{"id":514,"date":"2013-02-10T10:32:44","date_gmt":"2013-02-10T09:32:44","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=514"},"modified":"2017-12-18T09:16:04","modified_gmt":"2017-12-18T08:16:04","slug":"versailles-lantique","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/versailles-lantique\/","title":{"rendered":"versailles et l\u2019antique"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/04\/81581479_p.jpg\" data-lightbox=\"gal[514]\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"515\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/versailles-lantique\/81581479_p\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/04\/81581479_p.jpg?fit=194%2C300&amp;ssl=1\" data-orig-size=\"194,300\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"81581479_p\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/04\/81581479_p.jpg?fit=194%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/04\/81581479_p.jpg?fit=194%2C300&amp;ssl=1\" class=\"alignleft  wp-image-515\" alt=\"81581479_p\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/04\/81581479_p.jpg?resize=155%2C240\" width=\"155\" height=\"240\" \/><\/a>\u00a0L&rsquo;exposition est pr\u00e9sent\u00e9e au Ch\u00e2teau de Versailles<strong><\/strong> jusqu&rsquo;au 17 mars 2013 &#8211; Salles d\u2019Afrique et de Crim\u00e9e.<\/p>\n<p><strong><span style=\"font-size: 10pt;color: #000000\">S<\/span>ouvent qualifi\u00e9 de \u00abnouvelle Rome\u00bb, le ch\u00e2teau de Versailles est une r\u00e9f\u00e9rence permanente \u00e0 l\u2019Antiquit\u00e9 et \u00e0 la mythologie,<\/strong> tant par le go\u00fbt des diff\u00e9rents souverains pour leur collection d\u2019antiques que par l\u2019esth\u00e9tique qui a pr\u00e9sid\u00e9 \u00e0 la cr\u00e9ation du ch\u00e2teau et de ses d\u00e9cors.<\/p>\n<p style=\"text-align: justify\"><span style=\"font-size: 12pt;color: #ff0000\"> l<\/span>\u2019exposition \u00abVersailles et l\u2019antique\u00bb est l\u2019occasion unique de rassembler plus de deux cents oeuvres (sculptures, peintures, dessins, gravures, tapisseries, pi\u00e8ces de mobilier et objets d\u2019art) provenant des principales collections fran\u00e7aises, du mus\u00e9e du Louvre et de Versailles. Pour la premi\u00e8re fois depuis la r\u00e9volution, les antiques les plus prestigieux reviennent au ch\u00e2teau dans une sc\u00e9nographie th\u00e9\u00e2trale et spectaculaire.<\/p>\n<p>\u00a0<span style=\"font-size: 12pt;color: #ff0000\">V<\/span>ersailles fut une nouvelle rome \u00e0 plusieurs titres : par sa d\u00e9mesure, par son ambition de traverser les si\u00e8cles, par les multiples r\u00e9f\u00e9rences aux grands mod\u00e8les de l\u2019Antiquit\u00e9. Au XVIIe si\u00e8cle, cette p\u00e9riode constitue un absolu ind\u00e9passable, avec lequel les souverains les plus ambitieux ont voulu rivaliser : c\u2019est pour renouer avec cette grandeur que Louis XIV a cr\u00e9\u00e9 Versailles comme si\u00e8ge du pouvoir.<\/p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"665\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/1Fs0QZ73Uh8?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<p style=\"text-align: justify\"><span style=\"font-size: 12pt;color: #ff0000\">L<\/span>\u2019antique, c\u2019est d\u2019abord un ensemble d\u2019oeuvres, de t\u00e9moignages mat\u00e9riels et artistiques, de reliques d\u2019une glorieuse civilisation disparue. Tous les puissants du XVIIe si\u00e8cle les convoitent. Plus que tous les autres souverains europ\u00e9ens, Louis XIV a cherch\u00e9 \u00e0 acqu\u00e9rir les pi\u00e8ces antiques les plus prestigieuses ou \u00e0 les faire copier. Versailles en a \u00e9t\u00e9 le sanctuaire : statues et bustes des grands appartements et des jardins, cam\u00e9es et m\u00e9dailles et petits bronzes du cabinet du roi\u2026 La collection rassembl\u00e9e \u00e0 Versailles offre la vision d\u2019une Antiquit\u00e9 recompos\u00e9e pour la gloire du roi.<\/p>\n<p style=\"text-align: justify\"><span style=\"font-size: 12pt;color: #ff0000\">E<\/span>n dehors de sa pr\u00e9sence \u00e0 Versailles, l\u2019Antique a \u00e9t\u00e9 un principe f\u00e9condant et stimulant pour tous les cr\u00e9ateurs qui se sont succ\u00e9d\u00e9s \u00e0 Versailles. Les mod\u00e8les antiques universellement connus, notamment par la gravure, ont \u00e9t\u00e9 assimil\u00e9s et r\u00e9interpr\u00e9t\u00e9s. Les artistes se les sont r\u00e9appropri\u00e9s au point que leurs oeuvres pouvaient pr\u00e9tendre surpasser les originaux. L\u2019influence de l\u2019Antique a touch\u00e9 tous les champs artistiques. L\u2019architecture, les jardins, le d\u00e9cor, l\u2019art de l\u2019\u00e9ph\u00e9m\u00e8re renvoient parfois \u00e0 des mod\u00e8les pr\u00e9cis facilement identifi ables.<\/p>\n<figure id=\"attachment_516\" aria-describedby=\"caption-attachment-516\" style=\"width: 357px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/04\/81582064_p.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"516\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/versailles-lantique\/81582064_p\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/04\/81582064_p.jpg?fit=357%2C450&amp;ssl=1\" data-orig-size=\"357,450\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\" Cincinnatus ou Herm\u00e8s rattachant sa sandale  Statue antique, Marbre\" data-image-description=\"\" data-image-caption=\"&lt;p&gt; Cincinnatus ou Herm\u00e8s rattachant sa sandale&lt;\/p&gt;\n&lt;p&gt;Statue antique, Marbre&lt;\/p&gt;\n&lt;p&gt;\u00a9 RMN-Grand Palais (Mus\u00e9e du Louvre) \/ Herv\u00e9 Lewandowski&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/04\/81582064_p.jpg?fit=238%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/04\/81582064_p.jpg?fit=357%2C450&amp;ssl=1\" class=\"size-full wp-image-516 \" alt=\"versailles et l\u2019antique\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/04\/81582064_p.jpg?resize=357%2C450\" width=\"357\" height=\"450\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/04\/81582064_p.jpg?w=357&amp;ssl=1 357w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/04\/81582064_p.jpg?resize=238%2C300&amp;ssl=1 238w\" sizes=\"auto, (max-width: 357px) 100vw, 357px\" \/><\/a><figcaption id=\"caption-attachment-516\" class=\"wp-caption-text\">Cincinnatus ou Herm\u00e8s rattachant sa sandale<br \/>Statue antique, Marbre<br \/>\u00a9 RMN-Grand Palais (Mus\u00e9e du Louvre) \/ Herv\u00e9 Lewandowski<\/figcaption><\/figure>\n<p><span style=\"font-size: 12pt;color: #ff0000\">A<\/span>u-del\u00e0 des rapports formels avec l\u2019esth\u00e9tique antique, les d\u00e9cors de Versailles et de Marly ont mis en sc\u00e8ne les dieux et h\u00e9ros de la mythologie et de l\u2019histoire. Les palais et leurs jardins constituent un univers domin\u00e9 par la figure d\u2019Apollon, qui r\u00e8gle les heures du jour, les saisons de l\u2019ann\u00e9e, les temp\u00e9raments des humains. Mais bien d\u2019autres divinit\u00e9s et h\u00e9ros de l\u2019Antiquit\u00e9 incarnent la vision politique de Louis XIV et de ses successeurs.<\/p>\n<p><span style=\"font-size: 12pt;color: #ff0000\">P<\/span>ier Luigi Pizzi, metteur en sc\u00e8ne italien de th\u00e9\u00e2tre et d\u2019op\u00e9ra, a con\u00e7u la sc\u00e9nographie de l\u2019exposition tel un d\u00e9cor qui \u00e9voque des atmosph\u00e8res. Une exposition est, selon lui, un spectacle o\u00f9 les oeuvres dialoguent comme des acteurs pour stimuler la curiosit\u00e9, m\u00e9nager la surprise et susciter<br \/>\nl\u2019\u00e9motion des visiteurs.<\/p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"665\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/yvHbELjHaRE?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<p><strong>H\u00e9ros et h\u00e9ro\u00efnes antiques<\/strong><\/p>\n<p style=\"text-align: justify\"><span style=\"font-size: 12pt;color: #ff0000\">L<\/span>es grands hommes de l\u2019Antiquit\u00e9 ont servi de mod\u00e8les pour les souverains de Versailles. C\u2019est pourquoi on rencontre dans les d\u00e9cors du Ch\u00e2teau les figures d\u2019Alexandre le Grand bien entendu, mais \u00e9galement de Trajan, d\u2019Auguste, d\u2019Alexandre S\u00e9v\u00e8re, de Scipion ou de Cyrus, le c\u00e9l\u00e8bre souverain de Perse.<\/p>\n<p style=\"text-align: justify\"><span style=\"color: #ff0000;font-size: 12pt\">L<\/span>es femmes c\u00e9l\u00e8bres de l\u2019Antiquit\u00e9 n\u2019ont pas \u00e9t\u00e9 oubli\u00e9es \u00e0 Versailles. De nombreuses h\u00e9ro\u00efnes sont ainsi repr\u00e9sent\u00e9es dans les voussures du Grand Appartement de la reine. Versailles \u00e9tant un abr\u00e9g\u00e9 du monde antique, les principales cit\u00e9s y \u00e9taient repr\u00e9sent\u00e9es par les oeuvres et les d\u00e9cors : Rome, mais aussi Babylone et Rhodes, qui sont \u00e9voqu\u00e9es par des tapisseries monumentales.<\/p>\n<figure id=\"attachment_517\" aria-describedby=\"caption-attachment-517\" style=\"width: 348px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/04\/81582266_p.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"517\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/versailles-lantique\/81582266_p\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/04\/81582266_p.jpg?fit=348%2C450&amp;ssl=1\" data-orig-size=\"348,450\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"Thomyris, reine des Scythes, fait plonger la t\u00eate de Cyrus  dans un vase rempli de sang, Pierre Paul Rubens\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Thomyris, reine des Scythes, fait plonger la t\u00eate de Cyrus&lt;\/p&gt;\n&lt;p&gt;dans un vase rempli de sang, Pierre Paul Rubens&lt;\/p&gt;\n&lt;p&gt;\u00a9 RMN-Grand Palais (Mus\u00e9e du Louvre) \/ Jean Schormans&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/04\/81582266_p.jpg?fit=232%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/04\/81582266_p.jpg?fit=348%2C450&amp;ssl=1\" class=\"size-full wp-image-517 \" alt=\"versailles et l\u2019antique\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/04\/81582266_p.jpg?resize=348%2C450\" width=\"348\" height=\"450\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/04\/81582266_p.jpg?w=348&amp;ssl=1 348w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/04\/81582266_p.jpg?resize=232%2C300&amp;ssl=1 232w\" sizes=\"auto, (max-width: 348px) 100vw, 348px\" \/><\/a><figcaption id=\"caption-attachment-517\" class=\"wp-caption-text\">Thomyris, reine des Scythes, fait plonger la t\u00eate de Cyrus<br \/>dans un vase rempli de sang, Pierre Paul Rubens<br \/>\u00a9 RMN-Grand Palais (Mus\u00e9e du Louvre) \/ Jean Schormans<\/figcaption><\/figure>\n<p><strong>Mat\u00e9riaux antiques<\/strong><\/p>\n<p style=\"text-align: justify\"><span style=\"font-size: 12pt;color: #ff0000\">L<\/span>\u2019influence de l\u2019Antiquit\u00e9 ne s\u2019est pas limit\u00e9e aux sujets des oeuvres et des d\u00e9cors, mais elle s\u2019est \u00e9tendue aux mat\u00e9riaux employ\u00e9s : marbre, bronze, alb\u00e2tre, porphyre, faisant de Versailles une nouvelle Rome.<\/p>\n<p><span style=\"font-size: 12pt;color: #ff0000\">L<\/span>es jardins accueillirent aussi des marbres de couleur, comme l\u2019illustre le bosquet de la Colonnade, repr\u00e9sent\u00e9 \u00e0 la gouache par Cotelle, mais aussi de nombreuses sculptures en bronze, comme les deux copies d\u2019apr\u00e8s l\u2019antique, fondues par les fr\u00e8res Keller, provenant de l\u2019Orangerie.<\/p>\n<figure id=\"attachment_518\" aria-describedby=\"caption-attachment-518\" style=\"width: 222px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/04\/81582414_p.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"518\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/versailles-lantique\/81582414_p\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/04\/81582414_p.jpg?fit=222%2C450&amp;ssl=1\" data-orig-size=\"222,450\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"Diane chasseresse  Groupe en marbre\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Diane chasseresse&lt;br \/&gt;\n Groupe en marbre&lt;\/p&gt;\n&lt;p&gt;\u00a9 RMN \u2013 Grand Palais | Tony Querrec&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/04\/81582414_p.jpg?fit=148%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/04\/81582414_p.jpg?fit=222%2C450&amp;ssl=1\" class=\"size-full wp-image-518\" alt=\"versailles et l\u2019antique\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/04\/81582414_p.jpg?resize=222%2C450\" width=\"222\" height=\"450\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/04\/81582414_p.jpg?w=222&amp;ssl=1 222w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/04\/81582414_p.jpg?resize=148%2C300&amp;ssl=1 148w\" sizes=\"auto, (max-width: 222px) 100vw, 222px\" \/><\/a><figcaption id=\"caption-attachment-518\" class=\"wp-caption-text\">Diane chasseresse<br \/>Groupe en marbre<br \/>\u00a9 RMN \u2013 Grand Palais | Tony Querrec<\/figcaption><\/figure>\n<p style=\"text-align: left\">\u00a0<strong>La mythologie galante<\/strong><\/p>\n<p><span style=\"font-size: 12pt;color: #ff0000\">\u00c0<\/span> partir de la fin du XVIIe si\u00e8cle, la mythologie galante a \u00e9t\u00e9 particuli\u00e8rement \u00e0 l\u2019honneur \u00e0 Versailles, mais aussi dans les d\u00e9cors du Grand Trianon et du ch\u00e2teau de Meudon, r\u00e9sidence du Grand Dauphin, fils de Louis XIV. Dans ce domaine, les divinit\u00e9s principales sont V\u00e9nus et l\u2019Amour.<\/p>\n<p><span style=\"font-size: 12pt;color: #ff0000\">C<\/span>\u00e9dant \u00e0 une nouvelle mode, les principaux personnages de la cour au XVIII\u00e8me se font peindre sous un travestissement mythologique : Nattier a repr\u00e9sent\u00e9 Madame de Pompadour, la favorite de Louis XV, en Diane chasseresse, tenant l\u2019arc \u00e0 la main, mais aussi les filles du souverain, sous les traits de Diane ou de Flore. Avec leurs m\u00e9daillons repr\u00e9sentant les muses, les boiseries monumentales de Versailles illustrent le regain des formes et des th\u00e8mes antiques dans le dernier tiers du XVIIIe si\u00e8cle.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0L&rsquo;exposition est pr\u00e9sent\u00e9e au Ch\u00e2teau de Versailles jusqu&rsquo;au 17 mars 2013 &#8211; Salles d\u2019Afrique et de Crim\u00e9e. Souvent qualifi\u00e9 de \u00abnouvelle Rome\u00bb, le ch\u00e2teau de Versailles est une r\u00e9f\u00e9rence permanente \u00e0 l\u2019Antiquit\u00e9 et \u00e0 la mythologie, tant par le go\u00fbt des diff\u00e9rents souverains pour leur collection d\u2019antiques que par l\u2019esth\u00e9tique qui a pr\u00e9sid\u00e9 \u00e0 la [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":516,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[25,40,84,56],"class_list":["post-514","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions","tag-antique","tag-chateau","tag-rome","tag-versailles"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>versailles et l\u2019antique Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"\u00a0L&#039;exposition est pr\u00e9sent\u00e9e au Ch\u00e2teau de Versailles jusqu&#039;au 17 mars 2013 - Salles d\u2019Afrique et de Crim\u00e9e. 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