{"id":5083,"date":"2016-05-25T08:18:29","date_gmt":"2016-05-25T07:18:29","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=5083"},"modified":"2016-05-29T15:03:38","modified_gmt":"2016-05-29T14:03:38","slug":"pierre-paul-prudhon-1758-1823","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/pierre-paul-prudhon-1758-1823\/","title":{"rendered":"Pierre-Paul Prud\u2019hon (1758-1823)"},"content":{"rendered":"<div class=\"head\"><strong>\u00a0Le mus\u00e9e Cond\u00e9 conserve vingt-six dessins et quatre tableaux de Prud\u2019hon donn\u00e9s en 1886 par Henri d\u2019Orl\u00e9ans, duc d\u2019Aumale (1822-1897) \u00e0 l\u2019Institut de France avec son ch\u00e2teau de Chantilly.<\/strong> Cette collection \u2013 l\u2019une des plus importantes avec celles du Louvre et du mus\u00e9e des Beaux-Arts de Dijon \u2013 provient pour l\u2019essentiel des collections du marquis Maison (douze dessins et deux tableaux achet\u00e9s en 1868) et du comte Dejean (un tableau et treize dessins acquis en 1881), compl\u00e9t\u00e9es en 1876 par l\u2019achat \u00e0 la vente Marcille de La Philosophie, un dessin pour l\u2019h\u00f4tel de Lannoy.<\/div>\n<div class=\"wysiwyg-content\">\n<p>Ces chefs-d\u2019\u0153uvre sont pour la plupart des \u00e9tudes aux crayons noir et blanc sur papier bleu.<\/p>\n<figure id=\"attachment_5087\" aria-describedby=\"caption-attachment-5087\" style=\"width: 480px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/klopm.png\" rel=\"attachment wp-att-5087\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5087\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/pierre-paul-prudhon-1758-1823\/klopm-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/klopm.png?fit=480%2C577&amp;ssl=1\" data-orig-size=\"480,577\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Pierre-Paul Prud\u2019hon (1758-1823) L\u2019Innocence pr\u00e9f\u00e8re l\u2019Amour \u00e0 la Richesse\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Pierre-Paul Prud\u2019hon (1758-1823)&lt;br \/&gt;\nL\u2019Innocence pr\u00e9f\u00e8re l\u2019Amour \u00e0 la Richesse&lt;br \/&gt;\nCrayons noir et blanc &amp;#8211;&lt;br \/&gt;\nChantilly, Mus\u00e9e Cond\u00e9&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/klopm.png?fit=250%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/klopm.png?fit=480%2C577&amp;ssl=1\" class=\"size-full wp-image-5087\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/klopm.png?resize=480%2C577\" alt=\"Pierre-Paul Prud\u2019hon (1758-1823) L\u2019Innocence pr\u00e9f\u00e8re l\u2019Amour \u00e0 la Richesse Crayons noir et blanc - Chantilly, Mus\u00e9e Cond\u00e9\" width=\"480\" height=\"577\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/klopm.png?w=480&amp;ssl=1 480w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/klopm.png?resize=250%2C300&amp;ssl=1 250w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/a><figcaption id=\"caption-attachment-5087\" class=\"wp-caption-text\">Pierre-Paul Prud\u2019hon (1758-1823)<br \/>L\u2019Innocence pr\u00e9f\u00e8re l\u2019Amour \u00e0 la Richesse<br \/>Crayons noir et blanc &#8211;<br \/>Chantilly, Mus\u00e9e Cond\u00e9<\/figcaption><\/figure>\n<p>Le mus\u00e9e Cond\u00e9 conserve de nombreuses \u0153uvres de Prud\u2019hon, certaines d\u2019\u00e9poque r\u00e9volutionnaire, comme L\u2019Union de l\u2019Amour et de l\u2019Amiti\u00e9, \u00e9tude pour le tableau du Salon de 1793 ou Joseph et la femme de Putiphar, ou encore La Tyrannie, ainsi que des \u0153uvres datant du Consulat et de l\u2019Empire : Le Triomphe de Bonaparte (1801) et Le s\u00e9jour de l\u2019Immortalit\u00e9, projet de d\u00e9cor non ex\u00e9cut\u00e9 probablement destin\u00e9 \u00e0 la Sorbonne, ainsi qu\u2019un dessin pr\u00e9paratoire pour le c\u00e9l\u00e8bre tableau du Salon de 1808, La Justice et la Vengeance divine poursuivant le Crime.<\/p>\n<figure id=\"attachment_5085\" aria-describedby=\"caption-attachment-5085\" style=\"width: 446px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/klkio.png\" rel=\"attachment wp-att-5085\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5085\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/pierre-paul-prudhon-1758-1823\/klkio-4\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/klkio.png?fit=446%2C574&amp;ssl=1\" data-orig-size=\"446,574\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Pierre-Paul Prud\u2019hon (1758-1823) L\u2019Union de l\u2019Amour et de l\u2019Amiti\u00e9\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Pierre-Paul Prud\u2019hon (1758-1823)&lt;br \/&gt;\nL\u2019Union de l\u2019Amour et de l\u2019Amiti\u00e9&lt;br \/&gt;\nCrayons noir et blanc &amp;#8211;&lt;br \/&gt;\nChantilly, Mus\u00e9e Cond\u00e9&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/klkio.png?fit=233%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/klkio.png?fit=446%2C574&amp;ssl=1\" class=\"size-full wp-image-5085\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/klkio.png?resize=446%2C574\" alt=\"Pierre-Paul Prud\u2019hon (1758-1823) L\u2019Union de l\u2019Amour et de l\u2019Amiti\u00e9 Crayons noir et blanc - Chantilly, Mus\u00e9e Cond\u00e9\" width=\"446\" height=\"574\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/klkio.png?w=446&amp;ssl=1 446w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/klkio.png?resize=233%2C300&amp;ssl=1 233w\" sizes=\"auto, (max-width: 446px) 100vw, 446px\" \/><\/a><figcaption id=\"caption-attachment-5085\" class=\"wp-caption-text\">Pierre-Paul Prud\u2019hon (1758-1823)<br \/>L\u2019Union de l\u2019Amour et de l\u2019Amiti\u00e9<br \/>Crayons noir et blanc &#8211;<br \/>Chantilly, Mus\u00e9e Cond\u00e9<\/figcaption><\/figure>\n<p>Un bel ensemble de dessins, pour La Richesse, Les Arts et la Philosophie et les frises des Saisons, \u00e9voque le d\u00e9cor de l\u2019h\u00f4tel de Lannoy, peint par Prud\u2019hon entre 1798 et 1801 et entr\u00e9 au Louvre en 2005. Les liens entre Prud\u2019hon et sa compagne Constance Mayer, sont repr\u00e9sent\u00e9s par un dessin, L\u2019Innocence pr\u00e9f\u00e8re l\u2019Amour \u00e0 la Richesse, et deux esquisses \u00e0 l\u2019huile, V\u00e9nus et l\u2019Amour endormis et Le Flambeau de V\u00e9nus, qu\u2019elle peignit en grand format et exposa respectivement aux Salons de 1804, 1806 et 1808.<\/p>\n<figure id=\"attachment_5086\" aria-describedby=\"caption-attachment-5086\" style=\"width: 645px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/dlmpop.png\" rel=\"attachment wp-att-5086\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5086\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/pierre-paul-prudhon-1758-1823\/dlmpop\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/dlmpop.png?fit=645%2C456&amp;ssl=1\" data-orig-size=\"645,456\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Pierre-Paul Prud\u2019hon (1758-1823) La Tyrannie\" data-image-description=\"\" data-image-caption=\"&lt;p&gt; Pierre-Paul Prud\u2019hon (1758-1823)&lt;br \/&gt;\nLa Tyrannie (La Sagesse suscite la Libert\u00e9 pour terrasser le tyran)&lt;br \/&gt;\nCrayon noir et blanc &amp;#8211;&lt;br \/&gt;\nChantilly, Mus\u00e9e Cond\u00e9&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/dlmpop.png?fit=300%2C212&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/dlmpop.png?fit=645%2C456&amp;ssl=1\" class=\"size-full wp-image-5086\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/dlmpop.png?resize=645%2C456\" alt=\" Pierre-Paul Prud\u2019hon (1758-1823) La Tyrannie (La Sagesse suscite la Libert\u00e9 pour terrasser le tyran) Crayon noir et blanc - Chantilly, Mus\u00e9e Cond\u00e9\" width=\"645\" height=\"456\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/dlmpop.png?w=645&amp;ssl=1 645w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/dlmpop.png?resize=300%2C212&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/dlmpop.png?resize=620%2C438&amp;ssl=1 620w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/dlmpop.png?resize=100%2C70&amp;ssl=1 100w\" sizes=\"auto, (max-width: 645px) 100vw, 645px\" \/><\/a><figcaption id=\"caption-attachment-5086\" class=\"wp-caption-text\">Pierre-Paul Prud\u2019hon (1758-1823)<br \/>La Tyrannie (La Sagesse suscite la Libert\u00e9 pour terrasser le tyran)<br \/>Crayon noir et blanc &#8211;<br \/>Chantilly, Mus\u00e9e Cond\u00e9<\/figcaption><\/figure>\n<p>Ces dessins, trop longtemps expos\u00e9s \u00e0 la lumi\u00e8re dans le pass\u00e9, et dont le papier bleu, insol\u00e9, s\u2019est d\u00e9color\u00e9 et a bruni, ont \u00e9t\u00e9 restaur\u00e9s en vue de l\u2019exposition Prud\u2019hon \u00e0 Chantilly faisant \u00e9cho \u00e0 la grande r\u00e9trospective du Grand Palais en 1997. Ils sont montr\u00e9s pour la premi\u00e8re fois dans leur totalit\u00e9 depuis cette date. Un catalague r\u00e9actualis\u00e9, tenant compte des acquis de ces vingt derni\u00e8res ann\u00e9es dans la connaissance de l\u2019\u0153uvre de Prud\u2019hon, sera \u00e9dit\u00e9.<\/p>\n<p><span style=\"color: #ff0000;\">En savoir plus:<\/span><\/p>\n<p>Jusqu&rsquo;au 26 juin 2016 Galerie de Psych\u00e9 &#8211; Mus\u00e9e Cond\u00e9 &#8211; Ch\u00e2teau de Chantilly<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0Le mus\u00e9e Cond\u00e9 conserve vingt-six dessins et quatre tableaux de Prud\u2019hon donn\u00e9s en 1886 par Henri d\u2019Orl\u00e9ans, duc d\u2019Aumale (1822-1897) \u00e0 l\u2019Institut de France avec son ch\u00e2teau de Chantilly. Cette collection \u2013 l\u2019une des plus importantes avec celles du Louvre et du mus\u00e9e des Beaux-Arts de Dijon \u2013 provient pour l\u2019essentiel des collections du marquis [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":5084,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-5083","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ 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