{"id":4700,"date":"2016-02-25T17:18:09","date_gmt":"2016-02-25T16:18:09","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=4700"},"modified":"2016-02-28T14:28:58","modified_gmt":"2016-02-28T13:28:58","slug":"la-table-dressee","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/la-table-dressee\/","title":{"rendered":"La Table Dress\u00e9e"},"content":{"rendered":"<p><strong>Il s\u2019agit d\u2019une \u00e9vocation du d\u00e9jeuner donn\u00e9 par Mo\u00efse de Camondo le 9 juin 1933 \u00e0 l\u2019attention de vingt-trois convives du Club des Cent, ce cercle de fins gourmets dont il est membre depuis 1925.<\/strong><\/p>\n<figure id=\"attachment_4701\" aria-describedby=\"caption-attachment-4701\" style=\"width: 620px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/rubon985.jpg\" rel=\"attachment wp-att-4701\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"4701\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/la-table-dressee\/rubon985\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/rubon985.jpg?fit=1902%2C1865&amp;ssl=1\" data-orig-size=\"1902,1865\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;Photographie Luc Boegly - 2014&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Mus\u00e9e Nissim de Camando, la salle \u00e0 manger.\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Mus\u00e9e Nissim de Camando, la salle \u00e0 manger.&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/rubon985.jpg?fit=300%2C294&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/rubon985.jpg?fit=665%2C652&amp;ssl=1\" class=\"wp-image-4701 size-large\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/rubon985-1024x1004.jpg?resize=620%2C608\" alt=\"Mus\u00e9e Nissim de Camando, la salle \u00e0 manger.\" width=\"620\" height=\"608\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/rubon985.jpg?resize=1024%2C1004&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/rubon985.jpg?resize=300%2C294&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/rubon985.jpg?resize=768%2C753&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/rubon985.jpg?resize=620%2C608&amp;ssl=1 620w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/rubon985.jpg?resize=940%2C922&amp;ssl=1 940w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/rubon985.jpg?w=1902&amp;ssl=1 1902w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/rubon985.jpg?w=1330&amp;ssl=1 1330w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-4701\" class=\"wp-caption-text\">Mus\u00e9e Nissim de Camando, la salle \u00e0 manger.<\/figcaption><\/figure>\n<p>Trois ou quatre fois par an , g\u00e9n\u00e9ralement au printemps, le comte re\u00e7oit jusqu\u2019\u00e0 trente convives dans sa somptueuse salle \u00e0 manger. Fin mai d\u00e9but juin, a lieu le d\u00e9jeuner \u00ab Louvre \u00bb qui r\u00e9unit des conservateurs et des membres du Conseil des mus\u00e9es nationaux. Au d\u00e9jeuner \u00ab Marsan \u00bb sont convi\u00e9s tous les administrateurs du conseil de l\u2019Union Centrale \u00a0d e s \u00a0A r t s d\u00e9coratifs* dont Mo\u00efse de Camondo est devenu vice-pr\u00e9sident en 1930. Egalement au printemps, le comte re\u00e7oit \u00e0 sa table plusieurs gourmets du Club des Cent. Le chef soigne alors particuli\u00e8rement la composition du repas.<\/p>\n<figure id=\"attachment_4703\" aria-describedby=\"caption-attachment-4703\" style=\"width: 576px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/kju.png\" rel=\"attachment wp-att-4703\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"4703\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/la-table-dressee\/kju\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/kju.png?fit=576%2C452&amp;ssl=1\" data-orig-size=\"576,452\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"La table dress\u00e9e, Mus\u00e9e Nissim de Camando.\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;La table dress\u00e9e, Mus\u00e9e Nissim de Camando.&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/kju.png?fit=300%2C235&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/kju.png?fit=576%2C452&amp;ssl=1\" class=\"size-full wp-image-4703\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/kju.png?resize=576%2C452\" alt=\"La table dress\u00e9e, Mus\u00e9e Nissim de Camando.\" width=\"576\" height=\"452\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/kju.png?w=576&amp;ssl=1 576w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/kju.png?resize=300%2C235&amp;ssl=1 300w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><\/a><figcaption id=\"caption-attachment-4703\" class=\"wp-caption-text\">La table dress\u00e9e, Mus\u00e9e Nissim de Camando.<\/figcaption><\/figure>\n<p>Pour orner sa table, Mo\u00efse de Camondo n\u2019h\u00e9site pas \u00e0 utiliser des pi\u00e8ces de sa collection comme ce pot \u00e0 oille et son plateau en argent r\u00e9alis\u00e9s vers 1785 par l\u2019orf\u00e8vre du roi Robert-Joseph Auguste. Somm\u00e9 d\u2019une magnifique hure de sanglier, v\u00e9ritable sculpture d\u2019argent, il porte les armoiries d\u2019une famille portugaise, marque du prestige dont jouissait l\u2019orf\u00e8vre dans toute l\u2019Europe.<\/p>\n<figure id=\"attachment_4702\" aria-describedby=\"caption-attachment-4702\" style=\"width: 620px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/nov-2014-039_2000.jpg\" rel=\"attachment wp-att-4702\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"4702\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/la-table-dressee\/nov-2014-039_2000\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/nov-2014-039_2000.jpg?fit=1926%2C1672&amp;ssl=1\" data-orig-size=\"1926,1672\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;Photographie Luc Boegly - 2014&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Mus\u00e9e Nissim de Camando, la table de salle \u00e0 manger.\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Mus\u00e9e Nissim de Camando, la table de salle \u00e0 manger.&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/nov-2014-039_2000.jpg?fit=300%2C260&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/nov-2014-039_2000.jpg?fit=665%2C577&amp;ssl=1\" class=\"wp-image-4702 size-large\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/nov-2014-039_2000-1024x889.jpg?resize=620%2C538\" alt=\"Mus\u00e9e Nissim de Camando, la table de salle \u00e0 manger.\" width=\"620\" height=\"538\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/nov-2014-039_2000.jpg?resize=1024%2C889&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/nov-2014-039_2000.jpg?resize=300%2C260&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/nov-2014-039_2000.jpg?resize=768%2C667&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/nov-2014-039_2000.jpg?resize=620%2C538&amp;ssl=1 620w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/nov-2014-039_2000.jpg?resize=940%2C816&amp;ssl=1 940w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/nov-2014-039_2000.jpg?w=1926&amp;ssl=1 1926w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2016\/02\/nov-2014-039_2000.jpg?w=1330&amp;ssl=1 1330w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-4702\" class=\"wp-caption-text\">Mus\u00e9e Nissim de Camando, la table de salle \u00e0 manger.<\/figcaption><\/figure>\n<p>Les sali\u00e8res et les moutardiers aux poin\u00e7ons dat\u00e9s 1784-1785 sont l\u2019\u0153uvre de l\u2019orf\u00e8vre Joseph-Th\u00e9odore Van Cauwenbergh. Caract\u00e9ristiques du style arabesque en faveur \u00e0 l\u2019\u00e9poque, leurs rinceaux d\u2019acanthe ajour\u00e9s enserrent les r\u00e9cipients de verre bleu. \u00c0 la richesse de l\u2019orf\u00e8vrerie r\u00e9pond celle de la porcelaine. Toutefois, Mo\u00efse de Camondo n\u2019utilise pas ses services de porcelaine de S\u00e8vres Buffon, trop pr\u00e9cieux et fragiles, et, \u00e0 ce titre, pr\u00e9sent\u00e9s en permanence dans le Cabinet des porcelaines voisin. Pour son usage personnel, le comte se r\u00e9serve deux services, l\u2019un en porcelaine de Tournai et l\u2019autre en porcelaine de Chantilly.<\/p>\n<p>Les assiettes \u00e0 d\u00e9cor polychrome de bouquets de fleurs vers 1760 en proviennent. Elles r\u00e9v\u00e8lent un aspect tr\u00e8s raffin\u00e9 de la manufacture fond\u00e9e par le prince de Cond\u00e9 en 1730.<\/p>\n<p>Ces \u00e9l\u00e9ments sont les seuls dont nous disposions pour reconstituer une table dress\u00e9e. Homme r\u00e9serv\u00e9, Mo\u00efse de Camondo n\u2019a pas souhait\u00e9 int\u00e9grer \u00e0 son legs des t\u00e9moignages de la vie quotidienne de l\u2019h\u00f4tel. Le linge de maison, les services de table, la batterie de cuisine et les v\u00eatements des garde-robes ont en effet \u00e9t\u00e9 transmis \u00e0 sa fille B\u00e9atrice.<\/p>\n<p>C\u2019est pourquoi la reconstitution de cette table n\u2019aurait pu \u00eatre r\u00e9alis\u00e9e sans le g\u00e9n\u00e9reux soutien des maisons suivantes : Puiforcat a \u00a0donn\u00e9 \u00a0les couverts en argent massif Vauban au dessin caract\u00e9ristique de l\u2019\u00e9poque R\u00e9gence, et Saint-Louis, les verres et carafes en cristal du service Trianon cr\u00e9\u00e9 en 1834 et toujours produit \u00e0 la main par la manufacture. La nappe et les serviettes sont un don de la soci\u00e9t\u00e9 D. Porthault.<\/p>\n<ul>\n<li>Association fond\u00e9e en 1880 et reconnue d\u2019utilit\u00e9 publique en 1882, l\u2019\u00ab Union centrale des Arts d\u00e9coratifs \u00bb a pris le titre \u00ab Les Arts D\u00e9coratifs \u00bb par arr\u00eat\u00e9 du 20 octobre 2005.<\/li>\n<\/ul>\n<p><span style=\"color: #ff0000;\">En savoir plus:<\/span><\/p>\n<p>Jusqu&rsquo;au 6 mars<\/p>\n<p><strong>Mus\u00e9e Nissim de Camondo<br class=\"manualbr\" \/>63 rue de Monceau<br class=\"manualbr\" \/>75008 Paris<\/strong><\/p>\n<p>http:\/\/www.lesartsdecoratifs.fr\/<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Il s\u2019agit d\u2019une \u00e9vocation du d\u00e9jeuner donn\u00e9 par Mo\u00efse de Camondo le 9 juin 1933 \u00e0 l\u2019attention de vingt-trois convives du Club des Cent, ce cercle de fins gourmets dont il est membre depuis 1925. Trois ou quatre fois par an , g\u00e9n\u00e9ralement au printemps, le comte re\u00e7oit jusqu\u2019\u00e0 trente convives dans sa somptueuse salle [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":4704,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-4700","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La 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