{"id":6891,"date":"2017-04-28T14:50:43","date_gmt":"2017-04-28T13:50:43","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=6891"},"modified":"2017-04-30T12:38:50","modified_gmt":"2017-04-30T11:38:50","slug":"jardin-dhiver-musee-de-faience-de-sarreguemines","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/jardin-dhiver-musee-de-faience-de-sarreguemines\/","title":{"rendered":"Le jardin d’hiver du Mus\u00e9e de la fa\u00efence de sarreguemines"},"content":{"rendered":"

Au XVII et XVIII\u00e8me si\u00e8cles, les conqu\u00eates et les d\u00e9couvertes nouveaux ont sensibilis\u00e9 la curiosit\u00e9 des botaniques. Des milliers d’esp\u00e8ces v\u00e9g\u00e9tales furent collect\u00e9es et envoy\u00e9es avec beaucoup de difficult\u00e9s en Europe. Sous la protection des souverains et des princes on \u00e9t\u00e9 r\u00e9unies des collections de plantes exotiques dans des jardins botaniques et dans des orangeries, puis dans des serres chauff\u00e9es, pour prot\u00e9ger durant les saisons froides, les esp\u00e8ces les plus fragiles…<\/p>\n

D\u00e9but XIX\u00e8me, les progr\u00e8s des techniques d’architecture permettent utilisation du fer et du verre pour la constructions de grandes verri\u00e8res. En France, l’architecte Rohault de Fleury construit les premi\u00e8res serres horticoles notamment celles du Museum d’histoire naturelle du Jardin des plantes \u00e0 Paris, en 1833. En Angleterre, le paysagiste et architecte Joseph Paxton s’illustre dans ma premi\u00e8re moiti\u00e9 du si\u00e8cle en proposant des serres aux structures des plus a\u00e9riennes et lumineuses; ses innovations seront utilis\u00e9es \u00e0 d’autres fins ainsi lui confiera t’on la r\u00e9alisation de la structure destin\u00e9e \u00e0 abriter la premi\u00e8re exposition universelle celle qui se tint \u00e0 Londres en 1851: Le fameux Crystal Palace….<\/p>\n

\"\"<\/a>
Le jardin d’hiver du Mus\u00e9e de la fa\u00efence de Sarreguemines<\/figcaption><\/figure>\n

Dans la deuxi\u00e8me moiti\u00e9 du XIX\u00e8me si\u00e8cle, de nombreux particuliers souhaitent \u00e9riger dans leur demeure un jardin d’hiver. Les constructions de fer et de verre viennent souvent s’adosser \u00e0 des habitations existantes. On y cultivait des esp\u00e8ces ornementales: des foug\u00e8res arborescentes, des palmiers, des bambous.<\/p>\n

Ces pi\u00e8ces constituaient des salons dans lesquels les propri\u00e9taire pouvaient donner des r\u00e9ceptions d’autant plus appr\u00e9ci\u00e9es qu’elles se d\u00e9roulaient dans un cadre lumineux, au d\u00e9cor v\u00e9g\u00e9tal luxuriant propre \u00e0 susciter l’\u00e9vasion des esprits vers des lieux exotiques.<\/p>\n

c’est dans l’esprit de ses pi\u00e8ces majestueuses qu’a \u00e9t\u00e9 construit vers 1880 le jardin d’hiver de Paul de Geiger. Insoup\u00e7onnable de l’ext\u00e9rieur, elle a \u00e9t\u00e9 \u00e9rig\u00e9e \u00e0 l\u2019extr\u00e9mit\u00e9 de sa demeure qui abrite \u00e0 pr\u00e9sent le mus\u00e9e de la fa\u00efence. Il s’agit d’une pi\u00e8ce de plan carr\u00e9 dont deux c\u00f4t\u00e9s oppos\u00e9s sont des verri\u00e8res, les deux autres sont constitu\u00e9s de murs enti\u00e8rement recouverts de fa\u00efences gla\u00e7ur\u00e9es.<\/p>\n

\"\"<\/a>
Le jardin d’hiver du Mus\u00e9e de la fa\u00efence de Sarreguemines<\/figcaption><\/figure>\n

Le programme iconographique a \u00e9t\u00e9 commandit\u00e9 par le directeur de la manufacture et constitue un rappel de la grandeur de l\u2019entreprise. Des m\u00e9daillons au dessus des portes s’attachent ainsi \u00e0 illustrer la dynastie des fa\u00efenciers; ils repr\u00e9sentent pour l’un Paul Utszchneider, l\u2019anc\u00eatre \u00a0\u00bb fondateur\u00a0\u00bb et alexandre de Geiger son gendre qui lui donna par la suite ses dimensions internationale et industrielle. Des monogrammes fix\u00e9s dans les m\u00e9topes de la frise qui surplombe la salle sont les initiales des membres de la famille et sont l\u00e0 comme un rappel ultime des grands noms de la manufacture.<\/p>\n

Une fontaine monumentales en majolique occupe le centre de l’un des murs: elle a \u00e9t\u00e9 cr\u00e9e dans le gout \u00a0de la Renaissance Italienne avec des niches en grotte abritant des dauphins; ceux-ci encadrent un panneau repr\u00e9sentant deux nymphes qui \u00e9voluent dans un d\u00e9cor floral compos\u00e9 d’iris, au centre du motif d’arums et de roseaux.<\/p>\n

\"\"<\/a><\/p>\n

De part et d ‘autre de cette fontaine, deux ensembles en carreaux de fa\u00efence figurent des vues de Sarreguemines, \u00e0 gauche le petit pavillon de \u00a0\u00bb rendez-vous\u00a0\u00bb de Paul de Geiger qu’il fit construire \u00e0 Sarreguemines sur la rive droite de la Sarre; \u00e0 droite, il a fait repr\u00e9senter les b\u00e2timents de l’usine. Sur le mur oppos\u00e9, encadrant la porte d’entr\u00e9e du jardin d’hiver, deux all\u00e9gories symbolisent le feu et la terre, deux \u00e9l\u00e9ments dont la fusion au sein des fours permettent la cr\u00e9ation des chefs-d’oeuvre de l’Art c\u00e9ramique dont la manufacture de Sarreguemines a fait son id\u00e9al. Enfin, deux panneaux verticaux aux motifs floraux sign\u00e9s C.Schuller annoncent par leur composition l’Art nouveau; elles sembles avoir \u00e9t\u00e9 plac\u00e9e l\u00e0 afin de rappeler la vocation du lieu: abriter des vari\u00e9t\u00e9s de plantes pr\u00e9cieuses et d\u00e9licates.<\/p>\n

En savoir plus:<\/span><\/p>\n

www.sarreguemines-museum.eu<\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Au XVII et XVIII\u00e8me si\u00e8cles, les conqu\u00eates et les d\u00e9couvertes nouveaux ont sensibilis\u00e9 la curiosit\u00e9 des botaniques. Des milliers d’esp\u00e8ces v\u00e9g\u00e9tales furent collect\u00e9es et envoy\u00e9es avec beaucoup de difficult\u00e9s en Europe. Sous la protection des souverains et des princes on \u00e9t\u00e9 r\u00e9unies des collections de plantes exotiques dans des jardins botaniques et dans des orangeries, […]<\/p>\n","protected":false},"author":6,"featured_media":6919,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-6891","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-patrimoine-musee"],"yoast_head":"\nLe jardin d'hiver du Mus\u00e9e de la fa\u00efence de sarreguemines Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"Au XVII et XVIII\u00e8me si\u00e8cles, les conqu\u00eates et les d\u00e9couvertes nouveaux ont sensibilis\u00e9 la curiosit\u00e9 des botaniques. 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