{"id":5948,"date":"2016-12-03T15:56:29","date_gmt":"2016-12-03T14:56:29","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=5948"},"modified":"2017-01-04T07:45:36","modified_gmt":"2017-01-04T06:45:36","slug":"les-natures-mortes","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/les-natures-mortes\/","title":{"rendered":"Les Natures Mortes"},"content":{"rendered":"

La nature morte, au sens g\u00e9n\u00e9rique du terme, est un genre pictural. C’est \u00e9galement un terme attribu\u00e9 \u00e0 toute repr\u00e9sentation d’objets inanim\u00e9s, de fleurs, de fruits, de l\u00e9gumes, de poissons ou de gibiers, sans pr\u00e9sence humaine.<\/p>\n

\"Nature<\/a>
Nature morte aux tulipes \u2013 Antonio Gianlisi, \u00e9cole italienne (1677 – 1727).
(c) Art & Antiquities Investment, Proantic.<\/figcaption><\/figure>\n

L’origine de l’expression nature morte viendrait des Pays-Bas o\u00f9, autour de 1650, les peintres parlent de stillleven pour d\u00e9crire les \u0153uvres de l’artiste Evert Van Aelst (Delft 1602-1657). Litt\u00e9ralement, cette expression peut se traduire par \u00ab nature immobile \u00bb. Elle est \u00e0 l’origine du terme stillevens, qui d\u00e9signe en n\u00e9erlandais actuel une nature morte. Elle trouve \u00e9galement sa traduction anglaise dans l’expression still-life qui renvoie quant \u00e0 elle \u00e0 l’id\u00e9e de nature silencieuse.<\/p>\n

\"Nature-morte<\/a>
Nature-morte Canine, Fin Du XVIIe Si\u00e8cle- D\u00e9but XVIIIe Si\u00e8cle, \u00e9cole Fran\u00e7ais.
(c) Galerie Pellat de Villedon, Proantic.<\/figcaption><\/figure>\n

En France, Andr\u00e9 F\u00e9libien \u00e9tablit en 1667 une hi\u00e9rarchie des genres picturaux domin\u00e9e par la peinture d’histoire. Il \u00e9tablit que les \u0153uvres repr\u00e9sentant des \u00ab choses mortes et sans mouvement \u00bb y occupent la derni\u00e8re place.\u00a0\u00a0Le terme de nature morte n\u2019appara\u00eet qu\u2019au XVIIIe si\u00e8cle en France et en Italie.<\/p>\n

\"Nature<\/a>
Nature morte attribu\u00e9 \u00e0 Georgius Jacobus Johannes VAN OS (La Haye, 1782 \u2013 Paris, 1861)<\/figcaption><\/figure>\n

Le r\u00e9pertoire iconographique des natures mortes est ancien. D\u00e8s la p\u00e9riode hell\u00e9nistique (IIIe -Ier si\u00e8cle avant J.-C.), on peint \u00a0en trompe-l\u2019\u0153il, \u00a0des fruits, de la vaisselle, du gibier,\u2026 Cet usage de la nature morte d\u00e9corative se retrouve aussi chez les Romains dans les maisons de Pomp\u00e9i et Herculanum (IIe avant J.-C.-Ier si\u00e8cle apr\u00e8s J.-C.).<\/p>\n

\"Nature<\/a>
Nature morte au vase de Delf, sign\u00e9 Axel Johansen
Dat\u00e9 1917.
(c) Proantic, galerie Val\u00e9rie Mun\u00e9, Proantic<\/figcaption><\/figure>\n

Ce genre pictural fut oubli\u00e9 pendant toute la p\u00e9riode m\u00e9di\u00e9vale, puis remis au go\u00fbt du jour par les artistes italiens de la Renaissance. Giorgio Vasari dans Les vies des meilleurs peintres, sculpteurs et architectes (1550) utilise l’expression \u00ab cosi naturale \u00bb (les choses naturelles) pour d\u00e9signer les natures mortes ornementales de Giovanni da Udine.<\/p>\n

 <\/p>\n

\"Nature<\/a>
Nature Morte aux fruits et l\u00e9gumes Arthur Chaplin. XIX\u00e8me.
(c) Marseille Antiquites, Proantic<\/figcaption><\/figure>\n

Le XVIIe si\u00e8cle est une p\u00e9riode faste pour la nature morte. Les diff\u00e9rentes \u00e9coles de\u00a0peinture s\u2019y consacrent ; chacune conf\u00e8re aux objets une symbolique propre \u00e0 leur culture. En Hollande, le march\u00e9 de l\u2019art est tr\u00e8s compartiment\u00e9 : des peintres se sp\u00e9cialisent dans la repr\u00e9sentation de bouquets (Jan Bruegel de Velours), d\u2019autres dans le th\u00e8me des tables servies (Peter Claesz)<\/p>\n

La France est le grand pays de la nature morte au XVIIIe si\u00e8cle. On multiplie les trompe-l\u2019\u0153il pour l\u2019architecture et les riches d\u00e9cors de fleurs et de fruits. Jean Baptiste Oudry se consacre \u00e0 la repr\u00e9sentation d\u2019animaux morts et vivants. Et surtout, Jean Sim\u00e9on Chardin repr\u00e9sente avec une sensibilit\u00e9 in\u00e9gal\u00e9e la vie silencieuse des objets. Son aura d\u00e9passera largement le cadre de son si\u00e8cle et de son pays.<\/p>\n

\u00c0 partir des ann\u00e9es 1770, les peintres n\u00e9oclassiques renoncent \u00e0 la nature morte au profit des grands tableaux d\u2019histoire.\u00a0Ce sont surtout \u00c9douard Manet, Paul C\u00e9zanne et Vincent Van Gogh qui ont fait \u00e9voluer le genre au XIXe si\u00e8cle. Leur conception est purement picturale. Les objets n\u2019ont plus de valeur symbolique. Seul Paul Gauguin reviendra \u00e0 la nature morte symbolique.<\/p>\n

Les avant-gardes donnent une grande importance \u00e0 la nature morte. C\u2019est un support id\u00e9al au travail de la couleur et de la forme : le fauve Henri Matisse et surtout les cubistes Braque, Gris et Picasso en font leur sujet de pr\u00e9dilection . D\u00e8s 1914, Marcel Duchamp bouleverse le r\u00f4le de l\u2019objet dans l\u2019art avec ses readymades (objets de consommation courante expos\u00e9s comme \u0153uvres d\u2019art dans les mus\u00e9es). Cette d\u00e9marche influencera consid\u00e9rablement les artistes contemporains.<\/p>\n

Dans les ann\u00e9es 1920, les peintres surr\u00e9alistes s\u2019amusent \u00e0 cr\u00e9er des associations d\u2019objets incongrus ou terrifiants. Apr\u00e8s la Seconde Guerre mondiale, la peinture de chevalet figurative d\u00e9cline au profit de nouvelles formes artistiques. Sans que l\u2019on puisse parler de nature morte au sens strict, les artistes du Pop Art am\u00e9ricain (Warhol, Rauschenberg\u2026) et les nouveaux r\u00e9alistes fran\u00e7ais (Arman, C\u00e9sar\u2026) renouvellent l\u2019utilisation des objets dans l\u2019art (sacralisation des produits de consommation, accumulation d\u2019objets, r\u00e9cup\u00e9ration de d\u00e9tritus\u2026).<\/p>\n","protected":false},"excerpt":{"rendered":"

La nature morte, au sens g\u00e9n\u00e9rique du terme, est un genre pictural. C’est \u00e9galement un terme attribu\u00e9 \u00e0 toute repr\u00e9sentation d’objets inanim\u00e9s, de fleurs, de fruits, de l\u00e9gumes, de poissons ou de gibiers, sans pr\u00e9sence humaine. L’origine de l’expression nature morte viendrait des Pays-Bas o\u00f9, autour de 1650, les peintres parlent de stillleven pour d\u00e9crire […]<\/p>\n","protected":false},"author":6,"featured_media":5970,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[180],"tags":[],"class_list":["post-5948","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-decoratifs-proantic"],"yoast_head":"\nLes Natures Mortes Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"La nature morte, au sens g\u00e9n\u00e9rique du terme, est un genre pictural. 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