{"id":5325,"date":"2016-07-24T18:56:35","date_gmt":"2016-07-24T17:56:35","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=5325"},"modified":"2016-07-24T18:56:35","modified_gmt":"2016-07-24T17:56:35","slug":"lhotel-de-caumon","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/lhotel-de-caumon\/","title":{"rendered":"L\u2019H\u00f4tel de Caumont"},"content":{"rendered":"

L\u2019H\u00f4tel de Caumont construit entre 1715\u00a0et 1742\u00a0se situe dans un quartier aristocratique de la vieille ville d\u2019Aix-en-Provence, le quartier Mazarin. D\u2019influence parisienne, c’est un h\u00f4tel particulier \u00ab\u00a0entre cour et jardin\u00a0\u00bb<\/strong>, sch\u00e9ma architectural apparu \u00e0 Paris au XVIe si\u00e8cle, qui rapport\u00e9 \u00e0 \u00e9chelle urbaine, correspond au ch\u00e2teau et son parc. <\/strong>Quatre \u00e9l\u00e9ments caract\u00e9risent ce type de plan : le portail, la cour, le corps de logis et le jardin, allant hi\u00e9rarchiquement de l\u2019espace public \u00e0 l\u2019espace priv\u00e9.<\/p>\n

\"Hotel<\/a>
H\u00f4tel de Caumont
(c) Christian Michel<\/figcaption><\/figure>\n

Par l\u2019ampleur de sa conception sans \u00e9quivalent \u00e0 Aix-en-Provence, il repr\u00e9sente un \u00e9chantillon de l\u2019architecture fran\u00e7aise du XVIIIe si\u00e8cle. Pour leur qualit\u00e9, le portail \u00e0 carrosses, la fa\u00e7ade et la rampe d\u2019escalier en fer forg\u00e9 ont \u00e9t\u00e9 inscrits \u00e0 l\u2019inventaire suppl\u00e9mentaire des Monuments Historiques en 1925. La totalit\u00e9 de l\u2019h\u00f4tel fut class\u00e9e en 1987.<\/p>\n

\"Le<\/a>
Le salon de musique, H\u00f4tel de Caumont<\/figcaption><\/figure>\n

Les plans initiaux de l\u2019h\u00f4tel sont l\u2019\u0153uvre de Robert de Cotte. Il avait con\u00e7u pour l\u2019h\u00f4tel une fa\u00e7ade qui se devait d\u2019imposer le statut social propre \u00e0 la noblesse. Le premier projet \u00e9tait dans le go\u00fbt classique qui faisait alors autorit\u00e9 dans les milieux parisiens. Le fils du commanditaire, Joseph Fran\u00e7ois, modifie le projet initial pour aboutir \u00e0 un r\u00e9sultat plus m\u00e9ridional et moins marqu\u00e9 par le classicisme architectural parisien avec un d\u00e9cor nettement plus important.<\/p>\n

\"La<\/a>
La chambre de Pauline de Caumont, H\u00f4tel de Caumont<\/figcaption><\/figure>\n

Le salon de musique<\/strong><\/p>\n

Les appartements de l\u2019H\u00f4tel de Caumont illustrent parfaitement avec leur richesse d\u00e9corative les pr\u00e9tentions nobiliaires de ses diff\u00e9rents occupants. \u00c0 l\u2019\u00e9poque, dans les demeures du quartier Mazarin, un ph\u00e9nom\u00e8ne particulier refl\u00e8te le haut niveau social de ses propri\u00e9taires : la pr\u00e9sence de pi\u00e8ces sp\u00e9cialis\u00e9es, habituellement r\u00e9serv\u00e9es \u00e0 la haute noblesse et aux ch\u00e2teaux princiers.<\/p>\n

L\u2019H\u00f4tel de Caumont comptait ainsi un salon de musique, pi\u00e8ce d\u00e9di\u00e9e \u00e0 la pratique instrumentale. La musique a en effet jou\u00e9 un r\u00f4le central dans la vie sociale de la haute soci\u00e9t\u00e9 au XVIIIe si\u00e8cle. \u00c0 l\u2019image des souverains musiciens, comme Fr\u00e9d\u00e9ric II de Prusse par exemple, beaucoup ont reconnu rapidement les vertus de la musique comme occupation mondaine. Le <\/strong>salon de musique devient alors dans les r\u00e9sidences un haut lieu de sociabilit\u00e9.<\/p>\n

Afin d\u2019assouvir leur passion musicale, en 1742 les Rolland de R\u00e9auville passent commande d\u2019un buffet d\u2019orgue. Si malheureusement l\u2019orgue n\u2019est pas rest\u00e9 en place (il a \u00e9t\u00e9 achet\u00e9 le 5 f\u00e9vrier 1761 \u00e0 la marquise de R\u00e9auville et est actuellement \u00e0 l\u2019Abbatiale de St. Sauveur d\u2019Aniane), ce salon permet d\u2019\u00e9voquer les caract\u00e9ristiques d\u2019un salon de musique aixois au XVIIIe si\u00e8cle.<\/p>\n

Aujourd\u2019hui l\u2019\u0153uvre centrale du salon de musique est un \u00e9crin de clavecin dont la r\u00e9alisation est \u00e0 situer dans les toutes premi\u00e8res ann\u00e9es du XVIIIe si\u00e8cle. Bien que le clavecin d\u2019\u00e9poque n\u2019ait pas \u00e9t\u00e9 conserv\u00e9, cet objet qui en est l\u2019enveloppe, nous permet de comprendre avec quel luxe \u00e9tait imagin\u00e9e la d\u00e9coration de l\u2019instrument de musique. Des sc\u00e8nes emprunt\u00e9es \u00e0 la mythologie classique prennent place sur les diff\u00e9rents \u00e9l\u00e9ments de l\u2019\u00e9crin : Diane changeant en cerf le malheureux Act\u00e9on qui l\u2019avait surprise au bain avec ses compagnes pour la partie int\u00e9rieure, ou encore l\u2019enl\u00e8vement d\u2019Europe par Jupiter m\u00e9tamorphos\u00e9 en taureau pour le d\u00e9cor ext\u00e9rieur du couvercle.<\/p>\n

La chambre de Pauline de Caumont<\/strong><\/p>\n

Cette pi\u00e8ce permet d\u2019\u00e9voquer la jeunesse heureuse de cette belle aixoise. Le XVIIIe si\u00e8cle avait, apr\u00e8s la mort de Louis XIV en 1715, red\u00e9couvert l\u2019intimit\u00e9, les alc\u00f4ves et les boudoirs. Les fastes de Versailles laissent place \u00e0 une vie plus confortable, les int\u00e9rieurs deviennent des lieux o\u00f9 le luxe se m\u00eale \u00e0 la douceur de vivre.<\/p>\n

Le lit pr\u00e9sent\u00e9 dans cette pi\u00e8ce est typique de ce go\u00fbt du r\u00e8gne de Louis XV pour les alc\u00f4ves et les lieux intimes. Il s\u2019agit d\u2019un lit dit \u00ab\u00a0\u00e0 la polonaise\u00a0\u00bb, de ses deux dossiers naissent quatre colonnes qui se prolongent pour former un baldaquin richement orn\u00e9 d\u2019une \u00e9paisse pi\u00e8ce de tissu.<\/p>\n

C\u2019est aussi le triomphe du style \u00ab\u00a0rocaille\u00a0\u00bb, tr\u00e8s pr\u00e9sent dans les appliques aux murs de la chambre : les arts d\u00e9coratifs c\u00e8dent \u00e0 cette mode de la volute, du motif v\u00e9g\u00e9tal ou min\u00e9ral, o\u00f9 rien ne semble sym\u00e9trique et tout prend des formes de \u00ab\u00a0coquille\u00a0\u00bb et de rinceaux. Cette esth\u00e9tique rocaille participe pleinement \u00e0 la cr\u00e9ation d\u2019une atmosph\u00e8re intime et chaleureuse : tout semble rondeur et pr\u00e9ciosit\u00e9.<\/p>\n

Le bureau \u00e0 cylindre pr\u00e9sent\u00e9 ici \u00e9voque le style Louis XVI o\u00f9 les exc\u00e8s du rocaille semblent remplac\u00e9s par la \u00ab\u00a0noble simplicit\u00e9\u00a0\u00bb des lignes droites h\u00e9rit\u00e9es de l’art antique. Cependant, il convient de souligner combien la forme m\u00eame du bureau \u00e0 cylindre, imagin\u00e9e pour Louis XV, s\u2019ancre profond\u00e9ment dans ce XVIIIe si\u00e8cle pr\u00e9cieux o\u00f9 l\u2019on cherche \u00e0 cacher sa correspondance des regards indiscrets gr\u00e2ce \u00e0 un volet rabattable qui cr\u00e9er un espace intime de plus.<\/p>\n

Les gypseries de la chambre ne sont pas iconographiquement aussi riches que celles des autres salons, cependant elles se chargent d\u2019une dimension plus intime et nonchalante avec ces figures de singes orientaux : l\u2019un semble saluer le visiteur en levant son chapeau, tandis que le second joue sur une escarpolette. Au-dessus d\u2019eux se retrouvent \u00e0 nouveau des cartouches d\u00e9coratifs avec des putti jouant avec des guirlandes florales. Ces d\u00e9cors sont plus tardifs que les autres car datant des Bruny, comme en t\u00e9moignent les armes de la famille avec le cerf au-dessus du trumeau central.<\/p>\n

En savoir plus:<\/span><\/p>\n

http:\/\/www.caumont-centredart.com\/fr<\/p>\n","protected":false},"excerpt":{"rendered":"

L\u2019H\u00f4tel de Caumont construit entre 1715\u00a0et 1742\u00a0se situe dans un quartier aristocratique de la vieille ville d\u2019Aix-en-Provence, le quartier Mazarin. D\u2019influence parisienne, c’est un h\u00f4tel particulier \u00ab\u00a0entre cour et jardin\u00a0\u00bb, sch\u00e9ma architectural apparu \u00e0 Paris au XVIe si\u00e8cle, qui rapport\u00e9 \u00e0 \u00e9chelle urbaine, correspond au ch\u00e2teau et son parc. Quatre \u00e9l\u00e9ments caract\u00e9risent ce type de […]<\/p>\n","protected":false},"author":6,"featured_media":5332,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-5325","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-patrimoine-musee"],"yoast_head":"\nL\u2019H\u00f4tel de Caumont Le Magazine de Proantic<\/title>\n<meta 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