{"id":5298,"date":"2016-07-12T09:21:43","date_gmt":"2016-07-12T08:21:43","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=5298"},"modified":"2017-01-04T08:03:57","modified_gmt":"2017-01-04T07:03:57","slug":"emaux-de-limoges-a-decor-profane","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/emaux-de-limoges-a-decor-profane\/","title":{"rendered":"Les \u00e9maux de Limoges \u00e0 d\u00e9cor Profane"},"content":{"rendered":"

Cette exposition-dossier est organis\u00e9e en collaboration avec le Palazzo Madama-Museo Civico d\u2019Arte Antica de Turin, autour du pr\u00eat exceptionnel du coffre du cardinal Guala Bicchieri (v. 1160-1227).<\/strong> Autour d\u2019une quarantaine d\u2019\u0153uvres, elle d\u00e9voile les \u00e9maux limousins profanes \u2014 dont une trentaine de m\u00e9daillons \u2014 leur iconographie et leurs techniques, sans oublier les copies, faux et pastiches de style limousin du XIXe si\u00e8cle.<\/p>\n

\"Coffre<\/a>
Coffre du cardinal Guala Bicchieri, Limoges (1220-1225), Bois de noyer et me\u0301daillons e\u0301maille\u0301s, (c) Studio Fotografico Gonella<\/figcaption><\/figure>\n

Pi\u00e8ce majeure de l\u2019\u0152uvre de Limoges, ex\u00e9cut\u00e9e vers 1220-1225 et d\u00e9cor\u00e9e de m\u00e9daillons figurant des combats d\u2019animaux r\u00e9els et fantastiques, des sc\u00e8nes chevaleresques et courtoises, le coffre de Guala Bicchieri grand collectionneur et diplomate aguerri est pr\u00e9sent\u00e9 pour la premi\u00e8re fois hors d\u2019Italie depuis son acquisition en 2004 et constitue le c\u0153ur de l\u2019exposition.<\/p>\n

Coffres, m\u00e9daillons limousins provenant d\u2019autres coffrets, chandeliers, g\u00e9mellions, bo\u00eete aux sc\u00e8nes courtoises, y sont pr\u00e9sent\u00e9s, en provenance du mus\u00e9e de Cluny, du Louvre, du mus\u00e9e lorrain de Nancy autour des pi\u00e8ces du tr\u00e9sor du pr\u00e9lat italien conserv\u00e9es au Palazzo Madama-Museo Civico d\u2019Arte Antica de Turin et du Museo Leone de Verceil.<\/p>\n

Elabor\u00e9 dans le cadre du R\u00e9seau europ\u00e9en des mus\u00e9es d\u2019art m\u00e9di\u00e9val et d\u2019un partenariat avec le Palazzo Madama-Museo Civico d\u2019Arte Antica de Turin, ce projet fait suite \u00e0 celui consacr\u00e9 au voyage en 2014-2015, organis\u00e9 avec le Bargello de Florence et le Museu episcopal de Vic.<\/p>\n

\"\u00a9<\/a>
\u00a9 RMN-Grand Palais (muse\u0301e de Cluny \u2013 muse\u0301e national du Moyen-A\u0302ge) \/ Michel Urtado<\/figcaption><\/figure>\n

Profanes ou religieux <\/strong><\/p>\n

La production des \u00e9mailleurs limousins, ou \u0152uvre de Limoges, est souvent associ\u00e9e aux objets sacr\u00e9s, fabriqu\u00e9s en grand nombre et export\u00e9s dans toute l\u2019Europe d\u00e8s le troisi\u00e8me quart du XIIe si\u00e8cle. La production profane des ateliers limousins, moins connue et parvenue jusqu\u2019\u00e0 nous en plus petit nombre, dut n\u00e9anmoins \u00eatre abondante, m\u00eame si, faute de sources et de t\u00e9moignages, il demeure tr\u00e8s difficile d\u2019en \u00e9valuer l\u2019ampleur. Certains objets –\u00a0chandeliers, g\u00e9mellions (bassins jumeaux, d\u2019o\u00f9 leur nom, destin\u00e9s au lavage des mains), coffrets – peuvent \u00eatre employ\u00e9s dans un contexte aussi bien la\u00efc qu\u2019eccl\u00e9siastique. Une iconographie profane n\u2019est souvent qu\u2019un indice d\u2019usage s\u00e9culier et des objets profanes ont pu parvenir dans les \u00e9glises par le biais de dons, ou de legs comme celui de Guala Bicchieri \u00e0 l\u2019abbaye Saint-Andr\u00e9 de Verceil, et recevoir alors une destination religieuse.<\/p>\n

\"<\/a>
\u00a9 RMN-Grand Palais (muse\u0301e de Cluny \u2013 muse\u0301e national du Moyen-A\u0302ge) \/ Michel Urtado<\/figcaption><\/figure>\n

Une iconographie vari\u00e9e <\/strong><\/p>\n

Centr\u00e9 sur quelques th\u00e8mes majeurs, le d\u00e9cor profane des \u00e9maux limousins des XIIe -XIIIe si\u00e8cles fait \u00e9cho \u00e0 l\u2019univers aristocratique et offre un r\u00e9pertoire iconographique et ornemental d\u2019une tr\u00e8s grande vari\u00e9t\u00e9, qui t\u00e9moigne de la verve et de l\u2019inventivit\u00e9 des \u00e9mailleurs limousins. Le d\u00e9cor v\u00e9g\u00e9tal, dont rinceaux et fleurons sont les principaux motifs, appara\u00eet \u00e0 la fois sur les objets sacr\u00e9s et profanes. Un autre th\u00e8me majeur du d\u00e9cor profane dans l\u2019\u0152uvre de Limoges est celui du bestiaire appartenant \u00e0 l\u2019univers roman. S\u2019il comprend des animaux r\u00e9els, dont de nombreux lions, il accorde \u00e9galement une grande place \u00e0 la faune fantastique : griffons, basilics, chim\u00e8res, oiseaux fantastiques et surtout dragons, ail\u00e9s ou non, souvent en forme de l\u00e9zard et \u00e0 queue fleuronn\u00e9e. Aux animaux fabuleux s\u2019ajoute une gamme vari\u00e9e de cr\u00e9atures hybrides (mi-humains, mi-animaux, comme les sir\u00e8nes-oiseaux).<\/p>\n

\u00c0 la fin du XIIe si\u00e8cle, se d\u00e9veloppe un autre courant du d\u00e9cor profane, inspir\u00e9 du monde courtois et chevaleresque. Guerriers, cavaliers, sc\u00e8nes de combat et de chasse, fauconniers \u00e0 cheval, danseurs, jongleurs et musiciens, couples d\u2019amoureux, rois, reines et ch\u00e2teaux entrent en sc\u00e8ne. S\u2019y ajoutent des repr\u00e9sentations de la vie quotidienne comme la chasse. Les armoiries constituent enfin un dernier th\u00e8me du d\u00e9cor profane des \u00e9maux limousins, surtout sur les coffrets, chandeliers et g\u00e9mellions.<\/p>\n

L\u2019art du faux <\/strong><\/p>\n

\u00c0 la faveur de fouilles et d\u00e9couvertes d\u00e8s le XVIIIe si\u00e8cle, puis de la dispersion du patrimoine mobilier eccl\u00e9siastique \u00e0 la R\u00e9volution fran\u00e7aise, se constituent des collections d\u2019objets d\u2019art du Moyen \u00c2ge et de la Renaissance, inspir\u00e9es par le culte romantique pour ces \u00e9poques. Les \u00e9maux connaissent alors un franc succ\u00e8s dans les cabinets de collectionneurs et ceux de Limoges figurent en bonne place dans les prestigieuses collections d\u2019art ancien constitu\u00e9es \u00e0 Paris au milieu et dans la seconde moiti\u00e9 du XIXe si\u00e8cle. De nombreuses copies de pi\u00e8ces m\u00e9di\u00e9vales sont alors r\u00e9alis\u00e9es. Les pastiches inspir\u00e9s d\u2019\u0153uvres m\u00e9di\u00e9vales sont eux aussi tr\u00e8s pris\u00e9s, ainsi que les objets composites m\u00ealant \u00e9l\u00e9ments anciens et modernes. La renaissance de l\u2019\u00e9mail au XIXe si\u00e8cle suscite la cr\u00e9ation d\u2019\u00e9maux dans le style de l\u2019\u0152uvre de Limoges. Les contrefa\u00e7ons, surtout les plus habiles, \u00e9taient parfois tr\u00e8s difficiles \u00e0 d\u00e9celer, en l\u2019absence des instruments bibliographiques et des possibilit\u00e9s d\u2019analyses chimiques actuels.<\/p>\n

En savoir plus:<\/span><\/p>\n

Les \u00e9maux de Limoges \u00e0 d\u00e9cor profane, autour des collections du cardinal Guala Bicchie jusqu’au 29 ao\u00fbt 2016<\/p>\n

Au mus\u00e9e de Cluny<\/p>\n

http:\/\/www.musee-moyenage.fr\/<\/p>\n","protected":false},"excerpt":{"rendered":"

Cette exposition-dossier est organis\u00e9e en collaboration avec le Palazzo Madama-Museo Civico d\u2019Arte Antica de Turin, autour du pr\u00eat exceptionnel du coffre du cardinal Guala Bicchieri (v. 1160-1227). Autour d\u2019une quarantaine d\u2019\u0153uvres, elle d\u00e9voile les \u00e9maux limousins profanes \u2014 dont une trentaine de m\u00e9daillons \u2014 leur iconographie et leurs techniques, sans oublier les copies, faux et […]<\/p>\n","protected":false},"author":6,"featured_media":5303,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-5298","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"\nLes \u00e9maux de Limoges \u00e0 d\u00e9cor Profane Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"Cette 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