{"id":5986,"date":"2016-12-09T14:56:00","date_gmt":"2016-12-09T13:56:00","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=5986"},"modified":"2016-12-10T16:16:04","modified_gmt":"2016-12-10T15:16:04","slug":"suedois-a-paris-xviiie-siecle-collection-tessin","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/suedois-a-paris-xviiie-siecle-collection-tessin\/","title":{"rendered":"\u00ab\u00a0Un Su\u00e9dois \u00e0 Paris au XVIIIe si\u00e8cle\u00a0\u00bb. La collection Tessin"},"content":{"rendered":"

Homme de go\u00fbt et de culture, le comte Carl Gustaf Tessin exer\u00e7a les fonctions d\u2019ambassadeur de Su\u00e8de \u00e0 Paris entre 1739 et 1742<\/strong>. Durant ces trois ann\u00e9es, il collectionna peintures et dessins avec passion, constituant ainsi une tr\u00e8s riche collection (Boucher, D\u00fcrer, Rembrandt\u2026) aujourd\u2019hui pr\u00e9cieusement conserv\u00e9e au Nationalmuseum de Stockholm.<\/p>\n

\"Jean-Baptiste<\/a>
Jean-Baptiste Oudry, Nature morte avec le basset Pehr, 1740, huile sur toile, Stockholm, Nationalmuseum \u00a9Cecilia Heisser_Nationalmuseum<\/figcaption><\/figure>\n

L\u2019hommage du Louvre rendu \u00e0 ce Su\u00e9dois \u00e0 Paris au XVIIIe<\/sup>\u00a0 d\u00e9voile un choix spectaculaire d\u2019une centaine d\u2019\u0153uvres de la collection dont certaines, comme le Triomphe de V\u00e9nus de Fran\u00e7ois Boucher, y reviennent pour la premi\u00e8re fois depuis leur achat par Tessin. Il s\u2019agit par la m\u00eame occasion de d\u00e9couvrir le march\u00e9 de l\u2019art et le go\u00fbt parisiens au milieu du XVIIIe<\/sup> si\u00e8cle.<\/p>\n

\"Louis<\/a>
Louis Tocqu\u00e9, Portrait du comte Carl Gustaf
Tessin, Nationalmuseum, Stockholm
\u00a9 Cecilia Heisser \/ Nationalmuseum<\/figcaption><\/figure>\n

Homme politique et homme de cour, diplomate, artiste, \u00e9crivain et historien, le comte Carl Gustaf Tessin est re\u00e7u \u00e0 la Cour comme \u00e0 la ville et compte de nombreux amis comme le collectionneur Pierre-Jean Mariette et le peintre Fran\u00e7ois Boucher. En courant les boutiques, les ventes aux ench\u00e8res et les ateliers d\u2019artistes parisiens, Tessin acquiert une collection exceptionnelle, r\u00e9v\u00e9lant \u00e0 la fois le gout d\u2019un homme et l\u2019\u00e9mulation artistique qui r\u00e9gnait \u00e0 Paris dans les ann\u00e9es 1730-1740. De retour en Su\u00e8de, cribl\u00e9 de dettes, Carl Gustaf Tessin se voit contraint \u00e0 partir de 1749, de se s\u00e9parer de sa collection dont une grande partie devient propri\u00e9t\u00e9 de la Couronne su\u00e9doise.<\/p>\n

\"Jean-Baptiste<\/a>
Jean-Baptiste Sim\u00e9on Chardin, La Toilette du matin, 1741, huile sur toile, Stockholm, Nationalmuseum<\/figcaption><\/figure>\n

L\u2019exposition pr\u00e9sente environ 120 oeuvres, dont une trentaine de peintures et 75 dessins, ainsi que des sculptures et objets d\u2019art.<\/p>\n

D\u2019une qualit\u00e9 exceptionnelle, la s\u00e9lection d\u2019\u0153uvres pr\u00e9sent\u00e9e dans le cadre de cette exposition, suit un parcours \u00e0 la fois chronologique et th\u00e9matique, montrant comment l\u2019amateur a rassembl\u00e9 ce grand nombre de dessins et de peintures des plus illustres artistes fran\u00e7ais\u00a0 (Boucher, Natoire et Oudry\u2026) et \u00e9trangers (D\u00fcrer, Rembrandt, Carracci\u2026), ainsi que du mobilier et des objets d\u2019art \u00e0 la mode. La\u00a0 grande vente Crozat de 1741, \u00e0 l\u2019occasion de laquelle il est l\u2019un des principaux acheteurs, constitue le c\u0153ur de sa collection : primitifs italiens de la collection Vasari, primitifs flamands, et allemands, \u00e9tudes de Primatice pour Fontainebleau, \u00e9coles v\u00e9nitienne, bolonaise et fran\u00e7aise et surtout dessins flamands et hollandais.<\/p>\n

En savoir plus:<\/span><\/p>\n

20 octobre 2016 – 16 janvier 2017 Rotonde Sully<\/p>\n

http:\/\/www.louvre.fr\/<\/p>\n","protected":false},"excerpt":{"rendered":"

Homme de go\u00fbt et de culture, le comte Carl Gustaf Tessin exer\u00e7a les fonctions d\u2019ambassadeur de Su\u00e8de \u00e0 Paris entre 1739 et 1742. Durant ces trois ann\u00e9es, il collectionna peintures et dessins avec passion, constituant ainsi une tr\u00e8s riche collection (Boucher, D\u00fcrer, Rembrandt\u2026) aujourd\u2019hui pr\u00e9cieusement conserv\u00e9e au Nationalmuseum de Stockholm. L\u2019hommage du Louvre rendu \u00e0 […]<\/p>\n","protected":false},"author":6,"featured_media":5991,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-5986","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"\n"Un Su\u00e9dois \u00e0 Paris au XVIIIe si\u00e8cle". 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