{"id":2830,"date":"2015-01-18T11:14:10","date_gmt":"2015-01-18T10:14:10","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=2830"},"modified":"2017-12-15T11:24:42","modified_gmt":"2017-12-15T10:24:42","slug":"au-gre-du-rhin-les-gres-allemands-leurope-renaissance","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/au-gre-du-rhin-les-gres-allemands-leurope-renaissance\/","title":{"rendered":"AU GR\u00c9 DU RHIN, les gr\u00e8s allemands dans l’Europe de la Renaissance"},"content":{"rendered":"

L’exposition du mus\u00e9e de la Renaissance \u00a0qui se tiendra jusqu’au \u00a0avril 2015\u00ab Au gr\u00e9 du Rhin \u00bb d\u00e9voile une \u00e9tonnante collection de gr\u00e8s allemands. Cruches, canettes, bouteilles\u2026 Le mus\u00e9e national de la Renaissance poss\u00e8de\u00a0une soixantaine de gr\u00e8s fabriqu\u00e9s entre le XVI\u00e8me<\/span>\u00a0et le d\u00e9but du XVIII\u00e8me<\/span>\u00a0si\u00e8cle, dans les grands centres de la vall\u00e9e du Rhin, comme Cologne, Siegburg ou encore Raeren.<\/strong><\/p>\n

Souvent repr\u00e9sent\u00e9s par les peintres du Si\u00e8cle d’Or hollandais, ces\u00a0objets de la vie quotidienne\u00a0sont pourvus d’un abondant d\u00e9cor. Si les\u00a0th\u00e8mes populaires sont parfois privil\u00e9gi\u00e9s, comme sur les cruches d\u00e9cor\u00e9es de danses de paysans tir\u00e9es de gravures de Hans Sebald Beham,\u00a0les r\u00e9f\u00e9rences \u00e0 l’Antiquit\u00e9ne sont pas d\u00e9laiss\u00e9es, ainsi que le prouvent les vases orn\u00e9s de profils d’empereurs romains.<\/p>\n

Soucieux de transmettre un message moral \u00e0 leur utilisateur, les gr\u00e8s ont \u00e9galement pour\u00a0vocation d’offrir une alternative s\u00e9duisante aux productions m\u00e9talliques plus co\u00fbteuses. Les formes employ\u00e9es par certaines productions de Siegburg peuvent ainsi \u00eatre compar\u00e9es \u00e0 celles r\u00e9alis\u00e9es par les potiers d’\u00e9tain, tandis que les productions de Raeren ou encore du Westerwald trouvent un \u00e9cho dans les objets des fondeurs de bronze voire des orf\u00e8vres germaniques et fran\u00e7ais.<\/p>\n

Enrichissant le fonds du mus\u00e9e national de la Renaissance d’une vingtaine de pr\u00eats issus des collections fran\u00e7aises\u00a0(mus\u00e9e du Louvre, mus\u00e9e du Petit Palais) et\u00a0allemandes\u00a0(Cologne, Museum f\u00fcr Angewandte Kunst), cette exposition aura pour vocation de\u00a0faire d\u00e9couvrir au public fran\u00e7ais un art m\u00e9connu et de d\u00e9montrer la perm\u00e9abilit\u00e9 existant entre les objets populaires et leurs sources savantes, v\u00e9hicul\u00e9es par le biais d’estampes et de plaquettes de plomb.<\/p>\n

\"Siegburg,<\/a>
Siegburg, Hans Hilgers, 1573<\/strong>
Canette Gr\u00e8s ; couvercle en \u00e9tain<\/strong>
C) RMN-Grand Palais (mus\u00e9e de la Renaissance, ch\u00e2teau d’Ecouen) \/ Adrien DIdierjean<\/figcaption><\/figure>\n

 <\/p>\n

Cette canette, pourvue d\u2019un couvercle en\u00a0\u00e9tain, montre trois cannelures horizontales, sur\u00a0son col et \u00e0 sa base. Sur le corps tronconique du\u00a0gr\u00e8s sont appliqu\u00e9s trois reliefs portant chacun\u00a0la repr\u00e9sentation d\u2019une figure de vertu plac\u00e9e\u00a0sous une arcade. Elles peuvent \u00eatre identifi\u00e9es\u00a0gr\u00e2ce \u00e0 leurs attributs et \u00e0 l\u2019inscription port\u00e9e\u00a0sur une banderole : la Foi, tient une croix et un\u00a0ciboire ; la Charit\u00e9, entour\u00e9e de putti, porte un\u00a0petit enfant ; la Justice est arm\u00e9e d\u2019une \u00e9p\u00e9e,\u00a0une balance dans la main droite. Toutes trois\u00a0sont v\u00eatues et coiff\u00e9es selon la mode\u00a0contemporaine. Chaque tympan est orn\u00e9 d\u2019un\u00a0motif de grotesque, respectivement une cr\u00e9ature\u00a0fantastique ail\u00e9e donnant naissance \u00e0 des\u00a0rinceaux de masques feuillus, deux \u00eatres\u00a0hybrides affront\u00e9s autour d\u2019une vasque et une\u00a0composition de feuilles.<\/p>\n

Hans Hilgers, actif entre 1569 et 1595,\u00a0reprend ici \u00e0 son compte le vocabulaire architectural et d\u00e9coratif de la Renaissance\u00a0pour servir d\u2019\u00e9crin \u00e0 ces trois vertus. La repr\u00e9sentation de vertus, cardinales et\u00a0th\u00e9ologales, sur des pi\u00e8ces de Siegburg n\u2019est pas rare et rappelle que les gr\u00e8s\u00a0allemands, \u00e0 l\u2019instar des gravures et des plaquettes, peuvent ais\u00e9ment relayer des\u00a0messages d\u2019\u00e9dification morale et religieuse.<\/p>\n

\"Raeren,<\/a>
Raeren, d\u2019apr\u00e8s une matrice de Jan Baldems Mennicken, vers 1602
Cruche dite des Princes-\u00c9lecteurs
Gr\u00e8s \u00e9maill\u00e9 de bleu
(C) R
M
N-Grand Palais (mus\u00e9e de la Renaissance, ch\u00e2eau d’Ecouen) \/Mathieu Rabeau<\/figcaption><\/figure>\n

Cette cruche pr\u00e9sente au centre de sa panse\u00a0une frise de m\u00e9daillons orn\u00e9s de sept\u00a0portraits royaux et princiers (le roi de Su\u00e8de,\u00a0Philippe II d\u2019Espagne, le prince de Parme,\u00a0Henri III, Henri de Guise, Charles de Lorraine,\u00a0Robert Dudley, comte de Leicester). Ce cycle\u00a0surmontant un pied godronn\u00e9 est domin\u00e9\u00a0par une suite de motifs ornementaux\u00a0compartiment\u00e9s. Le col est d\u00e9cor\u00e9 de griffons\u00a0et de fleurs dans des vases. La signature (IE)\u00a0pr\u00e9sente sur un \u00e9cusson suspendu \u00e0 un arbre\u00a0est celle de Jan Emens, c\u00e9ramiste actif \u00e0\u00a0Raeren. Une pi\u00e8ce comparable, conserv\u00e9e \u00e0\u00a0Cologne, montre cependant la juxtaposition\u00a0de la signature de Jan Emens et de celle du\u00a0Ma\u00eetre PR, potier implant\u00e9 dans le\u00a0Westerwald, traditionnellement identifi\u00e9 avec le Lorrain Peter R\u00e9my. Ce dernier se\u00a0serait donc content\u00e9 de r\u00e9utiliser les matrices cr\u00e9\u00e9es par Emens \u00e0 Raeren.<\/p>\n

En savoir plus:<\/span><\/p>\n

http:\/\/musee-renaissance.fr\/<\/p>\n","protected":false},"excerpt":{"rendered":"

L’exposition du mus\u00e9e de la Renaissance \u00a0qui se tiendra jusqu’au \u00a0avril 2015\u00ab Au gr\u00e9 du Rhin \u00bb d\u00e9voile une \u00e9tonnante collection de gr\u00e8s allemands. Cruches, canettes, bouteilles\u2026 Le mus\u00e9e national de la Renaissance poss\u00e8de\u00a0une soixantaine de gr\u00e8s fabriqu\u00e9s entre le XVI\u00e8me\u00a0et le d\u00e9but du XVIII\u00e8me\u00a0si\u00e8cle, dans les grands centres de la vall\u00e9e du Rhin, comme […]<\/p>\n","protected":false},"author":6,"featured_media":2850,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[447,446,11],"class_list":["post-2830","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions","tag-allemand","tag-gres","tag-renaissance"],"yoast_head":"\nAU GR\u00c9 DU RHIN, les gr\u00e8s allemands dans l'Europe de la Renaissance Le 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