{"id":2964,"date":"2015-02-13T18:34:26","date_gmt":"2015-02-13T17:34:26","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=2964"},"modified":"2017-12-15T11:22:21","modified_gmt":"2017-12-15T10:22:21","slug":"azulejos","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/azulejos\/","title":{"rendered":"Les Azulejos: art du carreau de fa\u00efence d\u00e9cor\u00e9"},"content":{"rendered":"

Azulejo est le terme portugais qui d\u00e9signe un carrelage, en c\u00e9ramique plus pr\u00e9cis\u00e9ment de fa\u00efence le plus souvent, d\u00e9cor\u00e9 et vitrifi\u00e9 d’un c\u00f4t\u00e9.\u00a0<\/span>La technique de l’\u00e9mail stannif\u00e8re opaque fut apport\u00e9e par les Maures\u00a0lors de leur occupation, et se d\u00e9veloppa dans toute la P\u00e9ninsule Ib\u00e9rique\u00a0.<\/strong> D’abord non figurative (interdiction de la figuration dans les pr\u00e9ceptes de l’islam\u00a0\u00a0sunnite), la d\u00e9coration des azulejos ne devint figurative qu’\u00e0 partir de la fin du XV\u00e8me\u00a0si\u00e8cle sous l’influence de la Majolique\u00a0\u00a0italienne.<\/p>\n

Les premiers azulejos figuratifs sont peints \u00e0 S\u00e9ville\u00a0\u00a0vers 1500 par Francesco Niculoso\u00a0, potier italien originaire de Pise. La chapelle de l’Alcazar de S\u00e9ville\u00a0ou le retable du de Tentudia monast\u00e8re\u00a0\u00a0sont des exemples encore visibles de panneaux d’azulejo de Niculoso.<\/p>\n

\"Carreaux<\/a>
Carreaux azulejos de la \u00a0\u00bb fabrica Santana \u00a0\u00bb \u00e0 Lisbonne.
(c) Catherine Fleuraux Antiquit\u00e9s, Proantic<\/figcaption><\/figure>\n

Cet art du carreau de fa\u00efence d\u00e9cor\u00e9 se d\u00e9veloppera ensuite dans toute l’Espagne, en particulier \u00e0 Talaverz de la Reina\u00a0\u00a0et dans le Royaume de Valence\u00a0, puis au Portugal. En parall\u00e8le, l’usage de carreaux de fa\u00efence d\u00e9cor\u00e9s s’est d\u00e9velopp\u00e9 en Flandres\u00a0, d’abord \u00e0 Anvers\u00a0autour de 1500, puis \u00e0 Delft.<\/p>\n

\"Portique<\/a>
Portique en Azulejos, S\u00e3o Louren\u00e7o, Portugal<\/figcaption><\/figure>\n

Si S\u00e9ville, pour l’Espagne, poss\u00e8de de magnifiques panneaux d’azulejos, et si Mexico\u00a0\u00a0s’enorgueillit de sa\u00a0Casa de los azulejos<\/i>, cet art s’est ensuite particuli\u00e8rement d\u00e9velopp\u00e9 au Portugal et dans ses anciennes colonies, en particulier le Br\u00e9sil\u00a0\u00a0et les comptoirs d’Asie (Macao et Goa).<\/p>\n

\"Azulejos<\/a>
Azulejos Mus\u00e9e de Lisbonne, Portugal<\/figcaption><\/figure>\n

Le XVIIe\u00a0si\u00e8cle est caract\u00e9ris\u00e9 par une grande diversit\u00e9 de sujets : sc\u00e8nes religieuses, de chasse, de guerre, sc\u00e8nes mythologiques ou satiriques. Les sources d’inspiration sont vari\u00e9es, mais elles sont surtout librement transpos\u00e9es, m\u00e9lang\u00e9es et interpr\u00e9t\u00e9es. Les peintres d’azulejos s’inspirent de gravures ornementales venues d’Europe, en particulier les \u00ab\u00a0Grotesques\u00bb, motifs profanes de la Rome Antique r\u00e9interpr\u00e9t\u00e9s par le peintre Rapha\u00ebl au XVIe si\u00e8cle pour d\u00e9corer le palais du Vatican.<\/p>\n

Ces grotesques ont un caract\u00e8re fantastique qui sera largement repris et m\u00e9lang\u00e9 \u00e0 des th\u00e8mes religieux notamment. C’est l’\u00e9poque des colonies et l’inspiration provient \u00e9galement des indiennes, tissus exotiques imprim\u00e9s en provenance des Indes utilis\u00e9s comme devant d’autel, que les peintres adaptent \u00e0 la symbolique catholique.<\/p>\n

\"azulejos.\"<\/a><\/p>\n

A la fin du XVIIe\u00a0si\u00e8cle, les Hollandais con\u00e7oivent leurs panneaux en blanc et bleu, en r\u00e9f\u00e9rence \u00e0 la porcelaine chinoise qu’ils tentent de concurrencer. Les Portugais commandent pour leurs palais et leurs \u00e9glises ces panneaux hollandais (\u00e0 Willem van der Kloet et Jan van Oort notamment). Ce type d’azulejo conna\u00eetra une grande vogue au Portugal car bien vite au XVIIIe\u00a0si\u00e8cle, ces panneaux vont \u00eatre imit\u00e9s au point de couvrir tout le pays de blanc et bleu. Cet art est alors \u00e0 son apog\u00e9e, la ma\u00eetrise des peintres d’azulejos est telle qu’ils signent souvent leurs panneaux.<\/p>\n

\"azulejos\"<\/a><\/p>\n

 <\/p>\n

Au XVIIIe si\u00e8cle, les encadrements deviennent de plus en plus envahissants avec le style baroque et ses enchev\u00eatrements de festons, d’anges et d’\u00e9l\u00e9ments architecturaux. Puis appara\u00eet le style rococo, m\u00e9lange de rocaille et de baroque, avec des ornementations encore particuli\u00e8rement charg\u00e9es. Pour les d\u00e9cors, les gravures de Jean-Antoine Watteau inspirent des sc\u00e8nes galantes et bucoliques, des sc\u00e8nes pastorales et des promenades de couples aristocratiques.<\/p>\n

\"Azulejos<\/a>
Azulejos du Couvent de S\u00e3o Bernardo, Portugal<\/figcaption><\/figure>\n

Apr\u00e8s ces exc\u00e8s des frivolit\u00e9s, le XIXe\u00a0si\u00e8cle pr\u00e9conise un retour \u00e0 la vertu et \u00e0 la simplicit\u00e9 de l’antique, le style est n\u00e9oclassique, inspir\u00e9 des gravures de Robert et James Adam. Les encadrements des panneaux s’all\u00e8gent et se simplifient. Ce style marque surtout le retour \u00e0 une riche polychromie.<\/p>\n

\"Azulejos,<\/a>
Azulejos, Porto<\/figcaption><\/figure>\n

Aujourd’hui, les plus beaux ensembles d’azulejos visibles en Espagne sont l’Alcazar et la Casa de Pilatos \u00e0 S\u00e9ville. Les azulejos portugais les plus connus sont ceux du Palais des Marquis de Fronteira \u00e0 Lisbonne\u00a0, ceux de l’Eglise Saint-Laurent d’Almancil en Algarve et pour le XIX\u00e8me\u00a0<\/span>si\u00e8cle, ceux de la gare de Porto\u00a0. Pour le XX\u00e8me\u00a0si\u00e8cle, la Place d’Espagne\u00a0\u00a0de S\u00e9ville (1929) et plusieurs stations du m\u00e9tro de Lisbonne sont les exemples les plus remarquables. De nombreux ateliers artisanaux portugais et espagnols s’emploient \u00e0 poursuivre leur adaptation \u00e0 la modernit\u00e9.<\/p>\n

\"azulejos\"<\/a><\/p>\n

Il existe \u00e0 Lisbonne\u00a0\u00a0un Mus\u00e9e de l’azulejo avec de tr\u00e8s riches collections.\u00a0Le mus\u00e9e de l’azulejo, vous offre au coeur d’une charmante \u00e9glise et n\u00e9anmoins bel exemple de l’art religieux de la fin du XVIIIeme si\u00e8cle, un v\u00e9ritable voyage, du XVeme si\u00e8cle \u00e0 aujourd’hui \u00e0 travers cet art embl\u00e9matique de l’architecture portugaise.<\/p>\n","protected":false},"excerpt":{"rendered":"

Azulejo est le terme portugais qui d\u00e9signe un carrelage, en c\u00e9ramique plus pr\u00e9cis\u00e9ment de fa\u00efence le plus souvent, d\u00e9cor\u00e9 et vitrifi\u00e9 d’un c\u00f4t\u00e9.\u00a0La technique de l’\u00e9mail stannif\u00e8re opaque fut apport\u00e9e par les Maures\u00a0lors de leur occupation, et se d\u00e9veloppa dans toute la P\u00e9ninsule Ib\u00e9rique\u00a0. D’abord non figurative (interdiction de la figuration dans les pr\u00e9ceptes de […]<\/p>\n","protected":false},"author":6,"featured_media":2991,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[180],"tags":[460],"class_list":["post-2964","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-decoratifs-proantic","tag-azulejos"],"yoast_head":"\nLes Azulejos: art du 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