{"id":6857,"date":"2017-04-21T14:28:26","date_gmt":"2017-04-21T13:28:26","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=6857"},"modified":"2017-04-23T13:43:58","modified_gmt":"2017-04-23T12:43:58","slug":"bellini-michel-ange-parmesan-lepanouissement-dessin-a-renaissance","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/bellini-michel-ange-parmesan-lepanouissement-dessin-a-renaissance\/","title":{"rendered":"Bellini, Michel-Ange, Le Parmesan L\u2019\u00e9panouissement du dessin \u00e0 la Renaissance"},"content":{"rendered":"

L\u2019exposition inaugurale du cabinet d\u2019arts graphiques se propose de partir, de Venise \u00e0 Florence, sur les routes d\u2019une Renaissance italienne s\u2019\u00e9panouissant des ann\u00e9es 1500<\/strong>, moment d\u2019intense innovation artistique suscit\u00e9e par de grandes figures tut\u00e9laires, jusqu\u2019au bouleversement stylistique d\u00e9fini par Vasari comme la maniera moderna (ou mani\u00e9risme), qui se prolonge jusqu\u2019\u00e0 la fin du si\u00e8cle.<\/p>\n

\"\"<\/a>
Il Pordenone, Saint Martin \u00e0 cheval \u00a9 Chantilly, Mus\u00e9e Cond\u00e9<\/figcaption><\/figure>\n

45 \u0153uvres exceptionnelles, issues de la collection du duc d\u2019Aumale (fondateur du mus\u00e9e Cond\u00e9), montrent la mani\u00e8re dont les ma\u00eetres de la Renaissance italienne ont utilis\u00e9 toutes les possibilit\u00e9s expressives du dessin, au r\u00f4le si fondamental au xvie si\u00e8cle. La grande vari\u00e9t\u00e9 des feuilles s\u00e9lectionn\u00e9es illustre la multiplicit\u00e9 de leur fonction dans le processus de cr\u00e9ation : esquisse, \u00e9tude de figure ou de d\u00e9tail, carton, modello pr\u00e9sent\u00e9 au commanditaire, copie de statue antique ou d\u2019\u0153uvre de ma\u00eetre, dessin destin\u00e9 \u00e0 la gravure, etc. La plupart sont pr\u00e9paratoires \u00e0 des tableaux ou des fresques, voire \u00e0 des sculptures, et permettent de suivre les h\u00e9sitations, les r\u00e9flexions ou les intuitions g\u00e9niales des artistes.<\/p>\n

 <\/p>\n

\"\"<\/a>
Francesco Mazzola, dit Il Parmigianino ou le Parmesan
(Parme, 1503 \u2013 Casalmaggiore, 1540)
Quatre t\u00eates d\u2019enfant
Sanguine, traces de mise \u00e0 carreau \u00e0 la pierre noire.
(c) Chantilly, mus\u00e9e Cond\u00e9 \/ RMN-Grand Palais (domaine de Chantilly) \/ Michel Urtado.<\/figcaption><\/figure>\n

Ce voyage subjectif \u00e0 travers les foyers artistiques de la p\u00e9ninsule, Venise et la V\u00e9n\u00e9tie, Bologne et l\u2019\u00c9milie, Florence et la Toscane, permet de d\u00e9passer la traditionnelle opposition entre colorito v\u00e9nitien et disegno florentin pour se concentrer sur les recherches men\u00e9es parall\u00e8lement par les dessinateurs et leur perm\u00e9abilit\u00e9.\u00a0 Venez ainsi admirer des \u0153uvres rarement montr\u00e9es de Giovanni Bellini<\/strong>, Il Pordenone<\/strong>, Michel-Ange<\/strong>, Fra Bartolomeo<\/strong>, Baccio Bandinelli<\/strong> ou encore Le Parmesan<\/strong>, dans le cadre prestigieux du nouveau cabinet d\u2019arts graphiques de Chantilly.<\/p>\n

\"\"<\/a>
Francesco Mazzola, dit le Parmesan (Parme, 1503 \u2013 Casalmaggiore, 1540)
Ange soulevant une draperie au-dessus de sa t\u00eate
Plume, encre brune, lavis brun, rehauts de gouache blanche partiellement oxyd\u00e9s.
(c) \u00a9 Chantilly, mus\u00e9e Cond\u00e9 \/ RMN-Grand Palais (domaine de Chantilly) \/ Michel Urtado<\/figcaption><\/figure>\n

L\u2019Italie du Nord et Venise au xvie si\u00e8cle<\/strong><\/p>\n

\u00c0 rebours de l\u2019\u00ab obsession toscane \u00bb qui a pr\u00e9valu, depuis Vasari, dans l\u2019\u00e9tude du dessin italien de la Renaissance, l\u2019exposition part des propositions formalistes d\u2019Italie du Nord o\u00f9 l\u2019architecture et le portrait connaissent un brillant essor, \u00e0 la faveur des guerres d\u2019Italie et des \u00e9changes artistiques qui en d\u00e9coulent. Elle passe \u00e0 Venise, cit\u00e9 qui demeure la plus riche et la plus puissante de la p\u00e9ninsule, mais aussi \u00e9minent centre humaniste o\u00f9 Andrea Mantegna, Giovanni Bellini, Titien, V\u00e9ron\u00e8se, le Tintoret, ou encore Domenico Campagnola et le Pordenone sont les acteurs d\u2019un \u00e2ge d\u2019or o\u00f9 le dessin tient un r\u00f4le d\u00e9terminant.<\/p>\n

L\u2019\u00c9milie : Ferrare, Bologne et Parme.<\/strong><\/p>\n

La gr\u00e2ce du Parmesan L\u2019\u00e9cole v\u00e9nitienne est perm\u00e9able aux grands centres artistiques de l\u2019\u00c9milie. Les productions classiques de Bologne, influenc\u00e9es par Rapha\u00ebl, les importantes commandes ferraraises des ducs d\u2019Este marquent le pas devant l\u2019\u00e9mergence de Parme. L\u00e0, le Parmesan d\u00e9veloppa un langage propre, marqu\u00e9 par la gr\u00e2ce, la douceur, les effets d\u2019atmosph\u00e8re, mais aussi un certain tourbillonnement mani\u00e9riste dont rendent compte les nombreux dessins du mus\u00e9e Cond\u00e9 de sa main.<\/p>\n

\"\"<\/a>
Fra Bartolomeo, L\u2019archange Saint Michel chassant un groupe de personnages \u00a9 Chantilly, Mus\u00e9e Cond\u00e9<\/figcaption><\/figure>\n

Florence et la Toscane : des grands ma\u00eetres de la Renaissance classique au mani\u00e9risme<\/strong><\/p>\n

La Renaissance classique s\u2019est \u00e9panouie en Toscane, et particuli\u00e8rement \u00e0 Florence, o\u00f9 entre 1504 et 1506, L\u00e9onard de Vinci, Michel-Ange (un de ses superbes dessins de jeunesse est pr\u00e9sent\u00e9 dans l\u2019exposition) et Rapha\u00ebl sont pr\u00e9sents simultan\u00e9ment. Leur le\u00e7on y est durable et de grands ma\u00eetres, tel que Fra Bartolomeo, chef de file de l\u2019\u00e9cole florentine apr\u00e8s le d\u00e9part de Rapha\u00ebl, ou Andrea del Sarto, leur doivent beaucoup. Michel-Ange est l\u2019objet d\u2019une v\u00e9ritable fascination de la part de ses contemporains, notamment de plusieurs sculpteurs (Baccio Bandinelli, Giovanni Bandini, Raffaello da Montelupo) qui montrent dans leurs \u0153uvres dessin\u00e9es une stylisation et une sophistication nouvelles, t\u00e9moins de l\u2019essor du mani\u00e9risme.<\/p>\n

En savoir plus:<\/span><\/p>\n

Exposition au ch\u00e2teau de Chantilly \u00a0jusqu’au \u00a020 ao\u00fbt 2017<\/h4>\n

www.domainedechantilly.com<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

L\u2019exposition inaugurale du cabinet d\u2019arts graphiques se propose de partir, de Venise \u00e0 Florence, sur les routes d\u2019une Renaissance italienne s\u2019\u00e9panouissant des ann\u00e9es 1500, moment d\u2019intense innovation artistique suscit\u00e9e par de grandes figures tut\u00e9laires, jusqu\u2019au bouleversement stylistique d\u00e9fini par Vasari comme la maniera moderna (ou mani\u00e9risme), qui se prolonge jusqu\u2019\u00e0 la fin du si\u00e8cle. 45 […]<\/p>\n","protected":false},"author":6,"featured_media":6870,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-6857","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"\nBellini, Michel-Ange, Le Parmesan L\u2019\u00e9panouissement du dessin \u00e0 la Renaissance Le Magazine de Proantic<\/title>\n<meta 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