{"id":2834,"date":"2015-01-18T12:18:24","date_gmt":"2015-01-18T11:18:24","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=2834"},"modified":"2017-12-15T11:24:30","modified_gmt":"2017-12-15T10:24:30","slug":"style-berain","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/style-berain\/","title":{"rendered":"Le Style \u00e0 la B\u00e9rain"},"content":{"rendered":"

Jean B\u00e9rain p\u00e8re\u00a0ou\u00a0Berain est un peintre, aquarelliste, dessinateur, graveur, ornemaniste et d\u00e9corateur de th\u00e9\u00e2tre fran\u00e7ais ( 1640-1711).\u00a0Fils d’un arquebusier lorrain, apr\u00e8s avoir \u00e9tudi\u00e9 avec Charles Le Brun<\/strong>\u00a0, il est nomm\u00e9 \u00e0 la cour de Louis XIV\u00a0\u00a0en 1674\u00a0comme dessinateur de la Chambre et du Cabinet du Roi. Ses cr\u00e9ations tr\u00e8s vari\u00e9es comprennent des d\u00e9cors d\u2019op\u00e9ras, de f\u00eates et de pompes fun\u00e8bres, des habits, des pi\u00e8ces d\u2019orf\u00e8vrerie et d\u2019arquebusiers, des mod\u00e8les de lambris et de plafonds, des meubles des perspectives de jardins, de carrousels, des d\u00e9corations pour les poupes ou les proues de vaisseaux royaux ..<\/p>\n

\"Portrait<\/a>
Portrait de Jean B\u00e9rain p\u00e8re (1640-1711)<\/figcaption><\/figure>\n

Il dessine les maquettes de costume pour lespi\u00e8ces de th\u00e9\u00e2tre et op\u00e9ras\u00a0, dont ceux de Jean-Baptiste Lully\u00a0, repr\u00e9sent\u00e9s \u00e0 la cour et devient le d\u00e9corateur officiel de l’Acad\u00e9mie royale de musique en 1680, succ\u00e9dant \u00e0 Carlo Vigarani\u00a0. Il joue un r\u00f4le important dans l’histoire du costume de ballet . Il est l’auteur des cartons de nombreuses tapisseries pour la Manufacture de Beauvais\u00a0\u00a0comme pour celle des Gobelins.<\/p>\n

\"Gravure<\/a>
Gravure de Jean B\u00e9rain p\u00e8re<\/figcaption><\/figure>\n

D\u00e9c\u00e9d\u00e9 veuf de Louise Rauhaut, \u00e0 l’\u00e2ge de 72 ans, dans son appartement aux galeries du Louvre, il fut inhum\u00e9 en l’\u00e9glise Saint- Germain-l’Auxerrois. Son fils, Jean B\u00e9rain\u00a0\u00a0continuera son \u0153uvre.<\/p>\n

LE \u00a0STYLE BERAIN<\/strong><\/p>\n

Jean B\u00e9rain p\u00e8re a marqu\u00e9 un renouvellement de l’art grotesque,\u00a0en all\u00e9geant le style floral charg\u00e9 d\u2019acanthes propre de la Renaissance,\u00a0et en anticipant le Rococo.<\/p>\n

Dans toutes ses \u0153uvres, qui touchent \u00e0 la plus grande partie des arts d\u00e9coratifs, on trouve une unit\u00e9 d’inspiration qui justifie le terme de\u00a0style B\u00e9rain<\/i>. Ce style influencera l’Europe enti\u00e8re\u00a0\u00a0: il sera export\u00e9 par le d\u00e9corateur Daniel Marot\u00a0\u00a0en Angleterre et en Hollande, et par Paul Decker\u00a0\u00a0en Allemagne.<\/p>\n

\"Planche<\/a>
Planche Ornementale d’Arabesques: Jean B\u00e9rain p\u00e8re<\/figcaption><\/figure>\n

Ce style est caract\u00e9ris\u00e9 par l’utilisation du th\u00e8me des grotesques\u00a0cher au XVI\u00e8me\u00a0si\u00e8cle et \u00e0 l’Ecole de Fontainebleau, trait\u00e9 de fa\u00e7on tr\u00e8s personnelle, et par un go\u00fbt marqu\u00e9 pour les grandes architectures classiques. Les compositions sont toujours centr\u00e9es, encadr\u00e9es de portiques fantaisistes ou de lambrequins, orn\u00e9es de fa\u00e7on sym\u00e9trique de volutes et peupl\u00e9es de petits personnages fantastiques\u00a0ou des figures all\u00e9goriques. Il fait usage de l’aquarelle, et ses dessins pr\u00e9sentent une grande d\u00e9licatesse de trait.\u00a0Ses compositions d\u2019arabesques toujours \u00e9quilibr\u00e9es pr\u00e9figurent l\u2019arabesque de Claude Audran encore plus l\u00e9g\u00e8re et celle de Watteau .<\/p>\n

\"Bureau<\/a>
Bureau Mazarin En Marqueterie Boulle D\u2019\u00e9poque Louis XIV, d\u00e9cor du plateau \u00e0 la Berain.
(c) Galerie Olivier Alberteau, Proantic<\/figcaption><\/figure>\n

Berain est un ornemaniste, il cr\u00e9e des mod\u00e8les pour d\u2019autres artisans qui leur donneront leur forme.Les t\u00e9moignages qu\u2019il nous reste au travers de techniques les plus vari\u00e9es nous laissent imaginer son influence\u00a0: les tapisseries des Gobelins, les fa\u00efences de Moustiers au d\u00e9cor \u00e0 la Berain, les meubles en marqueterie d\u2019\u00e9caille et de cuivre d\u2019Andr\u00e9-Charles Boulle, etc.<\/p>\n

\"Fa\u00efence<\/a>
Fa\u00efence de Moustiers – D\u00e9cor \u00ab\u00a0\u00e0 la B\u00e9rain\u00a0\u00bb<\/figcaption><\/figure>\n

Le style B\u00e9rain, c\u00e9l\u00e8bre pour ce que l’on nomme \u00ab\u00a0arabesques\u00a0\u00bb , (le terme est ici utilis\u00e9 en tant que synonyme de \u00ab\u00a0grotesque\u00a0\u00bb, sans aucune r\u00e9f\u00e9rence au monde arabe), fut adopt\u00e9 pour la d\u00e9coration des majoliques de Rouen, ainsi que de Marseilles ,\u00a0et influen\u00e7a les manufactures espagnoles et italiennes (c\u00e9ramiques de Lodi et de Turin). Pendant toute la premi\u00e8re moiti\u00e9 du XVIII\u00e8me\u00a0si\u00e8cle, le d\u00e9cor \u00a0\u00bb \u00e0 la B\u00e9rain \u00ab\u00a0, le plus souvent en cama\u00efeu bleu, est typique des fa\u00efence de Moustiers\u00a0. Autour d’un sujet central, g\u00e9n\u00e9ralement un personnage mythologique\u00a0, s’articule un r\u00e9seau d’arabesques\u00a0parfaitement sym\u00e9trique, enrichi d’\u00e9l\u00e9ments architecturaux, de cariatides\u00a0, de bustes et d’animaux irr\u00e9els .<\/p>\n

Berain publie de nombreuses planches et assure ainsi la diffusion de son style, et au lendemain de sa mort un recueil g\u00e9n\u00e9ral est \u00e9dit\u00e9.<\/p>\n","protected":false},"excerpt":{"rendered":"

Jean B\u00e9rain p\u00e8re\u00a0ou\u00a0Berain est un peintre, aquarelliste, dessinateur, graveur, ornemaniste et d\u00e9corateur de th\u00e9\u00e2tre fran\u00e7ais ( 1640-1711).\u00a0Fils d’un arquebusier lorrain, apr\u00e8s avoir \u00e9tudi\u00e9 avec Charles Le Brun\u00a0, il est nomm\u00e9 \u00e0 la cour de Louis XIV\u00a0\u00a0en 1674\u00a0comme dessinateur de la Chambre et du Cabinet du Roi. Ses cr\u00e9ations tr\u00e8s vari\u00e9es comprennent des d\u00e9cors d\u2019op\u00e9ras, de […]<\/p>\n","protected":false},"author":6,"featured_media":2863,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[372],"tags":[450,448,449],"class_list":["post-2834","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-abc-du-decor","tag-arabesques","tag-berain","tag-ornamaniste"],"yoast_head":"\nLe Style \u00e0 la B\u00e9rain Le Magazine de Proantic<\/title>\n<meta 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