{"id":5115,"date":"2016-06-02T07:55:31","date_gmt":"2016-06-02T06:55:31","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=5115"},"modified":"2016-06-05T13:16:30","modified_gmt":"2016-06-05T12:16:30","slug":"la-galerie-de-psyche","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/la-galerie-de-psyche\/","title":{"rendered":"La Galerie de Psych\u00e9"},"content":{"rendered":"

Le ch\u00e2teau de Chantilly conserve un ensemble unique de quarante-quatre vitraux \u00a0en grisaille du XVIe si\u00e8cle racontant l’histoire de Psych\u00e9, tir\u00e9e de L\u2019Ane d\u2019Or<\/em>d\u2019Apul\u00e9e.\u00a0 Les 44 vitraux proviennent du ch\u00e2teau d\u2019Ecouen aujourd\u2019hui mus\u00e9e national de la Renaissance.\u00a0Seul ensemble complet conserv\u00e9 en France, ce cycle puise son inspiration dans le r\u00e9pertoire iconographique existant agr\u00e9ment\u00e9 d’inventions fran\u00e7aises.<\/p>\n

\"Galerie<\/a>
Galerie de psych\u00e9, Ch\u00e2teau de Chantilly.
(c) Normann Szkop.<\/figcaption><\/figure>\n

Ces vitraux ont \u00e9t\u00e9 ex\u00e9cut\u00e9s de 1542 \u00e0 1544 pour d\u00e9corer la galerie du ch\u00e2teau d’Ecouen, construit par l’architecte Jean Bullant pour le Conn\u00e9table Anne de Montmorency (1493-1567), compagnon d’armes et ministre du roi Fran\u00e7ois Ier, puis du roi Henri II.<\/p>\n

Les vitraux furent ex\u00e9cut\u00e9s en grisaille et jaune d’argent par un ma\u00eetre verrier de l’Ecole de Fontainebleau ; ils s’inspirent des gravures ex\u00e9cut\u00e9es en Italie par Agostino Veneziano et le Ma\u00eetre au D\u00e9 d’apr\u00e8s des dessins attribu\u00e9s \u00e0 Rapha\u00ebl, mais dus probablement au flamand Michiel Coxcie.<\/p>\n

\"Galerie<\/a>
Galerie de psych\u00e9, Ch\u00e2teau de Chantilly.<\/figcaption><\/figure>\n

Les gravures \u00e9taient accompagn\u00e9es de vers italiens qui furent traduits en fran\u00e7ais par Claude Chappuys, Antoine H\u00e9ro\u00ebt de La Maison-Neuve et Melin de Saint-Gelais.<\/p>\n

Les vitraux d’Ecouen furent saisis \u00e0 la R\u00e9volution et transport\u00e9s au d\u00e9p\u00f4t de l’h\u00f4tel de Nesle \u00e0 Paris ; en mai 1796, Alexandre Lenoir les r\u00e9clama pour le mus\u00e9e des Monuments Fran\u00e7ais \u00e0 Paris et obtint l’autorisation le 24 thermidor an IV (1796).<\/p>\n

Les vitraux figurent dans les descriptions du mus\u00e9e, notamment en 1803. Apr\u00e8s la R\u00e9volution et l’Empire, ils furent rendus en 1816 au prince Louis-Joseph de Bourbon-Cond\u00e9 (1756-1818), propri\u00e9taire d’Ecouen, et conserv\u00e9s au Palais-Bourbon en caisse ; son fils Louis-Henri-Joseph (1756-1830), duc de Bourbon, les l\u00e9gua en 1830 \u00e0 son petit-neveu et filleul Henri d’Orl\u00e9ans duc d’Aumale (1822-1897) avec le ch\u00e2teau de Chantilly o\u00f9 les vitraux furent transport\u00e9s le 19 novembre 1843.<\/p>\n

En 1847 le duc fit \u00e9lever par l’architecte F\u00e9lix Duban une galerie de bois dans la cour de la Capitainerie \u00e0 Chantilly pour installer les vitraux ; la galerie accueillit alors vingt-huit vitraux.<\/p>\n

Les vitraux furent envoy\u00e9s en Angleterre en 1852 aupr\u00e8s du duc d’Aumale en exil \u00e0 Twickenham et y rest\u00e8rent jusqu’en 1876. Lors de la reconstruction de Chantilly apr\u00e8s 1875, le duc d’Aumale fit construire par l’architecte Daumet l’actuelle galerie de Psych\u00e9 pour pr\u00e9senter les vitraux ; en 1880 et 1881 le peintre d\u00e9corateur Lechevallier-Chevignard coop\u00e9rait \u00e0 la restauration des vitraux qui fut r\u00e9alis\u00e9e de 1879 \u00e0 1883 par les ma\u00eetres verriers Lef\u00e8vre et Bardon.<\/p>\n

En savoir plus:<\/span><\/p>\n

http:\/\/www.domainedechantilly.com\/<\/p>\n","protected":false},"excerpt":{"rendered":"

Le ch\u00e2teau de Chantilly conserve un ensemble unique de quarante-quatre vitraux \u00a0en grisaille du XVIe si\u00e8cle racontant l’histoire de Psych\u00e9, tir\u00e9e de L\u2019Ane d\u2019Ord\u2019Apul\u00e9e.\u00a0 Les 44 vitraux proviennent du ch\u00e2teau d\u2019Ecouen aujourd\u2019hui mus\u00e9e national de la Renaissance.\u00a0Seul ensemble complet conserv\u00e9 en France, ce cycle puise son inspiration dans le r\u00e9pertoire iconographique existant agr\u00e9ment\u00e9 d’inventions fran\u00e7aises. […]<\/p>\n","protected":false},"author":6,"featured_media":5127,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-5115","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-patrimoine-musee"],"yoast_head":"\nLa Galerie de Psych\u00e9 Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"Le ch\u00e2teau de Chantilly 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