{"id":5049,"date":"2016-05-20T16:03:32","date_gmt":"2016-05-20T15:03:32","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=5049"},"modified":"2016-05-22T17:04:02","modified_gmt":"2016-05-22T16:04:02","slug":"jardins-dorient-de-lalhambra-au-taj-mahal","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/jardins-dorient-de-lalhambra-au-taj-mahal\/","title":{"rendered":"Jardins d&rsquo;Orient de l&rsquo;Alhambra au Taj Mahal"},"content":{"rendered":"<p><strong>Saviez-vous que la tulipe, bien avant de devenir un embl\u00e8me des Pays-Bas, \u00e9tait celui des sultans ottomans\u00a0? Que le parc public est une innovation r\u00e9cente en Orient\u00a0? <\/strong>Et qu\u2019il est aujourd\u2019hui \u00e0 la pointe des projets de d\u00e9veloppement durable de m\u00e9galopoles du monde arabe\u00a0?\u00a0Saviez-vous que dans une des anciennes langues de la Perse, le mot jardin,\u00a0<em>pairi-daeza<\/em>, a donn\u00e9\u2026 paradis\u00a0?<\/p>\n<figure id=\"attachment_5066\" aria-describedby=\"caption-attachment-5066\" style=\"width: 872px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/ujkio.png\" rel=\"attachment wp-att-5066\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5066\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/jardins-dorient-de-lalhambra-au-taj-mahal\/ujkio\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/ujkio.png?fit=872%2C571&amp;ssl=1\" data-orig-size=\"872,571\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Radha et Krishna sur un bateau &amp;#8211; Rajasthan, vers 1860\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Radha et Krishna sur un bateau &amp;#8211; Rajasthan, vers 1860&lt;br \/&gt;\nNasser D. Khalili&lt;br \/&gt;\n\u00a9 Nour Foundation&lt;br \/&gt;\nCourtesy of the Khalili Family Trust&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/ujkio.png?fit=300%2C196&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/ujkio.png?fit=665%2C435&amp;ssl=1\" class=\"size-full wp-image-5066\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/ujkio.png?resize=665%2C435\" alt=\"Radha et Krishna sur un bateau - Rajasthan, vers 1860 Nasser D. Khalili \u00a9 Nour Foundation Courtesy of the Khalili Family Trust\" width=\"665\" height=\"435\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/ujkio.png?w=872&amp;ssl=1 872w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/ujkio.png?resize=300%2C196&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/ujkio.png?resize=768%2C503&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/ujkio.png?resize=620%2C406&amp;ssl=1 620w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/ujkio.png?resize=230%2C150&amp;ssl=1 230w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/a><figcaption id=\"caption-attachment-5066\" class=\"wp-caption-text\">Radha et Krishna sur un bateau &#8211; Rajasthan, vers 1860<br \/>Nasser D. Khalili<br \/>\u00a9 Nour Foundation<br \/>Courtesy of the Khalili Family Trust<\/figcaption><\/figure>\n<p>Cette extraordinaire histoire des jardins d\u2019Orient, venez la d\u00e9couvrir\u2026 au jardin\u00a0: pendant toute la dur\u00e9e de l\u2019exposition, le parvis de l\u2019IMA sera investi par un jardin \u00e9ph\u00e9m\u00e8re exceptionnel. Confi\u00e9e au paysagiste Michel P\u00e9na, cette interpr\u00e9tation contemporaine des jardins d\u2019Orient se veut une invitation ludique et sensorielle \u00e0 s\u2019impr\u00e9gner des multiples facettes d\u2019un art mill\u00e9naire. Le visiteur pourra l\u00e9zarder et d\u00e9ambuler \u00e0 sa guise dans ses all\u00e9es de roses et d\u2019orangers, de palmiers et de jasmins, avant que ses pas ne le m\u00e8nent \u00e0 la d\u00e9couverte d\u2019une immense anamorphose v\u00e9g\u00e9tale imagin\u00e9e par Fran\u00e7ois Abelanet.<\/p>\n<figure id=\"attachment_5067\" aria-describedby=\"caption-attachment-5067\" style=\"width: 862px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/lmlop.png\" rel=\"attachment wp-att-5067\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5067\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/jardins-dorient-de-lalhambra-au-taj-mahal\/lmlop-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/lmlop.png?fit=862%2C494&amp;ssl=1\" data-orig-size=\"862,494\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Mausol\u00e9e d\u2019Akbar \u00e0 Sikandra &amp;#8211; Inde, d\u00e9but du XIX  e  si\u00e8cle\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Mausol\u00e9e d\u2019Akbar \u00e0 Sikandra &amp;#8211; Inde, d\u00e9but du XIX  e  si\u00e8cle&lt;br \/&gt;\nNasser D. Khalili&lt;br \/&gt;\n\u00a9 Nour Foundation.&lt;br \/&gt;\nCourtesy of the Khalili Family Trust&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/lmlop.png?fit=300%2C172&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/lmlop.png?fit=665%2C381&amp;ssl=1\" class=\"size-full wp-image-5067\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/lmlop.png?resize=665%2C381\" alt=\"Mausol\u00e9e d\u2019Akbar \u00e0 Sikandra - Inde, d\u00e9but du XIX e si\u00e8cle Nasser D. Khalili \u00a9 Nour Foundation. Courtesy of the Khalili Family Trust\" width=\"665\" height=\"381\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/lmlop.png?w=862&amp;ssl=1 862w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/lmlop.png?resize=300%2C172&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/lmlop.png?resize=768%2C440&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/lmlop.png?resize=620%2C355&amp;ssl=1 620w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/a><figcaption id=\"caption-attachment-5067\" class=\"wp-caption-text\">Mausol\u00e9e d\u2019Akbar \u00e0 Sikandra &#8211; Inde, d\u00e9but du XIX e si\u00e8cle<br \/>Nasser D. Khalili<br \/>\u00a9 Nour Foundation.<br \/>Courtesy of the Khalili Family Trust<\/figcaption><\/figure>\n<h3><strong>Du jardin des sens au d\u00e9veloppement durable<\/strong><\/h3>\n<p>\u00c0 l\u2019int\u00e9rieur du b\u00e2timent de l\u2019Institut du monde arabe, une exposition en cinq temps retracera l\u2019histoire des jardins d\u2019Orient depuis la plus haute Antiquit\u00e9 jusqu\u2019aux innovations les plus contemporaines, de la p\u00e9ninsule Ib\u00e9rique au sous-continent indien. Un parcours riche de quelques 300\u00a0\u0153uvres d\u2019art pr\u00eat\u00e9es par de grands mus\u00e9es internationaux ou des collections priv\u00e9es, mais aussi de maquettes, de tirages photo g\u00e9ants ou encore d\u2019ing\u00e9nieux dispositifs rappelant ce que les jardins doivent au talent des ing\u00e9nieurs du pass\u00e9.<\/p>\n<figure id=\"attachment_5068\" aria-describedby=\"caption-attachment-5068\" style=\"width: 708px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/jkioui.png\" rel=\"attachment wp-att-5068\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5068\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/jardins-dorient-de-lalhambra-au-taj-mahal\/jkioui\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/jkioui.png?fit=708%2C433&amp;ssl=1\" data-orig-size=\"708,433\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Jardin de palais dominant un lac et un paysage de collines Hyderabad, Inde, vers 1750 Gouache sur papier\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Jardin de palais dominant un lac et un paysage de collines&lt;br \/&gt;\nHyderabad, Inde, vers 1750&lt;br \/&gt;\nGouache sur papier&lt;br \/&gt;\n\u00a9 Fondation Custodia, Collection Frits Lugt, Paris&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/jkioui.png?fit=300%2C183&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/jkioui.png?fit=665%2C407&amp;ssl=1\" class=\"size-full wp-image-5068\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/jkioui.png?resize=665%2C407\" alt=\"Jardin de palais dominant un lac et un paysage de collines Hyderabad, Inde, vers 1750 Gouache sur papier \u00a9 Fondation Custodia, Collection Frits Lugt, Paris\" width=\"665\" height=\"407\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/jkioui.png?w=708&amp;ssl=1 708w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/jkioui.png?resize=300%2C183&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/jkioui.png?resize=620%2C379&amp;ssl=1 620w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/a><figcaption id=\"caption-attachment-5068\" class=\"wp-caption-text\">Jardin de palais dominant un lac et un paysage de collines<br \/>Hyderabad, Inde, vers 1750<br \/>Gouache sur papier<br \/>\u00a9 Fondation Custodia, Collection Frits Lugt, Paris<\/figcaption><\/figure>\n<p>Culture, histoire, technique, botanique, environnement, soci\u00e9t\u00e9\u2026, l\u2019art des jardins, priv\u00e9s comme publics, sera trait\u00e9 sous tous ses aspects\u00a0: l\u2019exposition analysera les sources d\u2019inspiration du jardin oriental, ses codes et ses d\u00e9clinaisons, avant de rechercher les liens tiss\u00e9s au fil des si\u00e8cles avec les jardins d\u2019Occident. Sans oublier d\u2019ouvrir le d\u00e9bat sur le r\u00f4le que de la nature peut jouer dans les grandes villes contemporaines pour relever le d\u00e9fi de la modernit\u00e9 et de la durabilit\u00e9 environnementale.<\/p>\n<p>Des jardins suspendus de Babylone au tout r\u00e9cent parc al-Azhar du Caire, de l\u2019Alhambra de Grenade au Jardin d\u2019essai d\u2019Alger, du jardin princier au jardin pour tous, un passionnant parcours dont le fil conducteur est l\u2019essence de la vie des jardins\u00a0: l\u2019eau, bien s\u00fbr\u00a0!<\/p>\n<figure id=\"attachment_5069\" aria-describedby=\"caption-attachment-5069\" style=\"width: 593px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/hjnhjy.png\" rel=\"attachment wp-att-5069\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5069\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/jardins-dorient-de-lalhambra-au-taj-mahal\/hjnhjy\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/hjnhjy.png?fit=593%2C678&amp;ssl=1\" data-orig-size=\"593,678\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Barbad cach\u00e9 dans un cypr\u00e8s joue pour le roi &amp;#8211; Iran, Tabriz, vers 1535 Nasser D. Khalili\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Barbad cach\u00e9 dans un cypr\u00e8s joue pour le roi &amp;#8211; Iran, Tabriz, vers 1535&lt;br \/&gt;\nNasser D. Khalili&lt;br \/&gt;\n\u00a9 Nour Foundation&lt;br \/&gt;\nCourtesy of the Khalili Family Trust&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/hjnhjy.png?fit=262%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/hjnhjy.png?fit=593%2C678&amp;ssl=1\" class=\"size-full wp-image-5069\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/hjnhjy.png?resize=593%2C678\" alt=\"Barbad cach\u00e9 dans un cypr\u00e8s joue pour le roi - Iran, Tabriz, vers 1535 Nasser D. Khalili \u00a9 Nour Foundation Courtesy of the Khalili Family Trust\" width=\"593\" height=\"678\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/hjnhjy.png?w=593&amp;ssl=1 593w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/05\/hjnhjy.png?resize=262%2C300&amp;ssl=1 262w\" sizes=\"auto, (max-width: 593px) 100vw, 593px\" \/><\/a><figcaption id=\"caption-attachment-5069\" class=\"wp-caption-text\">Barbad cach\u00e9 dans un cypr\u00e8s joue pour le roi &#8211; Iran, Tabriz, vers 1535<br \/>Nasser D. Khalili<br \/>\u00a9 Nour Foundation<br \/>Courtesy of the Khalili Family Trust<\/figcaption><\/figure>\n<p>LES JARDINS D\u2019ORIENT, ORIGINES ET COMPOSANTES<\/p>\n<p><strong>L\u2019oasis, aux pr\u00e9mices du jardin <\/strong><\/p>\n<p>Les Jardins d\u2019Orient trouvent leurs origines dans le croissant fertile, une zone g\u00e9ographique privil\u00e9gi\u00e9e entour\u00e9e de terres arides, et plus particuli\u00e8rement avec l\u2019apparition des oasis en M\u00e9sopotamie il y a pr\u00e8s de 6000 ans, ces \u00e9tendues d\u2019eau bord\u00e9es de palmiers qui rompent avec la s\u00e9cheresse des d\u00e9serts alentours.<\/p>\n<p>Se d\u00e9veloppent alors les premi\u00e8res techniques de gestion de l\u2019eau, dont les fameuses galeries drainantes qui vont chercher l\u2019eau des nappes phr\u00e9atiques, et permettent ainsi une agriculture ma\u00eetris\u00e9e. L\u2019eau devient un \u00e9l\u00e9ment fondamental du jardin arabo-musulman, source de vie au c\u0153ur des zones arides.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/2p0QikM3MuA\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>Les techniques hydrauliques <\/strong><\/p>\n<p>L\u2019invention du style du jardin arabo-musulman fut conjointement li\u00e9e aux r\u00e9volutions scientifiques, techniques, urbanistiques et artistiques, apparues en Orient entre le VIII et le XI\u00e8me si\u00e8cles. Aujourd\u2019hui, on ne peut comprendre le jardin arabo-musulman sans tenir compte de la philosophie de la nature qui l\u2019irrigue et de la conqu\u00eate de l\u2019eau qui lui a assur\u00e9 des si\u00e8cles durant, p\u00e9rennit\u00e9 et rayonnement.<\/p>\n<p>Aux IX\u00e8me et XII\u00e8me si\u00e8cles, l\u2019homme intervient sur la nature pour ma\u00eetriser le cours de l\u2019eau et transforme ainsi les paysages. Toute une science des canaux se d\u00e9veloppe alors, avec ses calculs, ses estimations et ses normes. \u00c9merge une multitude de constructions d\u00e9di\u00e9es \u00e0 la ma\u00eetrise de l\u2019eau : ponts, barrages, digues, ouvrages de protection contre les crues, d\u00e9rivation des cours des fleuves.<\/p>\n<p>Une irrigation du jardin en continu a \u00e9galement \u00e9t\u00e9 possible en captant les flux d\u2019eaux souterraines au moyen de puits reli\u00e9s par des canaux enterr\u00e9s, connus sous le nom de qan\u00e2t. Une \u00e8re nouvelle voit le jour, celle de \u00ab l\u2019\u00e2ge d\u2019or \u00bb de l\u2019hydraulique arabo-musulmane.<\/p>\n<p><strong>G\u00e9om\u00e9trie des jardins <\/strong><\/p>\n<p>L\u2019eau d\u00e9termine l\u2019organisation et la forme des jardins gr\u00e2ce aux canaux et aux grands bassins, autour desquels viennent se composer un ensemble de parterres de fleurs, plantes et autres v\u00e9g\u00e9taux.<\/p>\n<p>Issu du terme grec \u00ab paradeisos \u00bb, qui signifie \u00ab enclos \u00bb, le jardin oriental est un espace clos, divis\u00e9 en quatre parties \u00e9gales s\u00e9par\u00e9es par de r\u00e9els canaux. Au centre, se trouve la source.<\/p>\n<p>Le jardin de Pasargades, paradigme du jardin perse par excellence, privil\u00e9gie la g\u00e9om\u00e9trie des plantations et du r\u00e9seau d\u2019irrigation, manifestant ainsi la totale ma\u00eetrise de la nature, v\u00e9g\u00e9tation verdoyante et circulation de l\u2019eau. Il fut ainsi le premier exemple du jardin g\u00e9om\u00e9trique divis\u00e9 en quatre parties \u00e9gales, appel\u00e9 le chah\u00e2r-b\u00e2gh, une formule qui sera r\u00e9p\u00e9t\u00e9e dans l\u2019histoire des jardins d\u2019Orient.<\/p>\n<p>LES USAGES DU JARDIN<\/p>\n<p><strong>Le jardin, lieu de pouvoir <\/strong><\/p>\n<p>Le jardin est tr\u00e8s t\u00f4t associ\u00e9 aux notions de pouvoir et de ma\u00eetrise : grand nombre de princes y organisent des r\u00e9ceptions officielles pour \u00e9merveiller leurs invit\u00e9s et signifier leur puissance. La luxuriance du jardin, en contraste avec la s\u00e9cheresse et l\u2019aridit\u00e9 des paysages, constitue une marque incontestable de pouvoir. Les belv\u00e9d\u00e8res, dominant l\u2019ensemble du jardin et son environnement, permettent ainsi au monarque d\u2019avoir symboliquement une vue sur tout le territoire du royaume.<\/p>\n<p>Le souverain est un magicien qui fait fleurir le d\u00e9sert, son jardin est un lieu d\u00e9licieux. Les rois assyriens furent sans doute les premiers \u00e0 affirmer leur puissance par la cr\u00e9ation de jardins d\u2019agr\u00e9ment, rendue possible gr\u00e2ce aux immenses travaux d\u2019am\u00e9nagement et de conduction d\u2019eau qu\u2019ils entreprirent. Ils marqu\u00e8rent alors le jardin du sceau royal, s\u2019y faisant repr\u00e9senter en train de festoyer \u00e0 l\u2019ombre des treilles.<\/p>\n<p>Aussi le jardin est-il une composante essentielle de la ville et du territoire dans la mesure o\u00f9 il les relie au palais : de nombreux jardins persans se prolongent ainsi dans la ville, voire dans le d\u00e9sert ; l\u2019axe du Taj Mahal quant \u00e0 lui, se poursuit au-del\u00e0 de la rivi\u00e8re.<\/p>\n<p>Un espace de l\u2019int\u00e9rieur<\/p>\n<p>Les mots qui qualifient les jardins publics dans des villes tr\u00e8s dens\u00e9ment peupl\u00e9es telles que Le Caire, Casablanca, T\u00e9h\u00e9ran, Beyrouth ou m\u00eame Istanbul conduisent tous \u00e0 consid\u00e9rer que ce sont des espaces \u00ab \u00e0 part \u00bb : oasis, \u00eele poumon sont des termes qui distinguent fortement les jardins publics du reste de la ville, qui en font des parenth\u00e8ses v\u00e9g\u00e9tales dans un ensemble tr\u00e8s min\u00e9ral. Les jardins publics constituent une rupture dans l\u2019espace public urbain.<\/p>\n<p>Des jardins luxuriants et foisonnants de plantes et de fleurs font la renomm\u00e9e et la richesse des Jardins d\u2019Orient. Cypr\u00e8s, lauriers, platanes, pins et arbres fruitiers; tulipes, roses, jasmins, an\u00e9mones\u2026 Une g\u00e9om\u00e9trie naturelle donc, gr\u00e2ce \u00e0 une v\u00e9g\u00e9tation dense et exub\u00e9rante, qui se d\u00e9veloppe dans un espace clos, ferm\u00e9 sur lui-m\u00eame, privil\u00e9giant l\u2019ombre et l\u2019intimit\u00e9. C\u2019est au jardin que l\u2019on s\u2019arr\u00eate pour se reposer, faire la sieste parfois allong\u00e9 sur un banc, ou sous un arbre, exposant alors une posture intime aux autres usagers du jardin.<\/p>\n<p>Prot\u00e9g\u00e9 des regards indiscrets, le jardin exalte les sens et incite aux plaisirs. \u00c0 l\u2019image des Mille et Une Nuits, le jardin est un lieu de contemplation et de pratiques intimes, propice notamment aux rendez-vous amoureux. V\u00e9ritable espace de transgressions, il devient le th\u00e9\u00e2tre de d\u00e9bats amoureux, et fait l\u2019objet de nombreuses descriptions litt\u00e9raires dans lesquelles les jeunes princes tr\u00f4nent au milieu de parterres fleuris, et les fleurs se font m\u00e9taphores de la beaut\u00e9 des jeunes gens&#8230;<\/p>\n<p><strong>En savoir plus:<\/strong><\/p>\n<p>Jardins d&rsquo;Orient, De l&rsquo;Alhambra au Taj Maha, une exposition \u00e0 d\u00e9couvrir dans les jardins de l&rsquo;Institut du Monde Arabe. Jusqu&rsquo;au 25 septembre 2016<\/p>\n<p>http:\/\/www.imarabe.org\/exposition\/jardins-d-orient<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Saviez-vous que la tulipe, bien avant de devenir un embl\u00e8me des Pays-Bas, \u00e9tait celui des sultans ottomans\u00a0? Que le parc public est une innovation r\u00e9cente en Orient\u00a0? Et qu\u2019il est aujourd\u2019hui \u00e0 la pointe des projets de d\u00e9veloppement durable de m\u00e9galopoles du monde arabe\u00a0?\u00a0Saviez-vous que dans une des anciennes langues de la Perse, le mot [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":5070,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-5049","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Jardins d&#039;Orient de l&#039;Alhambra au Taj Mahal Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"Saviez-vous que la tulipe, bien avant de devenir un embl\u00e8me des Pays-Bas, \u00e9tait celui des sultans ottomans\u00a0? 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