{"id":418,"date":"2013-02-12T07:00:31","date_gmt":"2013-02-12T06:00:31","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=418"},"modified":"2017-12-18T09:15:58","modified_gmt":"2017-12-18T08:15:58","slug":"fleurs-en-hiver","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/fleurs-en-hiver\/","title":{"rendered":"Des fleurs en hiver"},"content":{"rendered":"

\"\"<\/a>Le Mus\u00e9e national Eug\u00e8ne Delacroix pr\u00e9sente l’exposition<\/p>\n

\u00ab\u00a0Des fleurs en hiver, delacroix – Othoniel- Creten \u00ab\u00a0<\/span><\/strong><\/p>\n

Visible jusqu’au 18 mars 2013<\/p>\n

\u00c0 l\u2019occasion de la r\u00e9novation du jardin du mus\u00e9e national Eug\u00e8ne-Delacroix, l\u2019exposition rassemble pour la premi\u00e8re fois, sous le titre paradoxal \u00ab Des fleurs en hiver \u00bb, les principaux tableaux de fleurs de Delacroix et ses plus belles aquarelles, venus de mus\u00e9es fran\u00e7ais et \u00e9trangers.<\/strong> Cette pr\u00e9sentation sera accompagn\u00e9e d\u2019oeuvres de deux artistes contemporains, Jean- Michel Othoniel et Johan Creten, illustrant la permanence de l\u2019inspiration florale, au XIXe comme au XXIe si\u00e8cles, chez des cr\u00e9ateurs aux parcours pleinement inscrits dans leur temps.<\/p>\n

P<\/span>lus connu pour ses oeuvres de sujets romanesques ou orientaux, Eug\u00e8ne Delacroix n\u2019a pas n\u00e9glig\u00e9 ce genre traditionnel qui lui a permis d\u2019exp\u00e9rimenter la voie de la dilution de la forme dans l\u2019explosion de la couleur. Bien que ses principaux bouquets remontent aux quinze derni\u00e8res ann\u00e9es de sa vie, il ne manque pas d\u2019esquisser de tout temps des fleurs dans ses carnets et d\u2019en mentionner dans son journal, comme lors de son s\u00e9jour marocain de 1832, o\u00f9 il est frapp\u00e9 par les \u00ab fleurs sans nombre de milles esp\u00e8ces formant les tapis les plus diapr\u00e9s \u00bb.<\/p>\n

\"Des<\/a>
Eug\u00e8ne Delacroix
Fleurs dans un vase et fruits
\u00a9 Belvedere, Vienne<\/figcaption><\/figure>\n

H<\/span>abitu\u00e9 du parc du ch\u00e2teau de Nohant, o\u00f9 l\u2019invitait George Sand, pour qui il composa un de ses bouquets les plus libres (Vienne, galerie du Belvedere), Delacroix acquit ensuite une maison dans le village de Champrosay pour s\u2019y reposer dans le calme de son propre jardin. C\u2019est aussi la jouissance d\u2019un jardin priv\u00e9 qui l\u2019incita \u00e0 s\u2019installer dans l\u2019appartement de la rue de Furstenberg en 1857.<\/p>\n

\u00a0L<\/span>\u2019exposition c\u00e9l\u00e8bre ainsi un sujet qui n\u2019a cess\u00e9 de hanter les cr\u00e9ateurs de la modernit\u00e9, de Courbet \u00e0 Monet ou C\u00e9zanne, qui poss\u00e9dait le plus abouti des bouquets dessin\u00e9s de Delacroix. Elle propose en parall\u00e8le un dialogue avec les oeuvres de deux cr\u00e9ateurs de notre si\u00e8cle, Jean-Michel Othoniel, qui a notamment con\u00e7u le Kiosque des Noctambules \u00e0 l\u2019entr\u00e9e du m\u00e9tro Palais-Royal et Johan Creten, sculpteur dont les cr\u00e9ations r\u00e9centes pour la manufacture de S\u00e8vres ont \u00e9t\u00e9 remarqu\u00e9es. Ces artistes contemporains qui placent les fleurs au coeur de leur inspiration ont r\u00e9pondu par des cr\u00e9ations pour la plupart in\u00e9dites \u00e0 cette invitation. De verre, de bronze, de porcelaine et de papier, elles ne sont en rien des transcriptions d\u2019apr\u00e8s Delacroix mais elles illustrent l\u2019\u00e9ternelle source d\u2019inspiration qu\u2019offre la nature aux artistes.<\/p>\n

\"Des<\/a>
Eug\u00e8ne Delacroix
Iris et cr\u00e2ne
\u00a9 RMN-GP (Mus\u00e9e du Louvre) \/ Mich\u00e8le Bellot<\/figcaption><\/figure>\n

 <\/p>\n

Delacroix et les fleurs<\/span><\/strong><\/p>\n

Production parfois jug\u00e9e \u00e0 tort circonstancielle, les fleurs occupent une place significative dans la cr\u00e9ation d\u2019Eug\u00e8ne Delacroix, artiste si sensible aux forces de la nature et \u00e0 la question de leurs relations avec l\u2019homme. Ainsi, contre toute attente, au lendemain de la R\u00e9volution de 1848, il pensa consacrer exclusivement au th\u00e8me des fleurs ses livraisons au Salon suivant : cinq grands bouquets ostensiblement assembl\u00e9s. Dans une lettre \u00e0 Constant Dutilleux, il pr\u00e9tend qu\u2019il \u00ab a essay\u00e9 de faire des morceaux de nature comme ils se pr\u00e9sentent dans des jardins, seulement en r\u00e9unissant dans le m\u00eame cadre et d\u2019une mani\u00e8re un peu probable la plus grande vari\u00e9t\u00e9 de fleurs \u00bb.<\/p>\n

\"Des<\/a>
Eug\u00e8ne Delacroix
Etude d\u2019asters et balsamine
\u00a9 Kunsthaus, Zurich<\/figcaption><\/figure>\n

 <\/p>\n

D<\/span>e fait, ces compositions sont guid\u00e9es par un sens d\u00e9coratif qui d\u00e9passe cette d\u00e9claration de principe et renvoie \u00e0 la tradition du Grand Si\u00e8cle. Insatisfait de leur accrochage, il en fit retirer deux, aujourd\u2019hui perdues, et n\u2019acheva pas \u00e0 temps la cinqui\u00e8me (Montauban, mus\u00e9e Ingres). La Corbeille renvers\u00e9e dans un parc du Metropolitan Museum de New York frappe par sa mise en sc\u00e8ne, plus \u00e9trange qu\u2019il n\u2019y para\u00eet d\u2019abord, tel cet inqui\u00e9tant arceau de liserons \u00e9tudi\u00e9 dans l\u2019\u00e9tonnant pastel pr\u00e9paratoire du m\u00eame mus\u00e9e.<\/p>\n

\u00a0 Deux regards contemporains<\/span><\/strong><\/p>\n

P<\/span>rivil\u00e9giant, par go\u00fbt des m\u00e9tamorphoses, les mat\u00e9riaux aux propri\u00e9t\u00e9s r\u00e9versibles, Jean-Michel Othoniel (n\u00e9 en 1964) se fait remarquer en 1992 \u00e0 la Documenta de Kassel par ses sculptures en soufre. L\u2019ann\u00e9e suivante, il introduit le verre dans son travail, qui deviendra son mat\u00e9riau de pr\u00e9dilection. Sa cr\u00e9ation est multiple, compos\u00e9e d\u2019oeuvres \u00e9pur\u00e9es charg\u00e9es de po\u00e9sie et d\u2019\u00e9rotisme. L’artiste pr\u00e9sente au mus\u00e9e Eug\u00e8ne-Delacroix son Herbier Merveilleux ; des aquarelles et deux sculptures dialoguent avec les fleurs du peintre. Othoniel et le paysagiste Louis Benech ont \u00e9t\u00e9 choisis pour r\u00e9am\u00e9nager le Bosquet du Th\u00e9\u00e2tre d’Eau dans les jardins du ch\u00e2teau de Versailles en 2014.<\/p>\n

\"Des<\/a>
Jean-Michel Othoniel
Herbier Merveilleux : An\u00e9mone, 2008
Aquarelle sur impression encadr\u00e9e.
\u00a9 Mus\u00e9e du Louvre \/ Martine Beck-Coppola
\u00a9 Adagp, Paris 2012<\/figcaption><\/figure>\n

N<\/span>\u00e9 en 1963, Johan Creten est un sculpteur belge dont les nombreuses cr\u00e9ations en c\u00e9ramique et bronze interrogent les th\u00e8mes du corps f\u00e9minin, de la sensualit\u00e9 et de l\u2019\u00e9l\u00e9ment naturel. Son travail est un dialogue entre l\u2019art, l\u2019histoire et la litt\u00e9rature. Creten d\u00e9voile au mus\u00e9e Eug\u00e8ne-Delacroix, un nouvel ensemble de sculptures en gr\u00e8s et bronze r\u00e9v\u00e9lant la charge \u00e9rotique des fleurs (notamment des bustes de femmes Odore di Femmina, G\u00e9nie et des
\noeuvres murales Wallflowers).<\/p>\n

\"Des<\/a>
Johan Creten
Wallflowers IV, Fire-Works on a Dark Sky, 2012
Gr\u00e8s \u00e9maill\u00e9, lustres color\u00e9s et or.
\u00a9 Guillaume Ziccarel<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Le Mus\u00e9e national Eug\u00e8ne Delacroix pr\u00e9sente l’exposition \u00ab\u00a0Des fleurs en hiver, delacroix – Othoniel- Creten \u00ab\u00a0 Visible jusqu’au 18 mars 2013 \u00c0 l\u2019occasion de la r\u00e9novation du jardin du mus\u00e9e national Eug\u00e8ne-Delacroix, l\u2019exposition rassemble pour la premi\u00e8re fois, sous le titre paradoxal \u00ab Des fleurs en hiver \u00bb, les principaux tableaux de fleurs de Delacroix […]<\/p>\n","protected":false},"author":6,"featured_media":422,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[62,61,22],"class_list":["post-418","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions","tag-eugene-delacroix","tag-fleurs","tag-musee"],"yoast_head":"\nDes fleurs en hiver Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"Le Mus\u00e9e national Eug\u00e8ne Delacroix pr\u00e9sente l'exposition "Des fleurs en hiver, delacroix - 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