{"id":5904,"date":"2016-11-20T11:26:36","date_gmt":"2016-11-20T10:26:36","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=5904"},"modified":"2017-01-04T07:52:35","modified_gmt":"2017-01-04T06:52:35","slug":"panneau-scagliola-damedeo-seyter","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/panneau-scagliola-damedeo-seyter\/","title":{"rendered":"Panneau en scagliola d’Amedeo Seyter"},"content":{"rendered":"

Les tableaux Scagliola \u00e9taient tr\u00e8s pris\u00e9s par les voyageurs aristocratiques qui les ont acquis au cours de leur Grand Tour dans les 18e et d\u00e9but du 19e si\u00e8cle.\u00a0Origine du Scagliola serait certainement l\u2019Europe centrale, et en particulier la Bavi\u00e8re. La raison principale de l\u2019invention du Scagliola<\/em> vient du fait que les vrais mat\u00e9riaux, comme le marbre, \u00e9taient tr\u00e8s difficiles \u00e0 trouver, de plus ils \u00e9taient tr\u00e8s chers et difficiles \u00e0 transporter.<\/p>\n

A l’instar du vernis Martin fran\u00e7ais destin\u00e9 \u00e0 concurrencer les laques de l’Orient, la scagliola devait rivaliser avec les co\u00fbteuses incrustations de marbres d\u00e9velopp\u00e9es depuis le XVI\u00e8me si\u00e8cle dans l’Opificio delle pietre dure \u00e0 Florence.<\/p>\n

\"Panneau<\/a>
Panneau en scagliola d’Amedeo Seyter.
(c )Olivier d’Ythurbide et Associ\u00e9, Proantic.<\/figcaption><\/figure>\n

Remplacer l\u2019original par un produit qui pouvait l\u2019imiter parfaitement, revenait moins cher, il s’agissait d’une substance composite \u00e0 base de s\u00e9l\u00e9nite, de colle et de pigments naturels, qui, travaill\u00e9e et polie, imitait les marbres \u00a0\u00e0 la perfection ,et les pierres dures.<\/p>\n

Qu\u2019il s\u2019agisse du Scagliola<\/em> en incrustation ou du Stuccomarmo<\/em>, les premiers travaux en Allemagne datent de la fin des ann\u00e9es 1500, et l\u2019on peut imaginer avec certitude que les fabricants de Scagliola\u00a0<\/em>\u00e9taient d\u00e9j\u00e0 actifs d\u00e8s le milieu du 16\u00e8me si\u00e8cle, comme le t\u00e9moignent quelques travaux de la Court de Salzburg.<\/p>\n

\"Panneau<\/a>
Panneau en scagliola d’Amedeo Seyter.
(c )Olivier d’Ythurbide et Associ\u00e9, Proantic.<\/figcaption><\/figure>\n

Certains artistes se sp\u00e9cialis\u00e8rent dans la r\u00e9alisation de tableaux en trompe-l’oeil simulant des dessins \u00e0 la sanguine dans des encadrements \u00e0 l’imitation des marbres, particuli\u00e8rement les membres de la famille Seyter ou Seytter actifs \u00e0 Rome et \u00e0 Turin \u00e0 la fin du XVII\u00e8me et dans la premi\u00e8re moiti\u00e9 du si\u00e8cle suivant.<\/p>\n

La famille Seyter avait des origines allemandes et le premier artiste dans la famille \u00e9tait Daniele Seyter, n\u00e9 \u00e0 Vienne en 1649 qui est mort \u00e0 Turin en 1705. Il avait trois parents travaillant dans le milieu de scagliola: Pietro, Amedeo et Tarsilla Vittoria Seyter qui \u00e9taient tous actifs \u00e0 Rome au 18\u00e8me si\u00e8cle.<\/p>\n

\"Panneau<\/a>
Panneau en scagliola d’Amedeo Seyter.
(c )Olivier d’Ythurbide et Associ\u00e9, Proantic.<\/figcaption><\/figure>\n

Leur travail de scagliola est caract\u00e9ris\u00e9 par la simulation de gravures. Comme avec les panneaux en scagliola qui ont \u00e9t\u00e9 faits \u00e0 Carpi, les fr\u00e8res Seyter utilisaient seulement deux couleurs, g\u00e9n\u00e9ralement le rouge avec des hachures crois\u00e9es sur un fond blanc. Leur travail a \u00e9galement simul\u00e9 le papier et le marbre par l’utilisation efficace de trompe-l’\u0153il. Amedeo a \u00e9t\u00e9 actif entre 1712 et 1734 \u00e0 Turin et \u00a0\u00e0 Rome, ses th\u00e8mes de pr\u00e9dilection \u00e9taient les vues de paysages et aussi les \u00ab\u00a0Capricci\u00a0\u00bb avec des ruines romaines.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Les tableaux Scagliola \u00e9taient tr\u00e8s pris\u00e9s par les voyageurs aristocratiques qui les ont acquis au cours de leur Grand Tour dans les 18e et d\u00e9but du 19e si\u00e8cle.\u00a0Origine du Scagliola serait certainement l\u2019Europe centrale, et en particulier la Bavi\u00e8re. La raison principale de l\u2019invention du Scagliola vient du fait que les vrais mat\u00e9riaux, comme le […]<\/p>\n","protected":false},"author":6,"featured_media":5905,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[180],"tags":[],"class_list":["post-5904","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-decoratifs-proantic"],"yoast_head":"\nPanneau en 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