{"id":5386,"date":"2016-08-02T10:14:16","date_gmt":"2016-08-02T09:14:16","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=5386"},"modified":"2016-08-07T18:30:19","modified_gmt":"2016-08-07T17:30:19","slug":"paul-follot","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/paul-follot\/","title":{"rendered":"Paul Follot: \u00c9b\u00e9niste et d\u00e9corateur fran\u00e7ais"},"content":{"rendered":"<p><strong>Paul Follot (1877-1941) est un cr\u00e9ateur dont les \u0153uvres de style 1925\u00a0restent marqu\u00e9es par l&rsquo;Art nouveau.<\/strong> \u00c9l\u00e8ve de Eug\u00e8ne Grasset, il garde de l&rsquo;enseignement de son ma\u00eetre un go\u00fbt pour les motifs et les sculptures dans le bois. Pourtant, les formes de ses meubles se distinguent de celles de la p\u00e9riode pr\u00e9c\u00e9dente\u00a0: ses si\u00e8ges, par exemple, s&rsquo;apparentant plut\u00f4t \u00e0 ceux des styles Louis\u00a0XVI ou Empire (dossier m\u00e9daillon, pieds sabres).<\/p>\n<figure id=\"attachment_5415\" aria-describedby=\"caption-attachment-5415\" style=\"width: 620px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/189414-2.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5415\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/paul-follot\/189414-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/189414-2.jpg?fit=900%2C1200&amp;ssl=1\" data-orig-size=\"900,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Salon 3 pi\u00e8ces Art d\u00e9co de Paul Follot\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Salon 3 pi\u00e8ces Art d\u00e9co de Paul Follot, en h\u00eatre,1930.&lt;br \/&gt;\n(c) Au R\u00e9veil du Temps&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/189414-2.jpg?fit=225%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/189414-2.jpg?fit=665%2C887&amp;ssl=1\" class=\"wp-image-5415 size-large\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/189414-2-768x1024.jpg?resize=620%2C827\" alt=\"Salon 3 pi\u00e8ces Art d\u00e9co de Paul Follot, en h\u00eatre,1930. (c) Au R\u00e9veil du Temps\" width=\"620\" height=\"827\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/189414-2.jpg?resize=768%2C1024&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/189414-2.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/189414-2.jpg?resize=620%2C827&amp;ssl=1 620w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/189414-2.jpg?w=900&amp;ssl=1 900w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-5415\" class=\"wp-caption-text\">Salon 3 pi\u00e8ces Art d\u00e9co de Paul Follot, en h\u00eatre,1930.<br \/> (c) Au R\u00e9veil du Temps<\/figcaption><\/figure>\n<p>D\u00e8s 1901, il se d\u00e9tourne du naturalisme de l\u2019art nouveau ,\u00a0il se retrouve \u00e0 travailler pour la galerie La Maison Moderne (de Julius Meier-Graefe), pour laquelle il r\u00e9alise des dessins de bijoux et de tapisseries.<\/p>\n<p>Apr\u00e8s avoir cofond\u00e9 le groupe d&rsquo;artistes <em>L&rsquo;art dans Tout<\/em>\u00a0en 1903, sa carri\u00e8re de d\u00e9corateur prend de l&rsquo;ampleur lorsqu&rsquo;il se met \u00e0 son compte en 1904. Il est membre fondateur de<em> la Soci\u00e9t\u00e9 des artistes d\u00e9corateurs<\/em>, et participe aux salons de 1908 et de 1909 en ouvrant une nouvelle voie \u00e0 l&rsquo;art d\u00e9coratif fran\u00e7ais.<\/p>\n<figure id=\"attachment_5416\" aria-describedby=\"caption-attachment-5416\" style=\"width: 649px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/follot-gc115-l.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5416\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/paul-follot\/follot-gc115-l\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/follot-gc115-l.jpg?fit=649%2C500&amp;ssl=1\" data-orig-size=\"649,500\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;SM 9800XL&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"lpmlo\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Paul Follot&lt;br \/&gt;\nService \u00e0 th\u00e9 et \u00e0 caf\u00e9. 1900-1905&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/follot-gc115-l.jpg?fit=300%2C231&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/follot-gc115-l.jpg?fit=649%2C500&amp;ssl=1\" class=\"size-full wp-image-5416\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/follot-gc115-l.jpg?resize=649%2C500\" alt=\"Paul Follot Service \u00e0 th\u00e9 et \u00e0 caf\u00e9. 1900-1905\" width=\"649\" height=\"500\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/follot-gc115-l.jpg?w=649&amp;ssl=1 649w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/follot-gc115-l.jpg?resize=300%2C231&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/follot-gc115-l.jpg?resize=620%2C478&amp;ssl=1 620w\" sizes=\"auto, (max-width: 649px) 100vw, 649px\" \/><\/a><figcaption id=\"caption-attachment-5416\" class=\"wp-caption-text\">Paul Follot<br \/>Service \u00e0 th\u00e9 et \u00e0 caf\u00e9. 1900-1905<\/figcaption><\/figure>\n<p>En 1911, il dessine des c\u00e9ramiques pour Wedgwood, textiles pour Cornille et Cie, et des objets en argent pour Christofle<\/p>\n<p>Follot n&rsquo;est pas uniquement un fabricant de meubles, mais aussi un th\u00e9oricien (\u00a0en 1920, il fut professeur du cours sup\u00e9rieur d&rsquo;art d\u00e9coratif \u00e0 la Ville de Paris,\u00a0 rue Madame )\u00a0: il donne des dessins d&rsquo;ensembles complets et fait ex\u00e9cuter par diff\u00e9rents techniciens les tissus, les tapis, les c\u00e9ramiques.<\/p>\n<figure id=\"attachment_5417\" aria-describedby=\"caption-attachment-5417\" style=\"width: 615px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/klkoiu.png\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5417\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/paul-follot\/klkoiu-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/klkoiu.png?fit=615%2C446&amp;ssl=1\" data-orig-size=\"615,446\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Commode Paul Follot\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Commode Paul Follot&lt;br \/&gt;\n(c) Camard &amp;#038; Associ\u00e9s SVV&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/klkoiu.png?fit=300%2C218&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/klkoiu.png?fit=615%2C446&amp;ssl=1\" class=\"size-full wp-image-5417\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/klkoiu.png?resize=615%2C446\" alt=\"Commode Paul Follot (c) Camard &amp; Associ\u00e9s SVV\" width=\"615\" height=\"446\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/klkoiu.png?w=615&amp;ssl=1 615w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/klkoiu.png?resize=300%2C218&amp;ssl=1 300w\" sizes=\"auto, (max-width: 615px) 100vw, 615px\" \/><\/a><figcaption id=\"caption-attachment-5417\" class=\"wp-caption-text\">Commode Paul Follot<br \/>(c) Camard &amp; Associ\u00e9s SVV<\/figcaption><\/figure>\n<p>Comme beaucoup de ses contemporains, il affectionne les mat\u00e9riaux rares, les incrustations de filets contrast\u00e9s, l&rsquo;utilisation de frises de bronze dor\u00e9.\u00a0Son go\u00fbt pour les \u0153uvres luxueuses ne l&#8217;emp\u00eache pas de se tourner aussi vers le mobilier de s\u00e9rie en prenant, \u00e0 partir de 1923, la direction de l&rsquo;atelier d&rsquo;art du Bon March\u00e9, Pomone.<\/p>\n<figure id=\"attachment_5414\" aria-describedby=\"caption-attachment-5414\" style=\"width: 600px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/111915-1.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5414\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/paul-follot\/111915-1\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/111915-1.jpg?fit=1013%2C1016&amp;ssl=1\" data-orig-size=\"1013,1016\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;3.7&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;COOLPIX P500&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1429552894&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;5.6&quot;,&quot;iso&quot;:&quot;160&quot;,&quot;shutter_speed&quot;:&quot;0.02&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Paul Follot, fauteuil de salon\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Paul Follot, fauteuil de salon , vers 1930-1940. Edition ateliers d&amp;rsquo;Art Pomone.&lt;br \/&gt;\n(c) La Maison Bananas&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/111915-1.jpg?fit=300%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/111915-1.jpg?fit=665%2C667&amp;ssl=1\" class=\"wp-image-5414\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/111915-1.jpg?resize=600%2C602\" alt=\"Paul Follot, fauteuil de salon , vers 1930-1940. Edition ateliers d'Art Pomone. (c) La Maison Bananas\" width=\"600\" height=\"602\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/111915-1.jpg?w=1013&amp;ssl=1 1013w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/111915-1.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/111915-1.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/111915-1.jpg?resize=768%2C770&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/111915-1.jpg?resize=620%2C622&amp;ssl=1 620w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/08\/111915-1.jpg?resize=940%2C943&amp;ssl=1 940w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption id=\"caption-attachment-5414\" class=\"wp-caption-text\">Paul Follot, fauteuil de salon , vers 1930-1940. Edition ateliers d&rsquo;Art Pomone.<br \/> (c) La Maison Bananas<\/figcaption><\/figure>\n<p>Pour l&rsquo;Exposition internationale de 1925, il r\u00e9alise plusieurs pavillons dont celui de Pomone. \u00c0 partir de 1928, Paul Follot fait partie du comit\u00e9 directeur de la compagnie anglaise Waring &amp; Gillow, o\u00f9 il travaille avec Serge Chermayeff\u00a0pour le design d&rsquo;ameublement et les int\u00e9rieurs du d\u00e9partement de l&rsquo;art moderne.<\/p>\n<p>Apr\u00e8s 1931, il se remet \u00e0 son compte et, en 1935, il est charg\u00e9 d&rsquo;une commande d&rsquo;une suite pour le paquebot Normandie\u00a0qui sera pr\u00e9sent\u00e9e \u00e0 l&rsquo;Exposition de Bruxelles. Le design de la suite est somptueux et en opposition avec l&rsquo;aust\u00e9rit\u00e9 du modernisme de l&rsquo;Art d\u00e9co.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paul Follot (1877-1941) est un cr\u00e9ateur dont les \u0153uvres de style 1925\u00a0restent marqu\u00e9es par l&rsquo;Art nouveau. \u00c9l\u00e8ve de Eug\u00e8ne Grasset, il garde de l&rsquo;enseignement de son ma\u00eetre un go\u00fbt pour les motifs et les sculptures dans le bois. Pourtant, les formes de ses meubles se distinguent de celles de la p\u00e9riode pr\u00e9c\u00e9dente\u00a0: ses si\u00e8ges, par [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":5413,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[180],"tags":[167,90,564],"class_list":["post-5386","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-decoratifs-proantic","tag-decorateur","tag-ebeniste","tag-paul-follot"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Paul Follot: \u00c9b\u00e9niste et d\u00e9corateur fran\u00e7ais Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"Paul Follot (1877-1941) est un cr\u00e9ateur dont les \u0153uvres de style 1925\u00a0restent marqu\u00e9es par l&#039;Art nouveau. \u00c9l\u00e8ve de Eug\u00e8ne Grasset, il garde de\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.proantic.com\/magazine\/paul-follot\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Paul Follot: \u00c9b\u00e9niste et d\u00e9corateur fran\u00e7ais Le Magazine de Proantic\" \/>\n<meta property=\"og:description\" content=\"Paul Follot (1877-1941) est un cr\u00e9ateur dont les \u0153uvres de style 1925\u00a0restent marqu\u00e9es par 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