{"id":440,"date":"2013-02-07T08:07:35","date_gmt":"2013-02-07T07:07:35","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=440"},"modified":"2017-12-18T09:16:20","modified_gmt":"2017-12-18T08:16:20","slug":"musee-annees-30","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/musee-annees-30\/","title":{"rendered":"Le mus\u00e9e des ann\u00e9es 30"},"content":{"rendered":"

A Boulogne-Billancourt, dans les ann\u00e9es 30, s\u2019est \u00e9labor\u00e9 le langage de toutes les modernit\u00e9s. Des ateliers d\u2019artistes construits par des pionniers d\u2019un nouvel art de vivre, Perret, Lur\u00e7at, Le Corbusier ou Mallet-Stevens, se sont \u00e9tablis tandis que les industries \u00abmoteurs\u00bb de l\u2019automobile, de l\u2019aviation, <\/strong>de la blanchisserie, du cin\u00e9ma, fa\u00e7onnaient l\u2019image d\u2019une ville tourn\u00e9e sans cesse vers l\u2019innovation.<\/strong><\/p>\n

L<\/span>es peintres (Boutet de Monvel, Lempicka) et les sculpteurs (Landowski, Lipchitz, Bernard) n\u2019\u00e9taient pas en reste. ils ont cr\u00e9\u00e9 l\u2019image de la femme moderne \u2013 la c\u00e9l\u00e8bre gar\u00e7onne \u2013 et sculpt\u00e9 pour le monde entier de Shangai \u00e0 New York en passant par Rio de Janeiro (le Christ du Corcovado et les portes du Rockfeller Center).<\/p>\n

\"mus\u00e9e<\/a>
mus\u00e9e des ann\u00e9es 30<\/figcaption><\/figure>\n

L<\/span>e mus\u00e9e des Ann\u00e9es 30 embrasse cette p\u00e9riode tr\u00e8s cr\u00e9ative avec une collection qui a tout juste vingt ans. 800 peintures, 1 500 sculptures, 20 000 dessins, un bel ensemble mobilier et de c\u00e9ramiques (150 pi\u00e8ces), des affi ches originales et documents d\u2019archives (Abel Gance, Ruhlmann, Leleu), des maquettes retracent sur 3 000 m2 le parcours original d\u2019une ville d\u2019exception, la plus embl\u00e9mat.<\/p>\n

\"mus\u00e9e<\/a>
Suzanne Castille (XXe si\u00e8cle), Femme mangb\u00e9tou (Circa 1925)<\/figcaption><\/figure>\n

C<\/span>on\u00e7u comme un mus\u00e9e de site, le mus\u00e9e des Ann\u00e9es 30 propose en ext\u00e9rieur un parcours p\u00e9destre \u00e0 la d\u00e9couverte de nos architectures, et invite sur quatre \u00e9tages \u00e0 visiter leurs d\u00e9cors int\u00e9rieurs ainsi que leurs mobiliers encore impr\u00e9gn\u00e9s du souvenir de grandes personnalit\u00e9s : Juan Gris, Andr\u00e9 Malraux, Gaby Morlay, \u00c9dith Piaf et Marcel Cerdan…<\/p>\n

E<\/span>n lien avec le patrimoine architectural et industriel de la ville, le mus\u00e9e des Ann\u00e9es 30 pr\u00e9sente un ensemble important d\u2019oeuvres : des peintures, des sculptures, des dessins, une s\u00e9rie de maquettes de b\u00e2timents exemplaires et un fonds d\u2019art d\u00e9coratif, t\u00e9moignage du go\u00fbt de l\u2019\u00e9poque, des objets industriels et des affiches compl\u00e9t\u00e9s par un film racontant l\u2019histoire remarquable de cette ville embl\u00e9matique des \u00ab temps modernes \u00bb.<\/p>\n

\"Mus\u00e9e<\/a>
(c) Mus\u00e9e des Ann\u00e9es 30<\/figcaption><\/figure>\n

La sculpture monumentale<\/span><\/strong><\/p>\n

Une place de choix est d\u00e9di\u00e9e aux sculpteurs \u2013 32 ateliers \u00e0 Boulogne-Billancourt entre 1920 et 1940 \u2013 qui ont particip\u00e9 aux grandes expositions et aux grands d\u00e9cors de l\u2019entre-deuxguerres : Paul Landowski, Alfred Janniot, Robert Wl\u00e9rick, Joseph Bernard, Charles Despiau, Jan et Jo\u00ebl Martel…<\/p>\n

\u00a0Les grands th\u00e8mes de l\u2019\u00e9poque<\/span><\/strong><\/p>\n

Les genres du portrait, du paysage, les \u00ab baigneuses \u00bb et les paquebots ou bien encore les \u00e9v\u00e8nements historiques (guerre d\u2019Espagne, bombardements de Billancourt) ont influenc\u00e9 les peintres figuratifs de l\u2019entre-deux-guerres : Tamara de Lempicka, Alfred Courmes, Louis Billotey, Henry de Waroquier, Georges Sabbagh, Am\u00e9d\u00e9e de La Patelli\u00e8re, Lucien Jonas, Gustave Jaulmes. La sculpture tient aussi sa place dans cette \u00e9vocation des th\u00e8mes classiques : L\u00e9on Drivier, Chana Orloff, Hubert Yencesse et Paul Belmondo.<\/p>\n

\u00a0\u00a0 Le cabinet des dessins<\/span><\/strong><\/p>\n

Le fonds graphique compte quelque 21 000 oeuvres dont 10 000 de Jacques \u00c9mile Ruhlmann. R\u00e9guli\u00e8rement, une s\u00e9lection de dessins de sculpteurs, peintres, graveurs, ornemanistes et d\u00e9corateurs ou cr\u00e9ateurs de mode, est propos\u00e9e selon un th\u00e8me d\u00e9fini.<\/p>\n

L\u2019\u00c9cole de Paris<\/span><\/strong><\/p>\n

Autour du lituanien Arbit Blatas une salle est consacr\u00e9e \u00e0 l\u2019\u00c9cole de Paris : Ossip Zadkine, Lazare Volovick, Isaac Dobrinsky, Nathan Imenitoff, Ir\u00e8ne Codr\u00e9ano, Sarah Lipska. Exil\u00e9s de Russie et d\u2019Europe centrale, ces artistes appel\u00e9s \u00e9galement les \u00ab montparnos \u00bb exaltent le r\u00e8gne de la mati\u00e8re et signent des oeuvres fougueuses.<\/p>\n

\"mus\u00e9e<\/a>
G. Sabbagh (1857-1951), V\u00e9nus Anadyom\u00e8ne (1922)<\/figcaption><\/figure>\n

L\u2019art sacr\u00e9<\/span><\/strong><\/p>\n

Autour des ambassadeurs de l\u2019art sacr\u00e9 \u2013 Maurice Denis et Georges Desvalli\u00e8res \u2013 la collection pr\u00e9sente les artistes qui ont particip\u00e9 aux grands chantiers de reconstruction des \u00e9glises apr\u00e8s la Premi\u00e8re Guerre mondiale : \u00c9lisabeth Faure, Marthe Flandrin, Carlo Sarrabezolles, Louis Billotey,
\nLambert-Rucki.<\/p>\n

L\u2019art colonial<\/strong><\/span><\/p>\n

Scand\u00e9 par la grande exposition de 1931, ce th\u00e8me rassemble les artistes europ\u00e9ens partis outre-mer \u00e0 la recherche de nouveaux sujets : L\u00e9on Cauvy, Charles Dufresne, Marius de Buzon, Paul Jouve, Georges Rohner, Anna Quinquaud, \u00c9variste Jonch\u00e8re. Les dessins d\u2019Alexandre Iacovleff, splendides t\u00e9moignages des grandes exp\u00e9ditions Croisi\u00e8re noire et Croisi\u00e8re jaune Citro\u00ebn de 1925 et 1931, sont repr\u00e9sentatifs d\u2019une qu\u00eate d\u2019un nouvel humanisme bien loin d\u2019un orientalisme de pacotille, propre au XIXe si\u00e8cle.<\/p>\n

\"Mus\u00e9e<\/a>
Bureau d’Eug\u00e8ne Schueller
Mus\u00e9e des ann\u00e9es 30, \u00e0 Boulogne-Billancourt \u00a9 D.R.<\/figcaption><\/figure>\n

L\u2019architecture et les arts d\u00e9coratifs<\/strong><\/span><\/p>\n

Un parcours de maquettes fait r\u00e9f\u00e9rence au patrimoine architectural de la ville. Construits dans le quartier des Princes par Le Corbusier, Lur\u00e7at, Mallet-Stevens, Perret, Patout, Terry et Courr\u00e8ges, ces h\u00f4tels particuliers et ateliers d\u2019artistes sont un manifeste et un r\u00e9sum\u00e9 parfait de l\u2019architecture moderne et classique de la p\u00e9riode Art d\u00e9co.<\/p>\n

Une centaine de pi\u00e8ces de mobilier par Leleu, Ruhlmann, Le Corbusier, Mallet-Stevens, Prouv\u00e9, Siclis, Herbst, Barillet, des c\u00e9ramiques par Fau, Gentil et Bourdet, Gensoli, Robj, t\u00e9moignent, aux c\u00f4t\u00e9s des maquettes, de l\u2019art de vivre des ann\u00e9es 30.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

A Boulogne-Billancourt, dans les ann\u00e9es 30, s\u2019est \u00e9labor\u00e9 le langage de toutes les modernit\u00e9s. Des ateliers d\u2019artistes construits par des pionniers d\u2019un nouvel art de vivre, Perret, Lur\u00e7at, Le Corbusier ou Mallet-Stevens, se sont \u00e9tablis tandis que les industries \u00abmoteurs\u00bb de l\u2019automobile, de l\u2019aviation, de la blanchisserie, du cin\u00e9ma, fa\u00e7onnaient l\u2019image d\u2019une ville tourn\u00e9e sans […]<\/p>\n","protected":false},"author":6,"featured_media":450,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[65,28,22],"class_list":["post-440","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-patrimoine-musee","tag-annees-30","tag-art-deco","tag-musee"],"yoast_head":"\nLe mus\u00e9e des ann\u00e9es 30 Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"A Boulogne-Billancourt, dans les ann\u00e9es 30, s\u2019est \u00e9labor\u00e9 le langage de toutes les modernit\u00e9s. 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