{"id":18669,"date":"2026-09-30T08:41:17","date_gmt":"2026-09-30T07:41:17","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=18669"},"modified":"2026-09-30T08:41:17","modified_gmt":"2026-09-30T07:41:17","slug":"suzuribako-japonais-en-laque-urushi","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/suzuribako-japonais-en-laque-urushi\/","title":{"rendered":"Suzuribako japonais en laque urushi"},"content":{"rendered":"\n

Suzuribako japonais en laque urushi sign\u00e9 Heian Z\u014dhiko, Kyoto, \u00e9poque Taish\u014d\u2013d\u00e9but Sh\u014dwa, vers 1920-1940. Le couvercle pr\u00e9sente un d\u00e9cor de grues en vol inspir\u00e9 de l\u2019esth\u00e9tique d\u2019Ogata K\u014drin, sur un fond or travers\u00e9 par des lignes d\u2019eau stylis\u00e9es.<\/strong><\/p>\n\n\n\n

La composition repose sur un mouvement diagonal. Les grues sont trait\u00e9es en nacre raden<\/em> et en \u00e9tain dans l\u2019esprit des laques Rimpa. La nacre accroche la lumi\u00e8re avec des reflets verts, roses et argent\u00e9s. Les parties sombres donnent du poids au d\u00e9cor. L\u2019ensemble reste tr\u00e8s lisible, presque graphique, avec peu d\u2019\u00e9l\u00e9ments et une vraie tension entre les mati\u00e8res.<\/p>\n\n\n

\n
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Suzuribako japonais en laque urushi .
(c) Cristina Ortega et Michel Dermigny<\/a>, Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n

L\u2019int\u00e9rieur est en laque noire roiro-nuri<\/em>, poli profond. Le plateau est organis\u00e9 pour l\u2019\u00e9criture, avec la pierre \u00e0 encre, le suiteki<\/em> et les accessoires. La pierre est sign\u00e9e au-dessous. Le suiteki<\/em> circulaire en argent, \u00e0 d\u00e9cor rayonnant, porte un poin\u00e7on japonais. Les bordures de la bo\u00eete et du couvercle sont en argent. Le fond de la bo\u00eete porte la marque-cachet de Z\u014dhiko en laque d\u2019or.Inscription et tomobako<\/p>\n\n\n\n

Le tomobako<\/em> porte l\u2019inscription \u5149\u7433\u9db4\u8494\u7d75 \u786f\u7bb1<\/strong>, que l\u2019on peut traduire par : \u00ab suzuribako \u00e0 d\u00e9cor de grues en maki-e dans le style de K\u014drin \u00bb. La signature indique Z\u014dhiko.<\/p>\n\n\n

\n
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Suzuribako japonais en laque urushi . (c) Cristina Ortega et Michel Dermigny<\/a>, Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n



Heian Z\u014dhiko et l\u2019h\u00e9ritage de K\u014drin<\/strong><\/p>\n\n\n\n

Z\u014dhiko est l\u2019une des grandes maisons de laque de Kyoto. Son histoire remonte au XVIIe si\u00e8cle, et l\u2019atelier a jou\u00e9 un r\u00f4le important dans la transmission du maki-e<\/em> de haut niveau. Ses productions modernes reprennent souvent les grands mod\u00e8les classiques japonais, en particulier ceux li\u00e9s \u00e0 l\u2019\u00e9cole Rimpa.<\/p>\n\n\n\n

Ogata K\u014drin (1658-1716) est l\u2019un des artistes majeurs de cette esth\u00e9tique. Son influence d\u00e9passe la peinture et marque profond\u00e9ment la laque, le textile et les arts d\u00e9coratifs japonais. Chez K\u014drin, les motifs naturels deviennent des signes : l\u2019eau se r\u00e9duit \u00e0 un rythme, l\u2019oiseau \u00e0 une silhouette, le paysage \u00e0 une surface compos\u00e9e. Ce suzuribako reprend cette intelligence de l\u2019espace. Les grues, symboles de long\u00e9vit\u00e9 et de bon augure, traversent le couvercle avec une force simple et imm\u00e9diatement reconnaissable.<\/p>\n","protected":false},"excerpt":{"rendered":"

Suzuribako japonais en laque urushi sign\u00e9 Heian Z\u014dhiko, Kyoto, \u00e9poque Taish\u014d\u2013d\u00e9but Sh\u014dwa, vers 1920-1940. Le couvercle pr\u00e9sente un d\u00e9cor de grues en vol inspir\u00e9 de l\u2019esth\u00e9tique d\u2019Ogata K\u014drin, sur un fond or travers\u00e9 par des lignes d\u2019eau stylis\u00e9es. La composition repose sur un mouvement diagonal. Les grues sont trait\u00e9es en nacre raden et en \u00e9tain […]<\/p>\n","protected":false},"author":6,"featured_media":18673,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[180,574],"tags":[],"class_list":["post-18669","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-decoratifs-proantic","category-lobjet-du-mois"],"yoast_head":"\nSuzuribako japonais en laque urushi Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"Suzuribako japonais en laque urushi sign\u00e9 Heian Z\u014dhiko, Kyoto, \u00e9poque Taish\u014d\u2013d\u00e9but Sh\u014dwa, vers 1920-1940. 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