{"id":6935,"date":"2017-05-06T17:09:29","date_gmt":"2017-05-06T16:09:29","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=6935"},"modified":"2017-05-07T14:06:03","modified_gmt":"2017-05-07T13:06:03","slug":"le-mobilier-national","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/le-mobilier-national\/","title":{"rendered":"Le mobilier National"},"content":{"rendered":"<p><strong>H\u00e9ritier de l\u2019ancien Garde-Meuble de la Couronne, cr\u00e9\u00e9 en 1604 par Henri IV et r\u00e9organis\u00e9 par Louis XIV en 1663, le Mobilier national est un service rattach\u00e9 au minist\u00e8re de la Culture et de la Communication<\/strong>. Il conserve une collection de premier plan, issue des achats et commandes destin\u00e9s, hier aux demeures royales et imp\u00e9riales, aujourd\u2019hui aux palais officiels de la R\u00e9publique. \u00c0 ce titre il est charg\u00e9 de :<\/p>\n<p><strong>Meubler<\/strong> les palais officiels de la R\u00e9publique et diff\u00e9rentes r\u00e9sidences pr\u00e9sidentielles. Ces am\u00e9nagements visent \u00e0 valoriser le prestige de la France et de ses grandes institutions.<\/p>\n<p>Pour les minist\u00e8res les d\u00e9p\u00f4ts sont limit\u00e9s aux bureaux des ministres et de leurs directeurs de cabinet ainsi qu&rsquo;aux pi\u00e8ces de r\u00e9ception officielles.<\/p>\n<p>Les Assembl\u00e9es, les grands corps de l&rsquo;Etat, l\u2019h\u00f4tel Matignon, les diverses ambassades de France \u00e0 l\u2019\u00e9tranger, mais aussi les espaces de r\u00e9ception lors des sommets internationaux hors de Paris, sont autant de lieux meubl\u00e9s pour une tr\u00e8s large part gr\u00e2ce aux collections du Mobilier national.<\/p>\n<figure id=\"attachment_6940\" aria-describedby=\"caption-attachment-6940\" style=\"width: 705px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_50_248_big.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"6940\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/le-mobilier-national\/p_autre_50_248_big\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_50_248_big.jpg?fit=705%2C338&amp;ssl=1\" data-orig-size=\"705,338\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Vue de la salle \u00e0 manger de l\u2019Elys\u00e9e cr\u00e9\u00e9e en 1972 pour le Pr\u00e9sident Pompidou par Pierre Paulin. \u00a9 Olivier Amsellem.\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Vue de la salle \u00e0 manger de l\u2019Elys\u00e9e cr\u00e9\u00e9e en 1972 pour le Pr\u00e9sident Pompidou par Pierre Paulin. \u00a9 Olivier Amsellem.&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_50_248_big.jpg?fit=300%2C144&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_50_248_big.jpg?fit=665%2C319&amp;ssl=1\" class=\"size-full wp-image-6940\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_50_248_big.jpg?resize=665%2C319\" alt=\"\" width=\"665\" height=\"319\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_50_248_big.jpg?w=705&amp;ssl=1 705w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_50_248_big.jpg?resize=300%2C144&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_50_248_big.jpg?resize=180%2C86&amp;ssl=1 180w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/a><figcaption id=\"caption-attachment-6940\" class=\"wp-caption-text\">Vue de la salle \u00e0 manger de l\u2019Elys\u00e9e cr\u00e9\u00e9e en 1972 pour le Pr\u00e9sident Pompidou par Pierre Paulin. \u00a9 Olivier Amsellem.<\/figcaption><\/figure>\n<p><strong> Conserver et restaurer<\/strong> de riches collections qui regroupent plus de 100.000 \u0153uvres, reflet de quatre si\u00e8cles de cr\u00e9ation ininterrompue dans les domaines du textile, du mobilier, de la porcelaine et des bronzes.<\/p>\n<p>Pour assurer la conservation de ses collections, le Mobilier national dispose, \u00e0 Paris et \u00e0 Aubusson, de 7 ateliers de restauration (l\u2019atelier de restauration de tapisserie, l\u2019atelier de restauration de tapis, l\u2019atelier de tapisserie d\u2019ameublement et de tapisserie et de d\u00e9cor, l\u2019atelier de menuiserie en si\u00e8ges, l\u2019atelier d\u2019\u00e9b\u00e9nisterie et l\u2019atelier de lustrerie-bronze) qui perp\u00e9tuent une tradition d\u2019excellence \u00e0 travers les savoir-faire traditionnels.<\/p>\n<figure id=\"attachment_6941\" aria-describedby=\"caption-attachment-6941\" style=\"width: 387px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_50_249_big.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"6941\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/le-mobilier-national\/p_autre_50_249_big\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_50_249_big.jpg?fit=387%2C338&amp;ssl=1\" data-orig-size=\"387,338\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Salon des Ambassadeurs, Palais de l&amp;rsquo;Elys\u00e9e. \u00a9 D.R\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Salon des Ambassadeurs, Palais de l&amp;rsquo;Elys\u00e9e. \u00a9 D.R&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_50_249_big.jpg?fit=300%2C262&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_50_249_big.jpg?fit=387%2C338&amp;ssl=1\" class=\"size-full wp-image-6941\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_50_249_big.jpg?resize=387%2C338\" alt=\"\" width=\"387\" height=\"338\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_50_249_big.jpg?w=387&amp;ssl=1 387w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_50_249_big.jpg?resize=300%2C262&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_50_249_big.jpg?resize=180%2C157&amp;ssl=1 180w\" sizes=\"auto, (max-width: 387px) 100vw, 387px\" \/><\/a><figcaption id=\"caption-attachment-6941\" class=\"wp-caption-text\">Salon des Ambassadeurs, Palais de l&rsquo;Elys\u00e9e. \u00a9 D.R<\/figcaption><\/figure>\n<p><strong>Cr\u00e9er <\/strong>des pi\u00e8ces nouvelles tiss\u00e9es dans les trois manufactures qui lui sont rattach\u00e9es (tapisseries des Gobelins et de Beauvais, tapis de la Savonnerie) \u00e0 partir de mod\u00e8les fournis par les g\u00e9n\u00e9rations successives d\u2019artistes : hier Charles Le Brun, Pierre Mignard, Fran\u00e7ois Boucher, Odilon Redon, Jean Lur\u00e7at, Henri Matisse, Picasso \u2026 puis Yaacov Agam, Pierre Alechinsky, Raymond Hains, ean-Michel Othoniel, Shirley Jaffe, Sheila Hicks, Fran\u00e7ois Morellet, Andr\u00e9 Dubreuil, Alain S\u00e9chas, \u2026<\/p>\n<figure id=\"attachment_6942\" aria-describedby=\"caption-attachment-6942\" style=\"width: 509px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_51_250_big.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"6942\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/le-mobilier-national\/p_autre_51_250_big\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_51_250_big.jpg?fit=509%2C338&amp;ssl=1\" data-orig-size=\"509,338\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Bureau d\u2019apr\u00e8 s Philippe Chaix et Jean-Paul Morel (n\u00e9s en 1949) r\u00e9alis\u00e9 par l\u2019atelier de recherche et cr\u00e9ation du Mobilier national, 2007, 73 x 220 x 90 cm. Tapis Polylobes, d\u2019apr\u00e8s Emilio Terry (1890-1969), tiss\u00e9 \u00e0 la manufacture nationale de la Savonnerie, atelier de Lod\u00e8ve, 1999\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Bureau d\u2019apr\u00e8 s Philippe Chaix et Jean-Paul Morel (n\u00e9s en 1949) r\u00e9alis\u00e9 par l\u2019atelier de recherche et cr\u00e9ation du Mobilier national, 2007, 73 x 220 x 90 cm.&lt;br \/&gt;\nTapis Polylobes, d\u2019apr\u00e8s Emilio Terry (1890-1969), tiss\u00e9 \u00e0 la manufacture nationale de la Savonnerie, atelier de Lod\u00e8ve, 1999&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_51_250_big.jpg?fit=300%2C199&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_51_250_big.jpg?fit=509%2C338&amp;ssl=1\" class=\"size-full wp-image-6942\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_51_250_big.jpg?resize=509%2C338\" alt=\"\" width=\"509\" height=\"338\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_51_250_big.jpg?w=509&amp;ssl=1 509w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_51_250_big.jpg?resize=300%2C199&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_51_250_big.jpg?resize=180%2C120&amp;ssl=1 180w\" sizes=\"auto, (max-width: 509px) 100vw, 509px\" \/><\/a><figcaption id=\"caption-attachment-6942\" class=\"wp-caption-text\">Bureau d\u2019apr\u00e8 s Philippe Chaix et Jean-Paul Morel (n\u00e9s en 1949) r\u00e9alis\u00e9 par l\u2019atelier de recherche et cr\u00e9ation du Mobilier national, 2007.<\/figcaption><\/figure>\n<p>Ainsi que des pi\u00e8ces de mobilier r\u00e9alis\u00e9es par l\u2019Atelier de Recherche et de Cr\u00e9ation (ARC), cr\u00e9\u00e9 en 1964 \u00e0 l\u2019initiative d\u2019Andr\u00e9 Malraux, pour faire p\u00e9n\u00e9trer le design contemporain dans les b\u00e2timents officiels. L\u2019atelier a produit plus 600 pi\u00e8ces depuis sa cr\u00e9ation propos\u00e9es par des designers de r\u00e9f\u00e9rence : Pierre Paulin, Philippe Starck, Jean-Michel Wilmotte, Andr\u00e9e Putman, Richard Peduzzi, Sylvain Dubuisson, matali Crasset, Martin Szekely, Christophe Pillet, Christian Ghion, Inga Semp\u00e9, No\u00e9 Duchaufour Lawrance\u2026<\/p>\n<figure id=\"attachment_6943\" aria-describedby=\"caption-attachment-6943\" style=\"width: 507px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_58_261_big.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"6943\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/le-mobilier-national\/p_autre_58_261_big\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_58_261_big.jpg?fit=507%2C338&amp;ssl=1\" data-orig-size=\"507,338\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Bureau du Pr\u00e9sident. Bureau d\u2019apr\u00e8s Sylvain Dubuisson (n\u00e9 en 1946) en placage de louro fa\u00efa et  cuir, 1990.\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Bureau du Pr\u00e9sident. Bureau d\u2019apr\u00e8s Sylvain Dubuisson (n\u00e9 en 1946) en placage de louro fa\u00efa et  cuir, 1990.&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_58_261_big.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_58_261_big.jpg?fit=507%2C338&amp;ssl=1\" class=\"size-full wp-image-6943\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_58_261_big.jpg?resize=507%2C338\" alt=\"\" width=\"507\" height=\"338\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_58_261_big.jpg?w=507&amp;ssl=1 507w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_58_261_big.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_58_261_big.jpg?resize=180%2C120&amp;ssl=1 180w\" sizes=\"auto, (max-width: 507px) 100vw, 507px\" \/><\/a><figcaption id=\"caption-attachment-6943\" class=\"wp-caption-text\">Bureau du Pr\u00e9sident. Bureau d\u2019apr\u00e8s Sylvain Dubuisson (n\u00e9 en 1946) en placage de louro fa\u00efa et cuir, 1990.<\/figcaption><\/figure>\n<p><strong>Perp\u00e9tuer et transmettre<\/strong>, notamment par des actions de formation, les techniques traditionnelles des m\u00e9tiers d\u2019art li\u00e9s \u00e0 ses missions, dans divers domaines de la tapisserie, le tapis, le mobilier et la dentelle. Les deux ateliers nationaux de dentelle d\u2019Alen\u00e7on et du Puy-en-Velay, institu\u00e9s en 1976, forment avant tout un conservatoire de cet art ornemental menac\u00e9 de disparition: technique de la dentelle \u00e0 l\u2019aiguille \u00e0 Alen\u00e7on, et de la dentelle au fuseau au Puy- en-Velay..<\/p>\n<p><strong>Pr\u00e9senter<\/strong> au public son patrimoine et ses cr\u00e9ations dans son lieu d\u2019exposition qui lui est rattach\u00e9 ; la Galerie des Gobelins \u00e0 Paris, ainsi que dans le cadre de pr\u00eats et de d\u00e9p\u00f4ts dans des mus\u00e9es et ch\u00e2teaux, partout en France.<\/p>\n<figure id=\"attachment_6944\" aria-describedby=\"caption-attachment-6944\" style=\"width: 226px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_18_52_big.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"6944\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/le-mobilier-national\/p_autre_18_52_big\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_18_52_big.jpg?fit=226%2C338&amp;ssl=1\" data-orig-size=\"226,338\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Mobilier national \u00a9 Didier Herman\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Mobilier national \u00a9 Didier Herman&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_18_52_big.jpg?fit=201%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_18_52_big.jpg?fit=226%2C338&amp;ssl=1\" class=\"size-full wp-image-6944\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_18_52_big.jpg?resize=226%2C338\" alt=\"\" width=\"226\" height=\"338\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_18_52_big.jpg?w=226&amp;ssl=1 226w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_18_52_big.jpg?resize=201%2C300&amp;ssl=1 201w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_18_52_big.jpg?resize=120%2C180&amp;ssl=1 120w\" sizes=\"auto, (max-width: 226px) 100vw, 226px\" \/><\/a><figcaption id=\"caption-attachment-6944\" class=\"wp-caption-text\">Mobilier national \u00a9 Didier Herman<\/figcaption><\/figure>\n<p><strong>Le Mobilier national est install\u00e9 depuis 1937 dans un b\u00e2timent construit en ciment par Auguste Perret sur les anciens jardins de la manufacture des Gobelins.<\/strong><\/p>\n<p>Sous l\u2019Ancien r\u00e9gime, les r\u00e9sidences royales sont nombreuses. D\u00e8s lors seules les principales disposent d\u2019un ameublement permanent. Les autres sont install\u00e9es \u00e0 la demande, quelques jours avant l\u2019arriv\u00e9e du souverain. D\u00e8s le XIIIe si\u00e8cle, un des services de <em>l\u2019Ostel le Roy<\/em> (les services de l\u2019intendance royale) avait la charge sp\u00e9ciale de pourvoir en meubles et en tapisseries le roi, sa famille et la cour. Ce service tenait d\u00e9j\u00e0 l\u2019inventaire des meubles et objets de la Couronne, en assurait le transport et l\u2019entretien, et avait surtout la charge d\u2019en confectionner de nouveaux.<\/p>\n<figure id=\"attachment_6945\" aria-describedby=\"caption-attachment-6945\" style=\"width: 505px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_18_84_big.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"6945\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/le-mobilier-national\/p_autre_18_84_big\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_18_84_big.jpg?fit=505%2C338&amp;ssl=1\" data-orig-size=\"505,338\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Mobilier national \u00a9 Didier Herman\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Mobilier national \u00a9 Didier Herman&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_18_84_big.jpg?fit=300%2C201&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_18_84_big.jpg?fit=505%2C338&amp;ssl=1\" class=\"wp-image-6945 size-full\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_18_84_big.jpg?resize=505%2C338\" alt=\"\" width=\"505\" height=\"338\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_18_84_big.jpg?w=505&amp;ssl=1 505w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_18_84_big.jpg?resize=300%2C201&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2017\/05\/p_autre_18_84_big.jpg?resize=180%2C120&amp;ssl=1 180w\" sizes=\"auto, (max-width: 505px) 100vw, 505px\" \/><\/a><figcaption id=\"caption-attachment-6945\" class=\"wp-caption-text\">Mobilier national \u00a9 Didier Herman<\/figcaption><\/figure>\n<p>C\u2019est en 1663 que Louis XIV et Colbert ordonnent l\u2019institution du <em>Garde-Meuble de la Couronne<\/em>, avec un double souci, celui de la gloire et celui de la gestion patrimoniale. G\u00e9d\u00e9on Berbier du Mets se voit le premier confier la charge de directeur, avec le titre de \u00ab\u00a0Contr\u00f4leur g\u00e9n\u00e9ral des meubles de la Couronne\u00a0\u00bb.<br \/>\nLe Garde-Meuble eut longtemps l\u2019humeur vagabonde\u2026 Install\u00e9 d\u00e8s sa r\u00e9organisation par Colbert, \u00e0 <em>l\u2019h\u00f4tel du Petit Bourbon<\/em> jusqu\u2019en 1758, il a par la suite \u00e9lu domicile, entre autre lieux, \u00e0 <em>l\u2019h\u00f4tel de Conti <\/em>(1758-1768) et <em>rue Berg\u00e8re<\/em> (1825). Il est depuis 1937 sur les anciens jardins de la manufacture des Gobelins.<\/p>\n<p><span style=\"color: #ff0000\">En savoir plus:<\/span><\/p>\n<p>www; mobiliernational.culture.gouv.fr<\/p>\n","protected":false},"excerpt":{"rendered":"<p>H\u00e9ritier de l\u2019ancien Garde-Meuble de la Couronne, cr\u00e9\u00e9 en 1604 par Henri IV et r\u00e9organis\u00e9 par Louis XIV en 1663, le Mobilier national est un service rattach\u00e9 au minist\u00e8re de la Culture et de la Communication. Il conserve une collection de premier plan, issue des achats et commandes destin\u00e9s, hier aux demeures royales et imp\u00e9riales, [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":6948,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-6935","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-patrimoine-musee"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ 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