808-resp1090.jpg?resize=768%2C1044&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/arton3808-resp1090.jpg?resize=132%2C180&amp;ssl=1 132w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/arton3808-resp1090.jpg?w=1090&amp;ssl=1 1090w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/a><figcaption id=\"caption-attachment-7066\" class=\"wp-caption-text\">Fauteuil gondole<br \/>France, vers 1825<br \/>Placage d\u2019\u00e9rable incrust\u00e9 d\u2019amarante<br \/>Legs Mademoiselle de Saint-Maurice, 1905<br \/>Inv. 11866.B<br \/>\u00a9 Les Arts D\u00e9coratifs \/ photo : Jean Tholance<\/figcaption><\/figure>\n<p>Depuis 1905, le pavillon de Marsan et les b\u00e2timents attenants accueillent le mus\u00e9e des arts d\u00e9coratifs.<\/p>\n<p><span style=\"color: #ff0000\">En savoir plus:<\/span><\/p>\n<p>www; lesartsdecoratifs.fr<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La d\u00e9faite de Napol\u00e9on en 1815 entra\u00eene la restauration de la monarchie. Jusqu\u2019en 1830, deux fr\u00e8res de Louis XVI, Louis XVIII puis Charles X, se succ\u00e8dent sur le tr\u00f4ne de France. Belle-fille du roi Charles X, la duchesse de Berry s\u2019installe ici, au pavillon de Marsan. Elle m\u00e8ne un train de vie luxueux et favorise [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":7067,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-7063","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-patrimoine-musee"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La duchesse de Berry et le mobilier charles X Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"La d\u00e9faite de Napol\u00e9on en 1815 entra\u00eene la restauration de la monarchie. 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