{"id":239,"date":"2014-01-13T11:10:28","date_gmt":"2014-01-13T10:10:28","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=239"},"modified":"2017-12-18T09:11:22","modified_gmt":"2017-12-18T08:11:22","slug":"1925-lart-deco-seduit-monde","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/1925-lart-deco-seduit-monde\/","title":{"rendered":"1925, quand l\u2019Art D\u00e9co s\u00e9duit le monde"},"content":{"rendered":"

\"l'art<\/a>\u00a0l’exposition est pr\u00e9sent\u00e9e \u00e0 La Cit\u00e9 de l\u2019architecture & du patrimoine j<\/span>usqu’au 17 f\u00e9vrier 2014<\/p>\n

Formes g\u00e9om\u00e9triques, pures et dynamiques, le style Art D\u00e9co (1919-1940) se caract\u00e9rise par son attractivit\u00e9 et sa vivacit\u00e9. N\u00e9 de l\u2019impulsion des cr\u00e9ateurs fran\u00e7ais tels que les architectes Henri Sauvage, Robert Mallet-Stevens, Roger-Henri Expert, Pierre Patout, les d\u00e9corateurs Andr\u00e9 V\u00e9ra, Louis S\u00fce, Andr\u00e9 Mare et Jacques-\u00c9mile Ruhlmann, les couturiers Paul Poiret et Jean Patou ou encore les sculpteurs Martel, Janniot, Sarrabezolles\u2026, il est le fruit d\u2019une vision commune \u00e9manant de champs artistiques vari\u00e9s.<\/p>\n

La Cit\u00e9 de l\u2019architecture & du patrimoine, install\u00e9e dans le Palais de Chaillot, dernier chef-d\u2019oeuvre de l\u2019architecture Art D\u00e9co, pr\u00e9sente la premi\u00e8re grande r\u00e9trospective fran\u00e7aise rendant hommage \u00e0 une esth\u00e9tique qui a su unir des cr\u00e9ateurs du monde entier et acqu\u00e9rir une popularit\u00e9 p\u00e9renne et dont l\u2019exposition internationale des Arts d\u00e9coratifs et industriels de 1925 \u00e0 Paris a sign\u00e9 l\u2019apog\u00e9e.<\/p>\n

\u00a0Les singularit\u00e9s du style Art D\u00e9co seront mises en lumi\u00e8re au travers de mobilier, maquettes et dessins d\u2019architecture mais aussi sculptures, peintures et objets d\u2019art, et pr\u00e9sent\u00e9es sur une \u00e9tendue de 1100 m\u00b2.<\/p>\n

\"1925,<\/a>
Portrait de Suzy Solidor, par Tamara de Lempicka, 1933,
Ch\u00e2teau-mus\u00e9e de Cagnes-sur-Mer
\u00a9 2013 Tamara Art Heritage\/Licensed by Museum Masters NYC<\/figcaption><\/figure>\n

L\u2019exposition s\u2019organise selon une suite de s\u00e9quences th\u00e9matiques qui s\u2019attachent \u00e0 d\u00e9montrer les cl\u00e9s du succ\u00e8s international du style Art D\u00e9co et ses influences dans les diff\u00e9rents domaines artistiques. Apr\u00e8s la comparaison et distinction avec l\u2019Art Nouveau, notamment au travers des plans, maquettes et photographies de la Villa Majorelle de Henri Sauvage \u00e0 Nancy et de la Villa Cavrois par Robert Mallet-Stevens, l\u2019exposition pr\u00e9sente les grandes figures de la cr\u00e9ation fran\u00e7aise dont les r\u00e9alisations des ann\u00e9es 1910 portent, d\u00e9j\u00e0, les caract\u00e9ristiques de l\u2019Art D\u00e9co : les architectes Henri Sauvage et Auguste Perret, le d\u00e9corateur Andr\u00e9 V\u00e9ra, le couturier Paul Poiret ou le cr\u00e9ateur Jacques-Emile Ruhlmann.<\/p>\n

\"1925,<\/a>
Les jets d\u2019eau et perroquets, 1917, par Charles Stern Damas soie et coton,
Retissage contemporain par la Manufacture de Soiries Prelle, Paris
\u00a9 Manufacture de Soiries Prelle, Paris<\/figcaption><\/figure>\n

\u00c0 partir des ann\u00e9es 1920, le style Art D\u00e9co se d\u00e9veloppe dans un contexte marqu\u00e9 par les avanc\u00e9es technologiques et la modernit\u00e9 (aviation, automobile, radio, cin\u00e9ma muet). Mouvement et vitesse inspirent artistes et architectes : les premiers cin\u00e9mas Art D\u00e9co voient le jour comme le Louxor en 1921 (Henri Zipcy) ou le Grand Rex en 1932 (Auguste Bluysen). Les mentalit\u00e9s \u00e9voluent et des personnalit\u00e9s comme la peintre Tamara de Lempicka, Charlotte Perriand, Kiki de Montparnasse, Louise Brooks, Coco Chanel, Jos\u00e9phine Baker ou Habib Benglia (premier acteur africain du cin\u00e9ma fran\u00e7ais) contribuent \u00e0 cette ouverture d\u2019esprit et v\u00e9hiculent ce style.<\/p>\n

\"1925,<\/a>
Salon de l\u2019Ambassade de France \u00e0 Belgrade
\u00a9 Editions Internationales du Patrimoine \/ Marc Walter<\/figcaption><\/figure>\n

Le parcours se poursuit avec une large s\u00e9quence consacr\u00e9e \u00e0 l\u2019Exposition internationale des Arts D\u00e9coratifs et Industriels de 1925, qui fit \u00e9merger la d\u00e9nomination d\u2019\u00abArt D\u00e9co\u00bb. Implant\u00e9e sur l\u2019esplanade des Invalides \u00e0 Paris, l\u2019exposition de 1925 est marqu\u00e9e par les pavillons de l\u2019Ambassade fran\u00e7aise et de la Manufacture de S\u00e8vres, par ceux d\u00e9di\u00e9s aux enseignes des Grands Magasins, ainsi que par le Pavillon du tourisme de Robert Mallet-Stevens et le Pavillon du collectionneur de Jacques\u00c9mile Ruhlmann, construit par Pierre Patout et am\u00e9nag\u00e9 en collaboration avec les sculpteurs Joseph Bernard et Alfred Janniot ou le peintre Jean Dupas.<\/p>\n

\"1925,<\/a>
Henri Sauvage – Exposition internationale des arts d\u00e9coratifs modernes,
Paris, 1925 : Pavillon Primavera : \u00e9tude en \u00e9l\u00e9vation pour la fa\u00e7ade principale
(1925) \u00a9 Cit\u00e9 de l\u2019architecture & du patrimoine<\/figcaption><\/figure>\n

Suivront la reconstruction de l\u2019apr\u00e8s-guerre 1914\/18 et le d\u00e9veloppement de l\u2019architecture Art D\u00e9co en France, notamment dans le domaine public (a\u00e9roports, gares, h\u00f4pitaux, lyc\u00e9es) mais aussi villas priv\u00e9es, magasins : Samaritaine \u00e0 Paris (Henri Sauvage, 1933), Biblioth\u00e8que Carnegie \u00e0 Reims (Max Sainsaulieu,1928), H\u00f4tel Plazza \u00e0 Biarritz (Louis-Hippolyte Boileau, 1928), Gare de Lens (Urbain Cassan, 1926), La Piscine \u00e0 Roubaix (Albert Baert, 1932) ou la Bourse du travail \u00e0 Bordeaux (Jacques D\u2019Welles, 1938).<\/p>\n

\"1925,<\/a>
Coiffeuse et son tabouret en laque Duco, vers 1926, par Paul Follot
\u00a9 Galerie Michel Giraud \/ photographe St\u00e9phane Briolant<\/figcaption><\/figure>\n

Les paquebots construits dans l\u2019entre-deux guerres, tels l\u2019Ile de- France (1926) et le Normandie (1932), seront les v\u00e9ritables ambassadeurs du go\u00fbt pour le style Art D\u00e9co. Un espace reconstitu\u00e9 d\u2019apr\u00e8s le Normandie cherchera de faire rena\u00eetre leur magie par des photographies, portfolios et dessins.<\/p>\n

Une derni\u00e8re section importante est d\u00e9di\u00e9e \u00e0 la r\u00e9sonance mondiale de ce mouvement esth\u00e9tique. Apr\u00e8s le succ\u00e8s retentissant de l\u2019exposition de 1925 \u00e0 Paris, architectes, artistes et d\u00e9corateurs fran\u00e7ais sont appel\u00e9s dans les grandes villes du monde pour exercer leurs talents. \u00c0 New York, Alfred Janniot r\u00e9alise les portes du Rockefeller Center construit par Wallace Harrison, qui avait fait ses \u00e9tudes aux Beaux-Arts de Paris. \u00c0 Madrid, Bruxelles, Porto, Belgrade, Rio de Janeiro, S\u00e3o Paulo, Shanghai, Sa\u00efgon, Tokyo, Chicago, les artistes fran\u00e7ais influencent leurs homologues \u00e9trangers qui d\u00e9clineront ainsi le style Art D\u00e9co en lui insufflant souvent un esprit local. L\u2019Art D\u00e9co est adopt\u00e9, et devient ainsi le premier style vraiment international.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0l’exposition est pr\u00e9sent\u00e9e \u00e0 La Cit\u00e9 de l\u2019architecture & du patrimoine jusqu’au 17 f\u00e9vrier 2014 Formes g\u00e9om\u00e9triques, pures et dynamiques, le style Art D\u00e9co (1919-1940) se caract\u00e9rise par son attractivit\u00e9 et sa vivacit\u00e9. N\u00e9 de l\u2019impulsion des cr\u00e9ateurs fran\u00e7ais tels que les architectes Henri Sauvage, Robert Mallet-Stevens, Roger-Henri Expert, Pierre Patout, les d\u00e9corateurs Andr\u00e9 V\u00e9ra, […]<\/p>\n","protected":false},"author":6,"featured_media":245,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[28],"class_list":["post-239","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions","tag-art-deco"],"yoast_head":"\n1925, quand l\u2019Art D\u00e9co s\u00e9duit le monde Le Magazine de Proantic<\/title>\n<meta name=\"description\" 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