{"id":4918,"date":"2020-10-31T18:56:38","date_gmt":"2020-10-31T17:56:38","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=4918"},"modified":"2020-11-01T14:39:36","modified_gmt":"2020-11-01T13:39:36","slug":"the-peacock-room","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/the-peacock-room\/","title":{"rendered":"The Peacock Room"},"content":{"rendered":"

Cette pi\u00e8ce a \u00e9t\u00e9 initialement con\u00e7u en 1876 par l’architecte d’int\u00e9rieur Thomas Jeckyll pour exposer la collection de\u00a0porcelaines chinoises de l’armateur anglais Frederick Richards Leyland dans sa maison Londonienne.<\/strong> Jeckyll y construit un r\u00e9seau de rayonnages finement sculpt\u00e9 et orne les murs de tentures murales en\u00a0cuir de Cordoue.<\/p>\n

\"The<\/a>
The Peacock Room Leyland’s house, 49 Prince’s Gate, London, in 1892, (c) Bedford Lemere.<\/figcaption><\/figure>\n

De \u00ab\u00a0style anglo-japonais\u00a0\u00bb, la pi\u00e8ce est con\u00e7ue et peinte dans une riche palette de verts-bleus rehauss\u00e9e \u00e0 la feuille d’or,\u00a0La peinture est inspir\u00e9e de la porcelaine bleue et blanche copi\u00e9e du catalogue de Monsieur Henry Thompson et de la collection de \u00a0porcelaines de Leyland .<\/p>\n

Jeckyll avait presque termin\u00e9 son programme d\u00e9coratif quand une maladie l’obligea \u00e0 abandonner le projet. c’est James Abbot McNeill Whistler, qui avait peint \u00a0les portraits en pied de l’armateur anglais Frederick Richards Leyland\u00a0et de sa femme \u00a0en 1870 qui fini la d\u00e9coration de la salle \u00e0 manger .<\/p>\n

\"The<\/a>
The Peacock Room.
(c) Freer Gallery of Art \u00e0 Washington<\/figcaption><\/figure>\n

L’artiste et le commanditaire se disputent si violemment sur le montant des honoraires r\u00e9clam\u00e9s pour ce travail que leur relation s\u2019arr\u00eate l\u00e0.<\/p>\n

Whistler r\u00e9ussit cependant \u00e0 p\u00e9n\u00e9trer une nouvelle fois dans la pi\u00e8ce et peint deux paons se battant, cette sc\u00e8ne est cens\u00e9e repr\u00e9senter l’artiste et son commanditaire\u00a0: l’un tient un pinceau et l’autre un sac d’argent\u2026<\/p>\n

\"The<\/a>
The Peacock Room.
(c) Freer Gallery of Art \u00e0 Washington<\/figcaption><\/figure>\n

La pi\u00e8ce enti\u00e8re sera achet\u00e9e aux h\u00e9ritiers de Leyland, en 1904 par l’industriel et esth\u00e8te Charles Lang Freer pour d\u00e9corer sa maison de D\u00e9troit\u00a0aux \u00c9tats-Unis . Il y installera une collection d’\u0153uvres de Whistler.<\/p>\n

Apr\u00e8s la mort de Freer en 1919, la salle Peacock a \u00e9t\u00e9 install\u00e9 de fa\u00e7on permanente dans la Freer Gallery of Art\u00a0\u00a0\u00e0 Washington. La galerie a ouvert au public en 1923<\/p>\n","protected":false},"excerpt":{"rendered":"

Cette pi\u00e8ce a \u00e9t\u00e9 initialement con\u00e7u en 1876 par l’architecte d’int\u00e9rieur Thomas Jeckyll pour exposer la collection de\u00a0porcelaines chinoises de l’armateur anglais Frederick Richards Leyland dans sa maison Londonienne. Jeckyll y construit un r\u00e9seau de rayonnages finement sculpt\u00e9 et orne les murs de tentures murales en\u00a0cuir de Cordoue. De \u00ab\u00a0style anglo-japonais\u00a0\u00bb, la pi\u00e8ce est con\u00e7ue […]<\/p>\n","protected":false},"author":6,"featured_media":4940,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-4918","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-patrimoine-musee"],"yoast_head":"\nThe Peacock Room Le Magazine de 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