{"id":5519,"date":"2016-09-05T10:04:11","date_gmt":"2016-09-05T09:04:11","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=5519"},"modified":"2020-06-26T16:40:50","modified_gmt":"2020-06-26T15:40:50","slug":"turner-et-la-lumiere","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/turner-et-la-lumiere\/","title":{"rendered":"Turner et la lumi\u00e8re"},"content":{"rendered":"

Apr\u00e8s le succ\u00e8s des expositions Canaletto. Rome, Londres, Venise et Les collections du Prince de Liechtenstein, l\u2019H\u00f4tel de Caumont Centre d\u2019Art \u00e0 Aix-en-Provence met \u00e0 l\u2019honneur jusqu’au 18 sept 2016, l\u2019\u0153uvre de Joseph Mallord William Turner (1775 – 1851), figure majeure de la peinture anglaise du XIXe si\u00e8cle. Con\u00e7ue et organis\u00e9e en partenariat avec Turner Contemporary de Margate (Angleterre), l\u2019exposition Turner et la couleur b\u00e9n\u00e9ficie du concours extraordinaire de la Tate Gallery de Londres, qui a mis \u00e0 disposition plus de trente chefs-d\u2019\u0153uvre l\u00e9gu\u00e9s \u00e0 l\u2019\u00c9tat anglais par l\u2019artiste.<\/p>\n

Riche de plus de 120 aquarelles, gouaches et huiles sur toile provenant de prestigieux mus\u00e9es anglais et internationaux, tels que la Royal Academy de Londres, l\u2019Ashmolean Museum d\u2019Oxford et le Mus\u00e9e d\u2019art de Dallas, cette grande monographie est \u00e9galement l\u2019occasion de d\u00e9couvrir des \u0153uvres in\u00e9dites appartenant \u00e0 des collections particuli\u00e8res, ainsi que des ensembles d\u2019aquarelles r\u00e9unis aujourd\u2019hui pour la premi\u00e8re fois.<\/p>\n

\"D\u00e9part<\/a>
D\u00e9part pour le bal (San Martino) Expos\u00e9 en 1846 Huile sur toile \u00a9 Tate, London<\/figcaption><\/figure>\n

Pla\u00e7ant au c\u0153ur de son parcours la couleur, essence m\u00eame de la cr\u00e9ation de Turner, cette exposition invite \u00e0 red\u00e9couvrir la vie et l\u2019\u0153uvre de ce grand artiste sous un angle nouveau, jusqu\u2019\u00e0 pr\u00e9sent inexplor\u00e9 dans les r\u00e9trospectives qui lui ont \u00e9t\u00e9 d\u00e9di\u00e9es. Dans un parcours \u00e0 la fois chronologique, th\u00e9matique et g\u00e9ographique, le public est invit\u00e9 \u00e0 suivre les \u00e9volutions de la palette de Turner.<\/p>\n

Les premi\u00e8res toiles et aquarelles montrent comment le jeune peintre autodidacte s\u2019est confront\u00e9 aux grands coloristes du pass\u00e9, de Rembrandt \u00e0 Poussin, de Titien \u00e0 Claude Lorrain, avant de perfectionner une technique tr\u00e8s personnelle gr\u00e2ce \u00e0 l\u2019observation aigu\u00eb des ph\u00e9nom\u00e8nes naturels et de leurs variations chromatiques in\u00e9puisables, saisies sur le vif, en plein air.<\/p>\n

\"Matin<\/a>
Matin glacial
Expos\u00e9 \u00e0 la Royal Academy en 1813
Huile sur toile
Tate.
\u00a9 Tate, Londres 2015<\/figcaption><\/figure>\n

Une salle de l\u2019exposition, recr\u00e9ant l\u2019atmosph\u00e8re de l\u2019atelier de l\u2019artiste, permet de comprendre sa mani\u00e8re de travailler \u00e0 travers ses palettes, ses pigments, ses outils. L\u2019int\u00e9r\u00eat de Turner pour les th\u00e9ories scientifiques et philosophiques sur la couleur, de Newton \u00e0 Goethe, est largement illustr\u00e9 dans cette salle, ainsi que son emploi tout \u00e0 fait avant-gardiste de pigments et techniques in\u00e9dites. Ses exp\u00e9rimentations audacieuses ont valu \u00e0 l\u2019artiste les critiques les plus f\u00e9roces de ses contemporains, mais aussi toute l\u2019admiration des plus fins connaisseurs de l\u2019\u00e9poque.<\/p>\n

\"Coucher<\/a>
Coucher de soleil
Vers 1840-1845
Aquarelle et gouache sur papier gris
\u00a9 The Fitzwilliam Museum, Cambridge<\/figcaption><\/figure>\n

Une importante section du parcours, consacr\u00e9e aux voyages du peintre \u00e0 travers l\u2019Europe, permet d\u2019admirer la vari\u00e9t\u00e9 et le lyrisme de ses couchers de soleil dor\u00e9s, de ses marines bleut\u00e9es et des paysages \u00e9blouissants si typiques de son \u0153uvre. Si Venise offre un sujet incontournable, gr\u00e2ce aux reflets lumineux dans l\u2019eau de la lagune, la Provence n\u2019est pas moins fascinante aux yeux de Turner. S\u00e9duit par la lumi\u00e8re chaude et les ciels bleus de cette r\u00e9gion, il immortalise ses paysages dans un ensemble d\u2019aquarelles et esquisses qui trouve \u00e0 juste titre une place de choix dans cette exposition aixoise.<\/p>\n

\"Les<\/a>
Les Tours vermillon : \u00e9tude \u00e0 Marseille
Vers 1838
\u00a9 Tate, Londres 2015<\/figcaption><\/figure>\n

Des tons d\u00e9licats qui teintent ses croquis de voyage aux tonalit\u00e9s puissantes qui envahissent les plus c\u00e9l\u00e8bres toiles de la maturit\u00e9, la couleur de Turner nous d\u00e9voile ainsi, salle apr\u00e8s salle, le visage public et priv\u00e9 d\u2019un artiste controvers\u00e9, d\u2019un homme myst\u00e9rieux et d\u2019un aventurier amant de tous les d\u00e9fis. Le public retiendra surtout les qualit\u00e9s de ce coloriste prodigieux et subtil connaisseur des effets optiques et \u00e9motifs de la couleur, dont Claude Monet aurait dit qu\u2019il savait \u00ab peindre les yeux ouverts \u00bb. L\u2019impact de son \u0153uvre est en effet incontestable sur les g\u00e9n\u00e9rations d\u2019artistes qui ont donn\u00e9 vie, quelques d\u00e9cennies plus tard, \u00e0 l\u2019impressionnisme.<\/p>\n

\"Ciel<\/a>
Ciel au soleil couchant
Vers 1825-1830
Aquarelle sur papier
Tate. A
\u00a9 Tate, Londres 2015<\/figcaption><\/figure>\n

En plus des multiples voyages du peintre, une partie de l\u2019exposition est consacr\u00e9e aux \u0153uvres qu\u2019il r\u00e9alise \u00e0 Margate, sur la c\u00f4te du Kent, en Angleterre. Vers la fin de sa vie, Turner a pass\u00e9 beaucoup de temps dans ce petit village c\u00f4tier, attir\u00e9 par sa lumi\u00e8re toute particuli\u00e8re. C\u2019est \u00e0 Margate, o\u00f9 Turner a r\u00e9alis\u00e9 quelques-unes de ses plus belles exp\u00e9rimentations picturales, que cette m\u00eame exposition sera pr\u00e9sent\u00e9e du 8 octobre 2016 au 8 janvier 2017, au Turner Contemporary<\/p>\n

En savoir plus:<\/span><\/p>\n

H\u00f4tel de Caumont Centre d\u2019Art<\/p>\n

http:\/\/www.caumont-centredart.com\/<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Apr\u00e8s le succ\u00e8s des expositions Canaletto. Rome, Londres, Venise et Les collections du Prince de Liechtenstein, l\u2019H\u00f4tel de Caumont Centre d\u2019Art \u00e0 Aix-en-Provence met \u00e0 l\u2019honneur jusqu’au 18 sept 2016, l\u2019\u0153uvre de Joseph Mallord William Turner (1775 – 1851), figure majeure de la peinture anglaise du XIXe si\u00e8cle. Con\u00e7ue et organis\u00e9e en partenariat avec Turner […]<\/p>\n","protected":false},"author":6,"featured_media":5521,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-5519","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"\nTurner et la lumi\u00e8re Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"Apr\u00e8s le succ\u00e8s des expositions Canaletto. 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