{"id":2053,"date":"2014-08-22T08:17:26","date_gmt":"2014-08-22T07:17:26","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=2053"},"modified":"2017-12-18T09:00:47","modified_gmt":"2017-12-18T08:00:47","slug":"carpeaux-1827-1875-sculpteur-lempire","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/carpeaux-1827-1875-sculpteur-lempire\/","title":{"rendered":"Carpeaux (1827-1875), un sculpteur pour l&rsquo;Empire"},"content":{"rendered":"<p style=\"text-align: justify\"><strong>L&rsquo;exposition sera \u00a0pr\u00e9sente au \u00a0Mus\u00e9e d&rsquo;Orsay \u00e0 Paris, \u00a0jusqu&rsquo;au 28 septembre 2014. Le mus\u00e9e \u00a0revisite l\u2019\u0153uvre de ce pr\u00e9curseur de la sculpture moderne, l\u2019un des plus grands sculpteurs fran\u00e7ais du XIX\u00e8me si\u00e8cle, tant admir\u00e9 par Rodin.<\/strong> C\u2019est la premi\u00e8re exposition qui r\u00e9unit nombre de ses \u0153uvres, 85 sculptures, 60 dessins\u00a0 et une vingtaine de peintures, L\u2019exposition s\u2019articule autour de th\u00e8mes, des groupes d\u2019\u0153uvres que Carpeaux a r\u00e9alis\u00e9s.<\/p>\n<figure id=\"attachment_2059\" aria-describedby=\"caption-attachment-2059\" style=\"width: 470px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A1.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"2059\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/carpeaux-1827-1875-sculpteur-lempire\/a1\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A1.jpg?fit=470%2C624&amp;ssl=1\" data-orig-size=\"470,624\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;Celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1408697123&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"Jean-Baptiste Carpeaux (1827-1875), Pe?cheur a? la coquille\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Jean-Baptiste Carpeaux (1827-1875), Pe?cheur a? la coquille, 1861-1862 Marbre, 92 x 42 x 47 cm Washington, D.C., The National Gallery of Art, Samuel H. Kress Collection.&lt;br \/&gt;\nImage courtesy of the National Gallery of Art, Washington&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A1.jpg?fit=225%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A1.jpg?fit=470%2C624&amp;ssl=1\" class=\"size-full wp-image-2059\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A1.jpg?resize=470%2C624\" alt=\"Jean-Baptiste Carpeaux (1827-1875), Pe?cheur a? la coquille, 1861-1862 Marbre, 92 x 42 x 47 cm Washington, D.C., The National Gallery of Art, Samuel H. Kress Collection. Image courtesy of the National Gallery of Art, Washington\" width=\"470\" height=\"624\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A1.jpg?w=470&amp;ssl=1 470w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A1.jpg?resize=225%2C300&amp;ssl=1 225w\" sizes=\"auto, (max-width: 470px) 100vw, 470px\" \/><\/a><figcaption id=\"caption-attachment-2059\" class=\"wp-caption-text\"><strong>Jean-Baptiste Carpeaux (1827-1875), Pe?cheur a? la coquille<\/strong>, 1861-1862 Marbre, 92 x 42 x 47 cm Washington, D.C., The National Gallery of Art, Samuel H. Kress Collection.<br \/>Image courtesy of the National Gallery of Art, Washington<\/figcaption><\/figure>\n<p style=\"text-align: justify\">Jean-Baptiste Carpeaux, d\u00e9c\u00e9d\u00e9 \u00e0 48 ans, a connu une ascension artistique et sociale fulgurante puisqu\u2019il est n\u00e9 \u00e0 Valenciennes dans une famille modeste ( fils d&rsquo;un ma\u00e7on et d&rsquo;une dentelli\u00e8re)\u00a0\u00a0et que c\u2019est contre la volont\u00e9 de son p\u00e8re qu\u2019il a embrass\u00e9 une carri\u00e8re d\u2019artiste et \u00a0se construit un destin d&rsquo;exception \u00e9troitement li\u00e9 \u00e0 la \u00ab\u00a0f\u00eate imp\u00e9riale\u00a0\u00bb du r\u00e8gne de Napol\u00e9on III.<\/p>\n<figure id=\"attachment_2062\" aria-describedby=\"caption-attachment-2062\" style=\"width: 516px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A4.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"2062\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/carpeaux-1827-1875-sculpteur-lempire\/a4\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A4.jpg?fit=516%2C714&amp;ssl=1\" data-orig-size=\"516,714\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;Celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1408697466&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"A4\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Jean-Baptiste Carpeaux (1827-1875), Les quatre parties du monde, Mode?le en pla?tre Paris, muse?e d\u2019Orsay.&lt;br \/&gt;\n\u00a9 RMN-Grand Palais (Muse?e d&amp;rsquo;Orsay) \/ Herve? Lewandowski&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A4.jpg?fit=216%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A4.jpg?fit=516%2C714&amp;ssl=1\" class=\"size-full wp-image-2062\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A4.jpg?resize=516%2C714\" alt=\"Jean-Baptiste Carpeaux (1827-1875), Les quatre parties du monde, Mode?le en pla?tre Paris, muse?e d\u2019Orsay.  \u00a9 RMN-Grand Palais (Muse?e d'Orsay) \/ Herve? Lewandowski\" width=\"516\" height=\"714\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A4.jpg?w=516&amp;ssl=1 516w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A4.jpg?resize=216%2C300&amp;ssl=1 216w\" sizes=\"auto, (max-width: 516px) 100vw, 516px\" \/><\/a><figcaption id=\"caption-attachment-2062\" class=\"wp-caption-text\"><strong>Jean-Baptiste Carpeaux (1827-1875), Les quatre parties du monde<\/strong>, Mode?le en pla?tre Paris, muse?e d\u2019Orsay.<br \/>\u00a9 RMN-Grand Palais (Muse?e d&rsquo;Orsay) \/ Herve? Lewandowski<\/figcaption><\/figure>\n<p style=\"text-align: justify\">D\u00e9barqu\u00e9 \u00e0 Paris \u00e0 15 ans, il entre \u00e0 l\u2019\u00e9cole des Beaux-Arts \u00e0 17. Il s&rsquo;inscrit comme \u00e9l\u00e8ve de Fran\u00e7ois Rude, figure du Romantisme, sculpteur de la Marseillaise\u00a0de l&rsquo;Arc de triomphe de l&rsquo;Etoile. A\u00a027 ans, il gagne le prix de Rome. Il voyage d\u2019ailleurs \u00e0 travers l\u2019Italie. Rome est pour Carpeaux une source de multiples r\u00e9v\u00e9lations, Michel-Ange avant tout, auquel il voue imm\u00e9diatement un culte absolu dont il ne se d\u00e9partira pas tout au long de sa carri\u00e8re. La vie du peuple italien lui inspire de nombreuses \u00e9tudes sur le vif.<\/p>\n<div class=\"olsen-light-responsive-embed\"><iframe loading=\"lazy\" title=\"Visite guid\u00e9e : Jean-Baptiste Carpeaux au Mus\u00e9e d&#039;Orsay \u00e0 Paris\" frameborder=\"0\" width=\"665\" height=\"374\" src=\"https:\/\/geo.dailymotion.com\/player.html?video=x20dvi6&#038;\" allowfullscreen allow=\"autoplay; fullscreen; picture-in-picture; web-share\"><\/iframe><\/div>\n<p style=\"text-align: justify\">Carpeaux est surtout connu pour ses sculptures d\u2019un r\u00e9alisme et d\u2019un esth\u00e9tisme bouleversant mais il a aussi beaucoup peint et dessin\u00e9. Celui qui tranchait vivement dans le milieu artistique de son temps constitue \u00e9galement l&rsquo;une des plus parfaites incarnations de l&rsquo;id\u00e9e romantique de l&rsquo;artiste maudit : par la bri\u00e8vet\u00e9 et la fulgurance de sa carri\u00e8re, concentr\u00e9e sur une quinzaine d&rsquo;ann\u00e9es, par la violence et la passion d&rsquo;un labeur sans rel\u00e2che sur les sujets qu&rsquo;il choisit ou qui lui sont command\u00e9s (le pavillon de Flore du Louvre,\u00a0La Danse pour l&rsquo;op\u00e9ra de Charles Garnier).<\/p>\n<figure id=\"attachment_2060\" aria-describedby=\"caption-attachment-2060\" style=\"width: 597px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A2.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"2060\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/carpeaux-1827-1875-sculpteur-lempire\/a2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A2.jpg?fit=597%2C511&amp;ssl=1\" data-orig-size=\"597,511\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;Celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1408697262&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"Jean-Baptiste Carpeaux (1827-1875), Le Triomphe de Flore, dit aussi Flore \" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Jean-Baptiste Carpeaux (1827-1875), Le Triomphe de Flore, dit aussi Flore Grand mode?le pla?tre, 151 x 180 x 46 cm Paris, muse?e d\u2019Orsay.&lt;br \/&gt;\n\u00a9 RMN-Grand Palais (Muse?e d&amp;rsquo;Orsay) \/ Herve? Lewandowski&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A2.jpg?fit=300%2C256&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A2.jpg?fit=597%2C511&amp;ssl=1\" class=\"size-full wp-image-2060\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A2.jpg?resize=597%2C511\" alt=\"Jean-Baptiste Carpeaux (1827-1875), Le Triomphe de Flore, dit aussi Flore Grand mode?le pla?tre, 151 x 180 x 46 cm Paris, muse?e d\u2019Orsay.  \u00a9 RMN-Grand Palais (Muse?e d'Orsay) \/ Herve? Lewandowski\" width=\"597\" height=\"511\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A2.jpg?w=597&amp;ssl=1 597w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A2.jpg?resize=300%2C256&amp;ssl=1 300w\" sizes=\"auto, (max-width: 597px) 100vw, 597px\" \/><\/a><figcaption id=\"caption-attachment-2060\" class=\"wp-caption-text\"><strong>Jean-Baptiste Carpeaux (1827-1875), Le Triomphe de Flore, dit aussi Flore<\/strong> Grand mode?le pla?tre, 151 x 180 x 46 cm Paris, muse?e d\u2019Orsay.<br \/>\u00a9 RMN-Grand Palais (Muse?e d&rsquo;Orsay) \/ Herve? Lewandowski<\/figcaption><\/figure>\n<p style=\"text-align: justify\">Au-del\u00e0 de son talent \u00e9clatant, c\u2019est les commandes et la protection de Napol\u00e9on III qui \u00a0ont contribu\u00e9 \u00e0 asseoir sa r\u00e9putation, m\u00eame si \u00e9videmment comme beaucoup de g\u00e9nies artistiques, il n\u2019a pas \u00e9chapp\u00e9 \u00e0 la critique, certains s\u2019offusquant de la sensualit\u00e9 \u00e9quivoque de quelques-unes de ses r\u00e9alisations.<\/p>\n<figure id=\"attachment_2061\" aria-describedby=\"caption-attachment-2061\" style=\"width: 593px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A3.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"2061\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/carpeaux-1827-1875-sculpteur-lempire\/a3\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A3.jpg?fit=593%2C351&amp;ssl=1\" data-orig-size=\"593,351\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;Celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1408697384&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"Jean-Baptiste Carpeaux (1827-1875), Le Jour et le Cre?puscule d\u2019apre?s Michel-Ange\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Jean-Baptiste Carpeaux (1827-1875), Le Jour et le Cre?puscule d\u2019apre?s Michel-Ange, Pierre noire et rehauts de blanc sur papier gris-brun, 13,4 x 23 cm Paris, muse?e d\u2019Orsay. \u00a9 RMN-Grand Palais (Mus\u00e9e d&amp;rsquo;Orsay) \/ Thierry Le Mage&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A3.jpg?fit=300%2C177&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A3.jpg?fit=593%2C351&amp;ssl=1\" class=\"size-full wp-image-2061\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A3.jpg?resize=593%2C351\" alt=\"Jean-Baptiste Carpeaux (1827-1875), Le Jour et le Cre?puscule d\u2019apre?s Michel-Ange, Pierre noire et rehauts de blanc sur papier gris-brun, 13,4 x 23 cm Paris, muse?e d\u2019Orsay. \u00a9 RMN-Grand Palais (Mus\u00e9e d'Orsay) \/ Thierry Le Mage\" width=\"593\" height=\"351\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A3.jpg?w=593&amp;ssl=1 593w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A3.jpg?resize=300%2C177&amp;ssl=1 300w\" sizes=\"auto, (max-width: 593px) 100vw, 593px\" \/><\/a><figcaption id=\"caption-attachment-2061\" class=\"wp-caption-text\"><strong>Jean-Baptiste Carpeaux (1827-1875), Le Jour et le Cre?puscule d\u2019apre?s Michel-Ange,<\/strong> Pierre noire et rehauts de blanc sur papier gris-brun, 13,4 x 23 cm Paris, muse?e d\u2019Orsay. \u00a9 RMN-Grand Palais (Mus\u00e9e d&rsquo;Orsay) \/ Thierry Le Mage<\/figcaption><\/figure>\n<p style=\"text-align: justify\">Son talent \u00e9tait brillamment romantique et exprimait donc tour \u00e0 tour une part d\u2019ombre et une part de lumi\u00e8re.\u00a0Le sculpteur du sourire, le peintre du mouvement, le portraitiste remarquable, le dessinateur familier de la cour des Tuileries, l&rsquo;observateur attentif de la v\u00e9rit\u00e9 de la rue, est aussi un admirateur sensible de Michel-Ange qui s&rsquo;ab\u00eeme sans cesse dans une sombre m\u00e9lancolie, brossant \u00e0 grands traits, d\u00e8s ses d\u00e9buts, la trag\u00e9die anthropophage d&rsquo;Ugolin ( Une de ses r\u00e9alisations les plus c\u00e9l\u00e8bres est\u00a0 la sculpture d\u2019Ugolin et de ses enfants r\u00e9alis\u00e9e en 1861 et inspir\u00e9 de la Divine Com\u00e9die de Dante) et, plus tard, les fulgurances fantomatiques d&rsquo;un sentiment religieux empreint d&rsquo;inqui\u00e9tude, la violence de sc\u00e8nes de naufrages ou des autoportraits douloureux.<\/p>\n<figure id=\"attachment_2063\" aria-describedby=\"caption-attachment-2063\" style=\"width: 475px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A5.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"2063\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/carpeaux-1827-1875-sculpteur-lempire\/a5\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A5.jpg?fit=475%2C715&amp;ssl=1\" data-orig-size=\"475,715\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;Celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1408697778&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"Jean-Baptiste Carpeaux (1827-1875), sculpture d\u2019Ugolin \" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Jean-Baptiste Carpeaux (1827-1875),&lt;br \/&gt;\nsculpture d\u2019Ugolin et de ses enfants r\u00e9alis\u00e9e en 1861. (c) Mus\u00e9e d&amp;rsquo;Orsay&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A5.jpg?fit=199%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A5.jpg?fit=475%2C715&amp;ssl=1\" class=\"size-full wp-image-2063\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A5.jpg?resize=475%2C715\" alt=\"Jean-Baptiste Carpeaux (1827-1875), sculpture d\u2019Ugolin et de ses enfants r\u00e9alis\u00e9e en 1861. (c) Mus\u00e9e d'Orsay\" width=\"475\" height=\"715\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A5.jpg?w=475&amp;ssl=1 475w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A5.jpg?resize=199%2C300&amp;ssl=1 199w\" sizes=\"auto, (max-width: 475px) 100vw, 475px\" \/><\/a><figcaption id=\"caption-attachment-2063\" class=\"wp-caption-text\"><strong>Jean-Baptiste Carpeaux (1827-1875),<\/strong><br \/><strong>sculpture en bronze d\u2019Ugolin et de ses enfants r\u00e9alis\u00e9e en 1861<\/strong>. (c) Mus\u00e9e d&rsquo;Orsay<\/figcaption><\/figure>\n<p style=\"text-align: justify\">L\u2019exposition, chronoth\u00e9matique \u00a0s\u2019articule autour de dix sections, permettant de comprendre comment ce talent inquiet va osciller sans cesse entre \u00e9nergie vitale et inspiration tragique et angoiss\u00e9e.<\/p>\n<figure id=\"attachment_2064\" aria-describedby=\"caption-attachment-2064\" style=\"width: 413px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A6.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"2064\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/carpeaux-1827-1875-sculpteur-lempire\/a6\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A6.jpg?fit=413%2C667&amp;ssl=1\" data-orig-size=\"413,667\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;Celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1408698064&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"Jean-Baptiste Carpeaux (1827-1875), Le Prince impe?rial et le chien Nero\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Jean-Baptiste Carpeaux (1827-1875), Le Prince impe?rial et le chien Nero, 1866 Marbre, 140,2 x 65,4 x 61,5 cm Paris, muse?e d\u2019Orsay.&lt;br \/&gt;\n\u00a9 RMN-Grand Palais (Muse?e d&amp;rsquo;Orsay) \/ Michel Urtado&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A6.jpg?fit=185%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A6.jpg?fit=413%2C667&amp;ssl=1\" class=\"size-full wp-image-2064\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A6.jpg?resize=413%2C667\" alt=\"Jean-Baptiste Carpeaux (1827-1875), Le Prince impe?rial et le chien Nero, 1866 Marbre, 140,2 x 65,4 x 61,5 cm Paris, muse?e d\u2019Orsay. \u00a9 RMN-Grand Palais (Muse?e d'Orsay) \/ Michel Urtado\" width=\"413\" height=\"667\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A6.jpg?w=413&amp;ssl=1 413w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A6.jpg?resize=185%2C300&amp;ssl=1 185w\" sizes=\"auto, (max-width: 413px) 100vw, 413px\" \/><\/a><figcaption id=\"caption-attachment-2064\" class=\"wp-caption-text\"><strong>Jean-Baptiste Carpeaux (1827-1875), Le Prince impe?rial et le chien Nero, 1866<\/strong> Marbre, 140,2 x 65,4 x 61,5 cm Paris, muse?e d\u2019Orsay.<br \/>\u00a9 RMN-Grand Palais (Muse?e d&rsquo;Orsay) \/ Michel Urtado<\/figcaption><\/figure>\n<p style=\"text-align: justify\">L\u2019accent sera mis sur les groupes majeurs r\u00e9alis\u00e9s par Carpeaux, trait\u00e9s en dossiers rassemblant l\u2019ensemble des \u00e9tapes de la conception de l\u2019\u0153uvre : P\u00eacheur \u00e0 la coquille, Ugolin, le Prince imp\u00e9rial, La Danse, la Fontaine de l\u2019Observatoire. Les \u0153uvres t\u00e9moignant de la \u00ab f\u00eate imp\u00e9riale \u00bb, croquis, peintures de bals \u00e0 la cour, portraits ambitieux et \u00e9l\u00e9gants constitueront le contrepoint au c\u00f4t\u00e9 sombre, tortur\u00e9, de l\u2019inspiration intime de Carpeaux.<\/p>\n<figure id=\"attachment_2065\" aria-describedby=\"caption-attachment-2065\" style=\"width: 405px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A7.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"2065\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/carpeaux-1827-1875-sculpteur-lempire\/a7\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A7.jpg?fit=405%2C612&amp;ssl=1\" data-orig-size=\"405,612\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;Celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1408698232&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"Jean-Baptiste Carpeaux (1827-1875), Euge?nie Fiocre\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Jean-Baptiste Carpeaux (1827-1875), Euge?nie Fiocre, Pla?tre, 83 x 51 x 37 cm Paris, muse?e d\u2019Orsay.&lt;br \/&gt;\n\u00a9 Muse?e d\u2019Orsay, dist. RMN-Grand Palais \/ Patrice Schmidt&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A7.jpg?fit=198%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A7.jpg?fit=405%2C612&amp;ssl=1\" class=\"size-full wp-image-2065\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A7.jpg?resize=405%2C612\" alt=\"Jean-Baptiste Carpeaux (1827-1875), Euge?nie Fiocre, Pla?tre, 83 x 51 x 37 cm Paris, muse?e d\u2019Orsay. \u00a9 Muse?e d\u2019Orsay, dist. RMN-Grand Palais \/ Patrice Schmidt\" width=\"405\" height=\"612\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A7.jpg?w=405&amp;ssl=1 405w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A7.jpg?resize=198%2C300&amp;ssl=1 198w\" sizes=\"auto, (max-width: 405px) 100vw, 405px\" \/><\/a><figcaption id=\"caption-attachment-2065\" class=\"wp-caption-text\"><strong>Jean-Baptiste Carpeaux (1827-1875), Euge?nie Fiocre, Pla?tre,<\/strong> 83 x 51 x 37 cm Paris, muse?e d\u2019Orsay.<br \/>\u00a9 Muse?e d\u2019Orsay, dist. RMN-Grand Palais \/ Patrice Schmidt<\/figcaption><\/figure>\n<p style=\"text-align: justify\">Pr\u00e9sent\u00e9es au mus\u00e9e d\u2019Orsay autour des grands mod\u00e8les originaux, les esquisses virtuoses en terre cuite ou en pl\u00e2tre vont permettre de r\u00e9aliser le chemin ardu entre la conception fi\u00e9vreuse d\u2019une id\u00e9e et la r\u00e9alisation finale, au plus pr\u00e8s de la main d\u2019un des plus grands sculpteurs fran\u00e7ais du XIXe si\u00e8cle.<\/p>\n","protected":false},"excerpt":{"rendered":"<p> Le mus\u00e9e  d&rsquo;Orsay revisite l\u2019\u0153uvre de ce pr\u00e9curseur de la sculpture moderne, l\u2019un des plus grands sculpteurs fran\u00e7ais du XIX\u00e8me si\u00e8cle, tant admir\u00e9 par Rodin. C\u2019est la premi\u00e8re exposition qui r\u00e9unit nombre de ses \u0153uvres, 85 sculptures, 60 dessins  et une vingtaine de peintures.<\/p>\n","protected":false},"author":6,"featured_media":2066,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[352,325],"class_list":["post-2053","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions","tag-jean-baptiste-carpeaux","tag-sculpteur"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Carpeaux (1827-1875), un sculpteur pour l&#039;Empire Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"Le mus\u00e9e d&#039;Orsay revisite l\u2019\u0153uvre de ce pr\u00e9curseur de la sculpture moderne, l\u2019un des plus grands sculpteurs fran\u00e7ais du XIX\u00e8me si\u00e8cle, tant admir\u00e9 par Rodin. 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