{"id":4994,"date":"2016-05-04T16:48:48","date_gmt":"2016-05-04T15:48:48","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=4994"},"modified":"2016-05-08T12:04:11","modified_gmt":"2016-05-08T11:04:11","slug":"latelier-en-plein-air-les-impressionnistes-en-normandie","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/latelier-en-plein-air-les-impressionnistes-en-normandie\/","title":{"rendered":"L\u2019Atelier en plein air – Les impressionnistes en Normandie"},"content":{"rendered":"

Le Mus\u00e9e Jacquemart-Andr\u00e9 pr\u00e9sente jusqu’au 25 juillet 2016 un ensemble d\u2019une cinquantaine d\u2019\u0153uvres prestigieuses, issues de collections particuli\u00e8res et d\u2019institutions europ\u00e9ennes et am\u00e9ricaines majeures, qui retrace l\u2019histoire de l\u2019Impressionnisme, de ses peintres pr\u00e9curseurs aux grands ma\u00eetres.<\/p>\n

Le XIXe si\u00e8cle voit l\u2019\u00e9mergence d\u2019un genre pictural nouveau : le paysage en plein air.<\/strong> Cette r\u00e9volution picturale, n\u00e9e en Angleterre, va se propager sur le continent d\u00e8s les ann\u00e9es 1820 et la Normandie devenir, pendant un si\u00e8cle, la destination pr\u00e9f\u00e9r\u00e9e des peintres d\u2019avant-garde.\u00a0<\/strong><\/p>\n

\"Euge\u0300ne-Louis<\/a>
Euge\u0300ne-Louis Boudin, Sce\u0300ne de plage a\u0300 Trouville, 1869,
\u00a9 Galerie de la Pre\u0301sidence<\/figcaption><\/figure>\n

Pour attirer les artistes, la Normandie dispose de s\u00e9rieux atouts : <\/strong>la beaut\u00e9 et la diversit\u00e9 de ses paysages ; la richesse de son patrimoine architectural ; la mode des bains de mer qui draine une client\u00e8le fortun\u00e9e ; la facilit\u00e9 d\u2019acc\u00e8s par bateau ou par diligence, puis par le train ; sa situation \u00e0 mi-chemin entre Londres et Paris, les deux capitales artistiques de l\u2019\u00e9poque.<\/p>\n

D\u00e8s la fin des guerres napol\u00e9oniennes, les paysagistes anglais (Turner, Bonington, Cotman…) d\u00e9barquent en Normandie, avec leurs bo\u00eetes d\u2019aquarelle, tandis que les fran\u00e7ais (G\u00e9ricault, Delacroix, Isabey…) se rendent \u00e0 Londres pour d\u00e9couvrir l\u2019\u00e9cole anglaise. De ces \u00e9changes na\u00eet une \u00e9cole fran\u00e7aise du paysage, <\/strong>dont Corot et Huet prennent bient\u00f4t la t\u00eate. \u00c0 leur suite, c\u2019est une myriade de peintres qui va sillonner la r\u00e9gion et inventer une nouvelle esth\u00e9tique : Delacroix, Riesener, Daubigny, Millet, Jongkind, Isabey, Troyon…\u00a0<\/strong><\/p>\n

\"Gustave<\/a>
Gustave Caillebotte, Re\u0301gates a\u0300 Trouville, vers 1884
\u00a9 Photograph Incorporated, Toledo.<\/figcaption><\/figure>\n

Cette r\u00e9volution artistique se cristallise, au d\u00e9but des ann\u00e9es 1860, lors des rencontres de Saint-Sim\u00e9on, qui r\u00e9unissent chaque ann\u00e9e \u00e0 Honfleur et sur la C\u00f4te Fleurie tout le gratin de la nouvelle peinture.\u00a0 Il y a l\u00e0 Boudin, Monet et Jongkind, un trio ins\u00e9parable, mais aussi tous leurs amis : Courbet, Daubigny, Bazille, Whistler, Cals… Sans compter Baudelaire, le premier \u00e0 avoir c\u00e9l\u00e9br\u00e9, d\u00e8s 1859, les \u00ab beaut\u00e9s m\u00e9t\u00e9orologiques \u00bb de Boudin. Non loin de l\u00e0, dans la Normandie bocag\u00e8re, Degas peint ses premi\u00e8res courses de chevaux au Haras-du-Pin et Berthe Morisot s\u2019initie au paysage, tandis qu\u2019\u00e0 Cherbourg, Manet r\u00e9volutionne la peinture de marine. D\u00e8s lors, pendant plusieurs d\u00e9cennies, la Normandie va devenir l\u2019atelier en plein air pr\u00e9f\u00e9r\u00e9 des Impressionnistes. Monet, Degas, Renoir, Pissarro, Boudin, Morisot, Caillebotte, Gonzales, Gauguin… vont y \u00e9panouir leur art et le renouveler constamment.<\/p>\n

\"Claude<\/a>
Claude Monet, E\u0301tretat. La porte d\u2019Aval, bateaux de pe\u0302che sortant du port, Vers 1885,
\u00a9 Muse\u0301e des Beaux-Arts de Dijon. Photo Franc\u0327ois Jay<\/figcaption><\/figure>\n

De multiples raisons expliquent que la Normandie ait \u00e9t\u00e9 le berceau de l\u2019impressionnisme : <\/strong><\/p>\n

\u2022 sa position g\u00e9ographique, \u00e0 mi chemin entre Londres et Paris, les deux capitales artistiques de l\u2019\u00e9poque (Courbet, L\u2019Embouchure de la Seine dit aussi Vue prise des hauteurs de Honfleur, Palais des Beaux-Arts, Lille).<\/p>\n

\u2022 la richesse de son patrimoine architectural, au temps o\u00f9 les artistes participaient activement \u00e0 sa red\u00e9couverte (Corot, Jumi\u00e8ges, Smith College Museum of Art, Northampton) : \u00e0 partir de 1820, Isidore Taylor publie les Voyages pittoresques et romantiques dans l\u2019ancienne France, dont les deux premiers volumes sont consacr\u00e9s \u00e0 la Normandie, et en 1825 Victor Hugo lance sa Guerre aux d\u00e9molisseurs.<\/p>\n

\u2022 la mode des bains de mer, import\u00e9e d\u2019Angleterre et qui s\u2019implante \u00e0 Dieppe vers 1820, avant de se propager le long des c\u00f4tes de la Manche.<\/p>\n

\u2022 la beaut\u00e9 et la diversit\u00e9 de ses paysages mais aussi la subtilit\u00e9 et la versatilit\u00e9 de ses lumi\u00e8res, \u00e0 une \u00e9poque o\u00f9 le paysage devient un genre \u00e0 part enti\u00e8re et o\u00f9 les peintres sortent de leur atelier pour capter, sur le motif, la lumi\u00e8re naturelle (Monet, La Charrette. Route sous la neige \u00e0 Honfleur avec la ferme Saint-Sim\u00e9on, Mus\u00e9e d\u2019Orsay, Paris).<\/p>\n

\u2022 la facilit\u00e9 de transport par le fleuve puis par le train. Les lignes ferroviaires entre Paris et la c\u00f4te normande sont parmi les premi\u00e8res \u00e0 \u00eatre cr\u00e9\u00e9es, favorisant l\u2019essor des stations baln\u00e9aires.<\/p>\n

\"Auguste<\/a>
Auguste Renoir, La Cueillette des moules a\u0300 Berneval, 1879, \u00a9 Courtesy National Gallery of Art, Washington.<\/figcaption><\/figure>\n

L\u2019exposition se propose d\u2019\u00e9voquer d\u2019abord le r\u00f4le d\u00e9cisif jou\u00e9 par la Normandie dans l\u2019\u00e9mergence du mouvement impressionniste<\/strong>, \u00e0 travers les \u00e9changes franco-anglais, le d\u00e9veloppement d\u2019une \u00e9cole de la nature et les rencontres de Saint-Sim\u00e9on. Puis, passant d\u2019une approche historique \u00e0 une approche g\u00e9ographique, l\u2019exposition montrera \u00e0 quel point les paysages et plus encore les lumi\u00e8res de la Normandie ont \u00e9t\u00e9 d\u00e9terminants dans l\u2019attirance que cette r\u00e9gion a exerc\u00e9e sur tous les ma\u00eetres de l\u2019Impressionnisme.<\/strong><\/p>\n

En savoir plus:<\/span><\/p>\n

http:\/\/www.musee-jacquemart-andre.com\/<\/p>\n","protected":false},"excerpt":{"rendered":"

Le Mus\u00e9e Jacquemart-Andr\u00e9 pr\u00e9sente jusqu’au 25 juillet 2016 un ensemble d\u2019une cinquantaine d\u2019\u0153uvres prestigieuses, issues de collections particuli\u00e8res et d\u2019institutions europ\u00e9ennes et am\u00e9ricaines majeures, qui retrace l\u2019histoire de l\u2019Impressionnisme, de ses peintres pr\u00e9curseurs aux grands ma\u00eetres. Le XIXe si\u00e8cle voit l\u2019\u00e9mergence d\u2019un genre pictural nouveau : le paysage en plein air. Cette r\u00e9volution picturale, n\u00e9e […]<\/p>\n","protected":false},"author":6,"featured_media":5010,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-4994","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"\nL\u2019Atelier en plein air - Les impressionnistes en Normandie Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"Le Mus\u00e9e Jacquemart-Andr\u00e9 pr\u00e9sente jusqu'au 25 juillet 2016 un ensemble d\u2019une cinquantaine d\u2019\u0153uvres prestigieuses, issues de collections particuli\u00e8res et\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.proantic.com\/magazine\/latelier-en-plein-air-les-impressionnistes-en-normandie\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L\u2019Atelier en plein air - 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