{"id":18652,"date":"2026-09-22T09:22:25","date_gmt":"2026-09-22T08:22:25","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=18652"},"modified":"2026-09-22T09:22:25","modified_gmt":"2026-09-22T08:22:25","slug":"tresors-de-laine-et-de-soie","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/tresors-de-laine-et-de-soie\/","title":{"rendered":"Tr\u00e9sors de laine et de soie"},"content":{"rendered":"\n

\u00a0Les tapisseries de Guillaume Werniers & Catherine Ghuys \u00e0 Lille au 18e si\u00e8cle<\/p>\n\n\n\n

Le mus\u00e9e de l\u2019Hospice Comtesse et le Palais des Beaux-arts ont la chance d\u2019abriter des fonds uniques de tapisseries du 18e<\/sup> si\u00e8cle<\/strong>. Ces tapisseries \u00e9voquent le grand pass\u00e9 textile de Lille, qui conna\u00eet \u00e0 l\u2019\u00e9poque un fort essor \u00e9conomique. La Manufacture Werniers \u00e9tait l\u2019une des plus importantes du Nord de l\u2019Europe.<\/strong><\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n


Monumentales, ces tapisseries n\u00e9cessitaient des mois de fabrication<\/strong>. Arborant diff\u00e9rents th\u00e8mes et motifs, dont de fameuses sc\u00e8nes champ\u00eatres, elles constituaient des objets de luxe et d\u2019apparat, pris\u00e9s par les aristocrates, la nouvelle bourgeoisie, ou encore, les communaut\u00e9s religieuses. Leur pr\u00e9sentation promet donc d\u2019\u00eatre spectaculaire.<\/strong><\/p>\n\n\n\n


Grandes, fragiles, complexes \u00e0 exposer en raison de leur poids et de leur sensibilit\u00e9 \u00e0 la lumi\u00e8re, ces tapisseries ont fait l\u2019objet d\u2019une importante restauration<\/strong>, subventionn\u00e9e par la DRAC des Hauts-de-France, de 2023 \u00e0 2026. Cette exposition permettra de les d\u00e9voiler dans tout leur \u00e9clat originel<\/strong>, mais aussi de partager l\u2019actualit\u00e9 de la recherche sur ces textiles rares.<\/p>\n\n\n

\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n

Guillaume Werniers & Catherine Ghuys<\/h2>\n\n\n\n


Guillaume Werniers<\/strong> (avant 1688-1738), d\u2019origine bruxelloise, reprend en 1701 la manufacture de tapisseries que son beau-p\u00e8re Jean De Melter (actif \u00e0 Bruxelles depuis 1675-1701) avait fond\u00e9e \u00e0 Lille une douzaine d\u2019ann\u00e9es plus t\u00f4t. Employant jusqu\u2019\u00e0 cinquante ouvriers textiles, Werniers r\u00e9pond \u00e0 des commandes locales (\u00c9tats de Flandre, \u00e9glises et couvents) et se sp\u00e9cialise dans la production de tapisseries repr\u00e9sentant des sc\u00e8nes de la vie quotidienne<\/strong> dans le go\u00fbt du peintre flamand David Teniers II (1610-1690), appel\u00e9es des \u00ab T\u00e9ni\u00e8res \u00bb et destin\u00e9es \u00e0 une riche client\u00e8le internationale.<\/p>\n\n\n\n


\u00c0 sa mort en 1738, sa veuve Catherine Ghuys <\/strong>(1701-1778) prend la direction de l\u2019entreprise jusqu\u2019en 1778. Associ\u00e9e durant une courte p\u00e9riode \u00e0 Pierre Pannemaker ou Pennemaker (vers 1703-apr\u00e8s 1738) qui avait \u00e9t\u00e9 form\u00e9 par Werniers pour lui succ\u00e9der, Catherine Ghuys a assur\u00e9 seule la prosp\u00e9rit\u00e9 de la manufacture pendant une quarantaine d\u2019ann\u00e9es. Dans l\u2019histoire de la tapisserie, elle compte parmi les rares femmes \u00e0 avoir dirig\u00e9 une fabrique pendant une aussi longue p\u00e9riode. Aussi la notion de matrimoine lillois<\/strong> sera-t-elle pleinement explor\u00e9e \u00e0 cette occasion, au regard de son parcours.<\/p>\n\n\n\n

\"\"<\/a>
Manufacture de Catherine Guys, Les Joueurs de cartes, d\u00e9tail, 1738-1778, pr\u00e9sent\u00e9s dans l\u2019exposition \u00ab Tr\u00e9sors de laine et de soie \u00bb, mus\u00e9e de l\u2019Hospice Comtesse<\/figcaption><\/figure>\n\n\n\n

Le parcours de l\u2019exposition<\/h2>\n\n\n\n


Imagin\u00e9 autour de six grandes sections, le parcours de l\u2019exposition pr\u00e9sente un ensemble in\u00e9dit regroupant une trentaine d\u2019oeuvres<\/strong>, en faisant dialoguer les tapisseries avec des oeuvres et documents de mise en contexte : livre de compte, m\u00e9tier \u00e0 tisser, peintures et c\u00e9ramiques, pour remettre en contexte la Manufacture Werniers, et donner \u00e0 comprendre le processus de production de ces tapisseries. Le travail exceptionnel de restauration de ces tapisseries sera mis en lumi\u00e8re tout au long du parcours d\u2019exposition.<\/p>\n\n\n\n

mus\u00e9e de l\u2019Hospice Comtesse et du Palais des Beaux-arts de Lille<\/strong><\/p>\n\n\n\n

Exposition jusqu’au \u00a011 octobre 2026<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0Les tapisseries de Guillaume Werniers & Catherine Ghuys \u00e0 Lille au 18e si\u00e8cle Le mus\u00e9e de l\u2019Hospice Comtesse et le Palais des Beaux-arts ont la chance d\u2019abriter des fonds uniques de tapisseries du 18e si\u00e8cle. Ces tapisseries \u00e9voquent le grand pass\u00e9 textile de Lille, qui conna\u00eet \u00e0 l\u2019\u00e9poque un fort essor \u00e9conomique. La Manufacture Werniers […]<\/p>\n","protected":false},"author":6,"featured_media":18653,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-18652","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"\nTr\u00e9sors de laine et de soie Le Magazine de Proantic<\/title>\n<meta name=\"description\" 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