{"id":5242,"date":"2016-06-30T08:12:43","date_gmt":"2016-06-30T07:12:43","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=5242"},"modified":"2016-07-03T12:01:00","modified_gmt":"2016-07-03T11:01:00","slug":"lhistoire-costumes-lelegance-xviiieme-siecle","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/lhistoire-costumes-lelegance-xviiieme-siecle\/","title":{"rendered":"\u00ab\u00a0L&rsquo;Histoire en costumes, l&rsquo;\u00e9l\u00e9gance au XVIII\u00e8me si\u00e8cle\u00a0\u00bb"},"content":{"rendered":"<p>L\u2019exposition L\u2019Histoire en costumes. L\u2019\u00e9l\u00e9gance au XVIIIe si\u00e8cle, pr\u00e9sent\u00e9e par le Centre des monuments nationaux (CMN) au ch\u00e2teau de Champs-sur-Marne \u00a0inaugure un cycle de trois expositions organis\u00e9es dans ce monument et destin\u00e9es au grand public sur le th\u00e8me du costume. L\u2019\u00e9dition 2016 pr\u00e9sente, au c\u0153ur des collections du ch\u00e2teau, une trentaine de v\u00eatements en usage au Si\u00e8cle des Lumi\u00e8res : v\u00eatements de cour, de campagne, de domestiques et d\u2019enfants. En 2017 et en 2018, L\u2019Histoire en costumes se d\u00e9clinera en deux autres volets : L\u2019\u00e9l\u00e9gance au XIXe si\u00e8cle et L\u2019\u00e9l\u00e9gance des robes de mari\u00e9es.<\/p>\n<figure id=\"attachment_5245\" aria-describedby=\"caption-attachment-5245\" style=\"width: 602px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/jknjhyu.png\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5245\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/lhistoire-costumes-lelegance-xviiieme-siecle\/jknjhyu\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/jknjhyu.png?fit=602%2C392&amp;ssl=1\" data-orig-size=\"602,392\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Robe \u00e0 la fran\u00e7aise \u00a9 Thibault Chapotot &amp;#8211; CMN\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Robe \u00e0 la fran\u00e7aise&lt;br \/&gt;\n\u00a9 Thibault Chapotot &amp;#8211; CMN&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/jknjhyu.png?fit=300%2C195&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/jknjhyu.png?fit=602%2C392&amp;ssl=1\" class=\"size-full wp-image-5245\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/jknjhyu.png?resize=602%2C392\" alt=\"Robe \u00e0 la fran\u00e7aise \u00a9 Thibault Chapotot - CMN\" width=\"602\" height=\"392\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/jknjhyu.png?w=602&amp;ssl=1 602w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/jknjhyu.png?resize=300%2C195&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/jknjhyu.png?resize=230%2C150&amp;ssl=1 230w\" sizes=\"auto, (max-width: 602px) 100vw, 602px\" \/><\/a><figcaption id=\"caption-attachment-5245\" class=\"wp-caption-text\">Robe \u00e0 la fran\u00e7aise<br \/>\u00a9 Thibault Chapotot &#8211; CMN<\/figcaption><\/figure>\n<p>Durant le XVIIIe si\u00e8cle, l\u2019\u00e9l\u00e9gance fait partie du savoir-vivre \u00e0 la fran\u00e7aise. Les hommes comme les femmes rivalisent de raffinement dans la composition et l\u2019ornementation de leurs tenues vestimentaires.<\/p>\n<p>Les collections et les cr\u00e9ations de Nathalie Harran, historienne de l\u2019art et directrice de La Dame d\u2019Atours, ont \u00e9t\u00e9 reconstitu\u00e9es d\u2019apr\u00e8s des documents d\u2019\u00e9poque et sont pr\u00e9sent\u00e9es dans diff\u00e9rentes pi\u00e8ces du ch\u00e2teau. Au fil des pi\u00e8ces, les mannequins ressuscitent les modes et les \u00e9poques \u00e0 diff\u00e9rents moments de la journ\u00e9e pour mettre en valeur la diversit\u00e9 des tissus, motifs et autres accessoires de cet art parfois fantasque.<\/p>\n<figure id=\"attachment_5244\" aria-describedby=\"caption-attachment-5244\" style=\"width: 542px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/klopi.png\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5244\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/lhistoire-costumes-lelegance-xviiieme-siecle\/klopi\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/klopi.png?fit=542%2C380&amp;ssl=1\" data-orig-size=\"542,380\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Robe \u00e0 la fran\u00e7aise en indienne \u00e0 fond clair\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Robe \u00e0 la fran\u00e7aise en indienne \u00e0 fond clair&lt;br \/&gt;\n\u00a9 Thibault Chapotot &amp;#8211; CMN&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/klopi.png?fit=300%2C210&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/klopi.png?fit=542%2C380&amp;ssl=1\" class=\"size-full wp-image-5244\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/klopi.png?resize=542%2C380\" alt=\"Robe \u00e0 la fran\u00e7aise en indienne \u00e0 fond clair \u00a9 Thibault Chapotot - CMN\" width=\"542\" height=\"380\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/klopi.png?w=542&amp;ssl=1 542w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/klopi.png?resize=300%2C210&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/klopi.png?resize=100%2C70&amp;ssl=1 100w\" sizes=\"auto, (max-width: 542px) 100vw, 542px\" \/><\/a><figcaption id=\"caption-attachment-5244\" class=\"wp-caption-text\">Robe \u00e0 la fran\u00e7aise en indienne \u00e0 fond clair<br \/>\u00a9 Thibault Chapotot &#8211; CMN<\/figcaption><\/figure>\n<p>Cette exposition convie le visiteur \u00e0 red\u00e9couvrir ces garde-robes raffin\u00e9es du Si\u00e8cle des Lumi\u00e8res. Elle permet \u00e9galement de d\u00e9couvrir ou de red\u00e9- couvrir les int\u00e9rieurs de la demeure aristocratique de Champs-sur-Marne dans lesquels se sont c\u00f4toy\u00e9s les membres d\u2019une famille noble et leurs domestiques.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/VbjK4Sp7Pcc\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>LE XVIIIe SI\u00c8CLE AU PRISME DE LA MODE<\/p>\n<p>Cette exposition, la premi\u00e8re organis\u00e9e au ch\u00e2teau de Champs-sur-Marne par le Centre des monuments nationaux, mettra en lumi\u00e8re l\u2019importance du para\u00eetre au XVIIIe si\u00e8cle pour les hommes comme pour les femmes, \u00e0 une \u00e9poque o\u00f9 l\u2019aristocratie se pose en mod\u00e8le pour la soci\u00e9t\u00e9 des Lumi\u00e8res.<\/p>\n<figure id=\"attachment_5246\" aria-describedby=\"caption-attachment-5246\" style=\"width: 598px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/lkert.png\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5246\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/lhistoire-costumes-lelegance-xviiieme-siecle\/lkert\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/lkert.png?fit=598%2C392&amp;ssl=1\" data-orig-size=\"598,392\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"lkert\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Grand habit de cour&lt;br \/&gt;\n\u00a9 Thibault Chapotot \u2013 CMN&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/lkert.png?fit=300%2C197&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/lkert.png?fit=598%2C392&amp;ssl=1\" class=\"size-full wp-image-5246\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/lkert.png?resize=598%2C392\" alt=\"Grand habit de cour \u00a9 Thibault Chapotot \u2013 CMN\" width=\"598\" height=\"392\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/lkert.png?w=598&amp;ssl=1 598w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/lkert.png?resize=300%2C197&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/lkert.png?resize=230%2C150&amp;ssl=1 230w\" sizes=\"auto, (max-width: 598px) 100vw, 598px\" \/><\/a><figcaption id=\"caption-attachment-5246\" class=\"wp-caption-text\">Grand habit de cour<br \/>\u00a9 Thibault Chapotot \u2013 CMN<\/figcaption><\/figure>\n<p><strong>La mode au temps de la Pompadour <\/strong><\/p>\n<p>L\u2019exposition s\u2019int\u00e9ressera plus particuli\u00e8rement \u00e0 la p\u00e9riode Pompadour, la Marquise ayant r\u00e9sid\u00e9 au ch\u00e2teau de Champs-surMarne pendant deux ans \u00e0 partir de 1757. Les cours d\u2019Europe rivalisent alors de fastes et la France de Louis XV n\u2019y fait pas exception : la robe \u00e0 la fran\u00e7aise, tenue f\u00e9minine d\u2019apparat par excellence, devient au milieu du si\u00e8cle un mod\u00e8le d\u2019\u00e9l\u00e9gance ultime, et se d\u00e9cline en de multiples tissus, avant que la recherche de simplicit\u00e9 ne lui fasse pr\u00e9f\u00e9rer la robe \u00e0 l\u2019anglaise.<\/p>\n<figure id=\"attachment_5247\" aria-describedby=\"caption-attachment-5247\" style=\"width: 597px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/lkery.png\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5247\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/lhistoire-costumes-lelegance-xviiieme-siecle\/lkery\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/lkery.png?fit=597%2C393&amp;ssl=1\" data-orig-size=\"597,393\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"lkery\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Robe \u00e0 l\u2019anglaise&lt;br \/&gt;\n\u00a9 Thibault Chapotot \u2013 CMN&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/lkery.png?fit=300%2C197&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/lkery.png?fit=597%2C393&amp;ssl=1\" class=\"size-full wp-image-5247\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/lkery.png?resize=597%2C393\" alt=\"Robe \u00e0 l\u2019anglaise \u00a9 Thibault Chapotot \u2013 CMN\" width=\"597\" height=\"393\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/lkery.png?w=597&amp;ssl=1 597w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/lkery.png?resize=300%2C197&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/06\/lkery.png?resize=230%2C150&amp;ssl=1 230w\" sizes=\"auto, (max-width: 597px) 100vw, 597px\" \/><\/a><figcaption id=\"caption-attachment-5247\" class=\"wp-caption-text\">Robe \u00e0 l\u2019anglaise<br \/>\u00a9 Thibault Chapotot \u2013 CMN<\/figcaption><\/figure>\n<p>La Marquise de Pompadour joue un r\u00f4le de premier plan dans l\u2019\u00e9volution des modes vestimentaires \u00e0 la cour, n\u2019h\u00e9sitant pas \u00e0 s\u2019inspirer des costumes de th\u00e9\u00e2tre ou des tenues port\u00e9es par les diplomates ottomans en ambassade \u00e0 la cour de France. Exotisme et originalit\u00e9 sont les ma\u00eetres mots qui r\u00e9gissent la mode du temps, aussi bien dans la forme que dans les tissus qui composent les v\u00eatements.<\/p>\n<p><strong>Un go\u00fbt prononc\u00e9 pour l\u2019Orient <\/strong><\/p>\n<p>Les costumes se parent d\u2019\u00e9toffes pr\u00e9cieuses : la soie, la dentelle, le taffetas, le satin ou encore les brocards sont ainsi travaill\u00e9s dans plusieurs manufactures fran\u00e7aises telles que Lyon, Tours ou Paris, dont certaines sont rest\u00e9es c\u00e9l\u00e8bres pour leur savoir-faire textile. Cette recherche dans les mati\u00e8res ajoute au luxe des tenues, sur lesquelles se d\u00e9ploie une profusion de motifs aussi inventifs que fantaisistes, et notamment exotiques. Les indiennes, ces toiles imprim\u00e9es de motifs floraux, connaissent ainsi un important succ\u00e8s, aussi bien aupr\u00e8s de l\u2019aristocratie que des classes populaires.<\/p>\n<p>En effet, l\u2019essor des \u00e9changes culturels entre l\u2019Orient et l\u2019Occident depuis la fin du XVIIe si\u00e8cle est \u00e0 l\u2019origine d\u2019une v\u00e9ritable passion pour la Chine. Cet engouement pour les chinoiseries se retrouve dans la mode du temps, o\u00f9 pagodes sinisantes s\u2019associent aux rayures et aux fleurs. Certains costumes pr\u00e9sent\u00e9s dans le cadre de l\u2019exposition r\u00e9pondent ainsi aux d\u00e9cors des pi\u00e8ces dans lesquelles ils prennent place : le mobilier et les boiseries du Salon Chinois, travail de l\u2019artiste Christophe Huet, reprennent les motifs raffin\u00e9s de cet Orient fantasm\u00e9.<\/p>\n<p><strong>Les m\u00e9tiers de la mode <\/strong><\/p>\n<p>L\u2019exposition sera l\u2019occasion de d\u00e9couvrir les nombreux m\u00e9tiers qui interviennent dans la fabrication des costumes au XVIIIe si\u00e8cle. Chaque partie d\u2019un v\u00eatement n\u00e9cessite un savoir-faire singulier que d\u00e9tiennent tissutiers-rubanniers, boutonniers-passementiers, brodeurs, plumassiers, dentelliers, etc. Ces artisans, souvent organis\u00e9s en petits ateliers, travaillent selon des codes de confection pr\u00e9cis.<\/p>\n<p><strong>S\u2019adapter aux id\u00e9es nouvelles <\/strong><\/p>\n<p>Outre l\u2019ornementation opulente des tenues, la mode de cette \u00e9poque se caract\u00e9rise paradoxalement par l\u2019influence croissante des id\u00e9es philosophiques. Ces derni\u00e8res font la part belle au concept de nature ; la simplicit\u00e9, la libert\u00e9 et une nouvelle perception de l\u2019intime en sont autant de marques. L\u2019\u00e9volution des v\u00eatements, surtout f\u00e9minins, tend vers plus de vari\u00e9t\u00e9, de l\u00e9g\u00e8ret\u00e9, alors que les dessous deviennent moins contraignants. Les tenues s\u2019adaptent \u00e0 chaque moment de la journ\u00e9e : tenue de chasse, tenue d\u2019amazone, tenue d\u2019int\u00e9rieur, etc. expriment l\u2019importance pour la classe nobiliaire de disposer d\u2019un v\u00eatement con\u00e7u pour chaque activit\u00e9.<\/p>\n<p>L\u2019apparition des \u00ab robes de simplicit\u00e9 \u00bb, d\u2019un seul tenant et le plus souvent en coton blanc, vers la fin des ann\u00e9es 1770, r\u00e9pond \u00e0 ce m\u00eame d\u00e9sir de libert\u00e9 corporelle et de naturel venu d\u2019Angleterre et v\u00e9hicul\u00e9 par philosophes des Lumi\u00e8res. Dans cet esprit, les dessous f\u00e9minins se modifient \u00e9galement : par exemple, le corset est privil\u00e9gi\u00e9 par les femmes du peuple, plus pratique et moins rigide que le corps piqu\u00e9 utilis\u00e9 jusqu\u2019alors.<\/p>\n<p><strong>La mode enfantine <\/strong><\/p>\n<p>Sous l\u2019influence des id\u00e9es des Lumi\u00e8res, un int\u00e9r\u00eat nouveau est port\u00e9 \u00e0 l\u2019enfant et \u00e0 ses besoins sp\u00e9cifiques. La mode enfantine rejoint les pr\u00e9occupations du temps pour la simplicit\u00e9, d\u2019o\u00f9 les habits en cotonnade blanche qui se g\u00e9n\u00e9ralisent. Certaines formes plus originales font \u00e9galement leur apparition, comme l\u2019habit dit \u00e0 la matelot, dont un exemple sera pr\u00e9sent\u00e9 dans la Salle \u00e0 manger des enfants.<\/p>\n<p><span style=\"color: #ff0000;\">En savoir plus:<\/span><\/p>\n<p>Au ch\u00e2teau de Champs-sur-Marne du 8 juin au 2 novembre.<\/p>\n<p>http:\/\/www.chateau-champs-sur-marne.fr\/<\/p>\n","protected":false},"excerpt":{"rendered":"<p>L\u2019exposition L\u2019Histoire en costumes. L\u2019\u00e9l\u00e9gance au XVIIIe si\u00e8cle, pr\u00e9sent\u00e9e par le Centre des monuments nationaux (CMN) au ch\u00e2teau de Champs-sur-Marne \u00a0inaugure un cycle de trois expositions organis\u00e9es dans ce monument et destin\u00e9es au grand public sur le th\u00e8me du costume. L\u2019\u00e9dition 2016 pr\u00e9sente, au c\u0153ur des collections du ch\u00e2teau, une trentaine de v\u00eatements en usage [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":5243,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-5242","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>&quot;L&#039;Histoire en costumes, l&#039;\u00e9l\u00e9gance au XVIII\u00e8me si\u00e8cle&quot; Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"L\u2019exposition L\u2019Histoire en costumes. 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