{"id":460,"date":"2013-02-05T09:00:28","date_gmt":"2013-02-05T08:00:28","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=460"},"modified":"2017-12-18T09:16:34","modified_gmt":"2017-12-18T08:16:34","slug":"medaille-aux-xixeme-xxeme-siecle","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/medaille-aux-xixeme-xxeme-siecle\/","title":{"rendered":"la m\u00e9daille aux XIX\u00e8me et XX\u00e8me si\u00e8cle"},"content":{"rendered":"

Une s\u00e9rie in\u00e9dite d\u2019expositions en France<\/strong><\/span><\/p>\n

\u00a0L<\/span>\u2019exposition \u00ab\u00a0L\u2019art au creux de la main\u00a0\u00bb est r\u00e9alis\u00e9e en partenariat avec le mus\u00e9e d\u2019Orsay, le Petit Palais, les Cabinets des m\u00e9dailles de Paris et de Marseille, la Monnaie de Paris et le mus\u00e9e des Beaux-Arts de Lille,le mus\u00e9e des beaux-Arts de Lyon<\/strong> qui pr\u00e9senteront \u00e0 la m\u00eame p\u00e9riode un accrochage des m\u00e9dailles des XIXe et XXe\u00a0 si\u00e8cles issues de leurs collections. Une publication collective accompagne cette exceptionnelle s\u00e9rie de pr\u00e9sentations.<\/p>\n

Avec l\u2019exposition de plus d\u2019une centaine d\u2019\u0153uvres au sein du m\u00e9daillier du mus\u00e9e des Beaux-Arts de Lyon,<\/strong> L\u2019art au creux de la main<\/span> met l\u2019accent sur le travail de grands noms de la m\u00e9daille Art Nouveau\u2013Art D\u00e9co aux XIXe et XXe si\u00e8cles.\u00a0 jusqu’au 31 ao\u00fbt 2013\u00a0<\/strong><\/p>\n

\"82563133_p\"<\/a><\/strong>Lyon, berceau des premi\u00e8res m\u00e9dailles fran\u00e7aises<\/strong><\/span><\/p>\n

L<\/span>e M\u00e9daillier de Lyon, riche de pr\u00e8s de 50 000 pi\u00e8ces, n\u2019est pas la premi\u00e8re collection de m\u00e9dailles en r\u00e9gion par hasard,Si la m\u00e9daille est une invention de la Renaissance italienne, Lyon a toujours occup\u00e9 une place particuli\u00e8re dans son histoire.<\/p>\n

 <\/p>\n

B<\/span>erceau des premi\u00e8res m\u00e9dailles fran\u00e7aises, la ville a conserv\u00e9 jusqu\u2019\u00e0 nos jours des liens privil\u00e9gi\u00e9s avec cette discipline artistique. C\u2019est \u00e0 Lyon, en effet, que fut coul\u00e9e en 1499 la premi\u00e8re m\u00e9daille fran\u00e7aise, \u00e0 l\u2019occasion du passage de Louis XII et de son \u00e9pouse Anne de Bretagne, de retour d\u2019Italie. La ville devient alors un foyer important et attractif pour les graveurs qui y trouvent des commanditaires, particuliers ou soci\u00e9t\u00e9s.<\/p>\n

\u00a0L<\/span>\u2019art de la m\u00e9daille a cependant un succ\u00e8s limit\u00e9 aupr\u00e8s du plus grand nombre, et ce n\u2019est qu\u2019\u00e0 la fin du XIXe si\u00e8cle qu\u2019elle fait \u00e0 nouveau l\u2019objet d\u2019un int\u00e9r\u00eat grandissant de la part des artistes et du public. V\u00e9ritable reflet de son \u00e9poque, r\u00e9alis\u00e9e \u00e0 la gloire d\u2019une personnalit\u00e9, de ses hauts faits ou de ses actions marquantes, la m\u00e9daille est souvent un objet de commande.<\/p>\n

\"L'art<\/a>
Marcel Renard
Joueur de Flute, 1925<\/figcaption><\/figure>\n

L<\/span>e renouveau de la m\u00e9daille de grande qualit\u00e9 est un ph\u00e9nom\u00e8ne caract\u00e9ristique de la fin XIXe si\u00e8cle. La bourgeoisie n\u00e9e de l\u2019industrialisation voit dans la m\u00e9daille un moyen facile de passer \u00e0 la post\u00e9rit\u00e9 et de pourvoir au jeune esprit r\u00e9publicain. Des m\u00e9dailles \u00e0 forte valeur artistique sont notamment \u00e9labor\u00e9es sous l\u2019impulsion d\u2019Hubert Ponscarme, professeur aux Beaux-Arts de Paris. Un prix de Rome en gravure leur est consacr\u00e9, ainsi qu\u2019une section autonome aux Salons et aux expositions universelles.<\/p>\n

\"L'art<\/a>
Louis Muller, Amphitrite, Lyon<\/figcaption><\/figure>\n

La renaissance de l\u2019art de la m\u00e9daille, de l\u2019Art Nouveau \u00e0 l\u2019Art D\u00e9co<\/strong><\/span><\/p>\n

L<\/span>\u2019art de la m\u00e9daille est lib\u00e9r\u00e9 de l\u2019acad\u00e9misme avec les oeuvres des graveurs Jules- Cl\u00e9ment Chaplain et Oscar Roty. Ce dernier est pass\u00e9 \u00e0 la post\u00e9rit\u00e9 gr\u00e2ce \u00e0 sa Semeuse (1898), grav\u00e9e \u00e0 l\u2019origine sur les monnaies de 50 centimes \u00e0 5 francs. Les artistes s\u2019inspirent d\u00e9sormais d\u2019un r\u00e9pertoire th\u00e9matique vari\u00e9 propos\u00e9 par les nouveaux courants artistiques de l\u2019\u00e9poque : Art Nouveau, naturalisme symbolique, n\u00e9o-classicisme et impressionnisme. Les artistes lyonnais Claudius Linossier, Louis Muller et Marcel Renard, recherchent l\u2019innovation : ils utilisent des traits et des reliefs saillants associ\u00e9s \u00e0 un cadrage serr\u00e9 quasi cin\u00e9matographique qui donnent toute leur puissance aux compositions de leurs m\u00e9dailles.<\/p>\n

\"L'art<\/a>
Ovide Yencesse, Eve, vers 1900
(c) Monnaie Magazine<\/figcaption><\/figure>\n

La m\u00e9daille, reflet de la soci\u00e9t\u00e9<\/strong><\/span><\/p>\n

S<\/span>c\u00e8nes de famille, portraits d\u2019industriels, d\u00e9couvertes scientifiques, exploits sportifs et grands \u00e9v\u00e9nements, les plaquettes et les m\u00e9dailles offrent un vaste panorama de la soci\u00e9t\u00e9 de la fin des XIXe et XXe si\u00e8cles. Les graveurs innovent et revisitent des th\u00e8mes antiques et m\u00e9di\u00e9vaux dont ils proposent des interpr\u00e9tations originales et vigoureuses : la m\u00e9daille redevient alors un art \u00e0 la mode.<\/p>\n","protected":false},"excerpt":{"rendered":"

Une s\u00e9rie in\u00e9dite d\u2019expositions en France \u00a0L\u2019exposition \u00ab\u00a0L\u2019art au creux de la main\u00a0\u00bb est r\u00e9alis\u00e9e en partenariat avec le mus\u00e9e d\u2019Orsay, le Petit Palais, les Cabinets des m\u00e9dailles de Paris et de Marseille, la Monnaie de Paris et le mus\u00e9e des Beaux-Arts de Lille,le mus\u00e9e des beaux-Arts de Lyon qui pr\u00e9senteront \u00e0 la m\u00eame p\u00e9riode […]<\/p>\n","protected":false},"author":6,"featured_media":461,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[72,71,73,49],"class_list":["post-460","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions","tag-exposition-2","tag-medaille","tag-xixeme","tag-xxeme"],"yoast_head":"\nla m\u00e9daille aux XIX\u00e8me et XX\u00e8me si\u00e8cle Le 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