{"id":18628,"date":"2026-09-14T09:06:01","date_gmt":"2026-09-14T08:06:01","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=18628"},"modified":"2026-09-14T09:06:01","modified_gmt":"2026-09-14T08:06:01","slug":"table-a-ecrire-dite-a-la-pompadour-estampillee-leonard-boudin","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/table-a-ecrire-dite-a-la-pompadour-estampillee-leonard-boudin\/","title":{"rendered":"Table \u00e0 \u00e9crire dite \u00ab \u00e0 la Pompadour \u00bb estampill\u00e9e L\u00e9onard Boudin"},"content":{"rendered":"\n

Table \u00e0 \u00e9crire dite \u00ab \u00e0 la Pompadour \u00bb, de dame, enti\u00e8rement \u00e0 d\u00e9cor de marqueterie g\u00e9om\u00e9trique de cubes et sur le plateau d’un paysage avec personnages et architectures dans une r\u00e9serve ainsi que sur l’avant avec incrustations de nacre.<\/strong>
Le plateau sup\u00e9rieur est coulissant, d\u00e9couvrant un abattant gain\u00e9 de cuir vert dans un tiroir d\u00e9voilant une r\u00e9serve.
Petit tiroir discret pivotant sur le c\u00f4t\u00e9 garni d’un encrier et sablier \u00e0 \u00e9crire en m\u00e9tal argent\u00e9. Ornementation de bronzes cisel\u00e9s et dor\u00e9s. Estampilles (deux fois) de L\u00e9onard Boudin (re\u00e7u ma\u00eetre en 1761) et Jurande.
France, seconde moiti\u00e9 du XVIIIe si\u00e8cle.

<\/p>\n\n\n

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Table \u00e0 \u00e9crire dite \u00ab \u00e0 la Pompadour \u00bb estampill\u00e9e L\u00e9onard Boudin.
(c) Galerie Pellat de Villedon<\/a>, Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n

Tout au long du XVIIIe si\u00e8cle se d\u00e9velopp\u00e8rent des meubles qui, outre d’un style nouveau, s’adapt\u00e8rent \u00e9galement aux nouveaux crit\u00e8res de confort dans les riches int\u00e9rieurs du Royaume de France.
L’architecte Jacques Fran\u00e7ois Blondel fit un \u00e9tat de ces \u00e9volutions sociales en d\u00e9crivant trois types d’appartements qui n\u00e9cessitaient chacun d’une typologie de meubles pr\u00e9cise pour en convenir \u00e0 leur usage : les appartements d’apparat, les appartements de r\u00e9ception et les appartements priv\u00e9s.
C’est au sein de ces derniers que se d\u00e9velopp\u00e8rent un luxueux mobilier o\u00f9 figurent notamment les tables \u00e0 \u00e9crire dont on pr\u00eate \u00e0 la Marquise de Pompadour le r\u00f4le d’instigatrice quant au d\u00e9veloppement de l’attrait envers ce genre d’ameublement.
Ce d\u00e9cor marquet\u00e9 pris\u00e9 par les contemporains de leurs r\u00e9alisateurs est facilement percevable dans des interpr\u00e9tations diff\u00e9rentes sur des tables \u00e0 \u00e9crire portant toutefois diff\u00e9rentes signatures qui semble d\u00e9montrer que leurs cr\u00e9ateurs partag\u00e8rent leur savoir aupr\u00e8s de diff\u00e9rents ateliers.<\/p>\n\n\n\n

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Table \u00e0 \u00e9crire dite \u00ab \u00e0 la Pompadour \u00bb estampill\u00e9e L\u00e9onard Boudin.
(c) Galerie Pellat de Villedon<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n

Notre meuble pr\u00e9sente \u00e0 deux repris l’estampille de L\u00e9onard Boudin. \u00c9l\u00e8ve de Pierre Migeon, celui-ci acquit une r\u00e9putation aupr\u00e8s de ses pairs qui lui permit en plus de son activit\u00e9 d’\u00e9b\u00e9niste d’ouvrir son propre magasin et de faire travailler plusieurs de ses confr\u00e8res dans son entreprise tout en continuant d’apposer sa signature sur leurs meubles issus de cette collaboration.
De dimensions modestes, ces meubles volants trouv\u00e8rent leur place dans l’intimit\u00e9 des chambres et des salons et d\u00e9couvrirent de multiples fonctions tout en se parant d’un opulent d\u00e9cor justifiant la fortune de son commanditaire.<\/p>\n\n\n

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Table \u00e0 \u00e9crire dite \u00ab \u00e0 la Pompadour \u00bb estampill\u00e9e L\u00e9onard Boudin.
(c) Galerie Pellat de Villedon<\/a>, Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n

Notre table que nous pouvons dater des ann\u00e9es 1770 s’inscrit dans la p\u00e9riode de Transition entre les r\u00e8gnes de Louis XV et Louis XVI et reprend la structure. Elle rev\u00eat un d\u00e9cor h\u00e9t\u00e9rog\u00e8ne et color\u00e9s de diff\u00e9rentes essences alliant sc\u00e8nes pittoresques aux lignes et droites et marqueteries cubiques \u00e0 leurs cartouches vineux et aux volutes formant rocailles. Ses formes mouvement\u00e9es d\u00e9montrent le maintien au cours de cette d\u00e9cennie d’un attachement des formes h\u00e9rit\u00e9es du Rococo tout en r\u00e9v\u00e9lant l’\u00e9volution des arts pour un go\u00fbt \u00ab \u00e0 la grec \u00bb aux lignes plus s\u00e9v\u00e8res.<\/p>\n\n\n

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\"\"<\/a>
Table \u00e0 \u00e9crire dite \u00ab \u00e0 la Pompadour \u00bb estampill\u00e9e L\u00e9onard Boudin.
(c) Galerie Pellat de Villedon<\/a>, Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n

Ainsi les meubles rev\u00eatant son estampille peuvent r\u00e9v\u00e9ler le travail de diff\u00e9rents \u00e9b\u00e9nistes tels que les d\u00e9cors architectur\u00e9s pouvant \u00e9galement \u00eatre attribu\u00e9s \u00e0 Andr\u00e9 Louis Gilbert.
Tant \u00e9b\u00e9niste de renom qu’habile marchand, la production de Boudin fut prolifique et des tables \u00e0 \u00e9crire portant son estampille peuvent \u00eatre trouv\u00e9es dans des mus\u00e9es de renoms tant \u00e0 l’\u00e9tranger qu’en France, notamment au Metropolitan Museum de New York o\u00f9 est conserv\u00e9e une table \u00e0 \u00e9crire du m\u00eame mod\u00e8le que la n\u00f4tre (n\u00b0 inv. 69.9.4). Un autre exemplaire rev\u00eatant un d\u00e9cor bien plus analogue a \u00e9t\u00e9 vendue par Christie’s Londres le 12 novembre 2020 (lot 24).<\/p>\n\n\n\n

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Table \u00e0 \u00e9crire dite \u00ab \u00e0 la Pompadour \u00bb estampill\u00e9e L\u00e9onard Boudin.
(c) Galerie Pellat de Villedon<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n

L\u00e9onard Boudin excellait dans l’ex\u00e9cution des courbes complexes et fluides caract\u00e9ristiques des meubles de son \u00e9poque, qu’il enrichissait de marqueteries d’une tr\u00e8s grande sophistication, associant sc\u00e8nes figur\u00e9es et \u00e9l\u00e9ments architecturaux.
Ces compositions tirent leur remarquable vivacit\u00e9 des contrastes chromatiques entre les diff\u00e9rentes essences de bois employ\u00e9es, dont certaines sont teint\u00e9es, m\u00eame si l’effet originel devait \u00eatre bien plus \u00e9clatant encore.<\/p>\n\n\n\n

De toute \u00e9vidence, \u00e0 une \u00e9poque o\u00f9 le go\u00fbt d’avant-garde s’\u00e9tait tourn\u00e9 vers le style grec aust\u00e8re et le mobilier Louis XVI plus l\u00e9ger, il existait encore un march\u00e9 important et enthousiaste pour ce mobilier color\u00e9 et richement d\u00e9cor\u00e9 de style rococo tardif. Par leur combinaison de m\u00e9canismes, de marqueterie figurative dans des encadrements \u00e0 volutes, de marqueterie cubique et de panneaux \u00e0 mosa\u00efque, ces tables s’inspirent en d\u00e9finitive d’exemples de la fin des ann\u00e9es 1750 et du d\u00e9but des ann\u00e9es 1760 de Jean-Fran\u00e7ois Oeben (1721-1763 ; voir R. Stratmann-D\u00f6hler, Jean-Fran\u00e7ois Oeben , Paris , 2002, pour de nombreux exemples).<\/p>\n\n\n\n

Les cachets trouv\u00e9s sur les tables d\u00e9montrent qu’un certain nombre d’ \u00e9b\u00e9nistes continuaient de r\u00e9pondre \u00e0 ce go\u00fbt d’antan. Comme une marqueterie tr\u00e8s similaire se retrouve sur des pi\u00e8ces estampill\u00e9es par diff\u00e9rents \u00e9b\u00e9nistes, il a \u00e9t\u00e9 sugg\u00e9r\u00e9 que les panneaux figuratifs aient pu \u00eatre ex\u00e9cut\u00e9s par des marqueteurs sp\u00e9cialis\u00e9s qui les fournissaient \u00e0 plusieurs ateliers. Il convient toutefois de noter que la plupart de ces tables pr\u00e9sentent une unit\u00e9 de conception et de style ; par exemple, sur le mod\u00e8le pr\u00e9sent\u00e9 ici, le motif en treillis des panneaux lat\u00e9raux du plateau se r\u00e9p\u00e8te sur les c\u00f4t\u00e9s, son \u00e9chelle \u00e9tant subtilement agrandie. De toute \u00e9vidence, les ateliers qui ont produit ces pi\u00e8ces ma\u00eetrisaient parfaitement chaque \u00e9tape de leur fabrication.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Table \u00e0 \u00e9crire dite \u00ab \u00e0 la Pompadour \u00bb, de dame, enti\u00e8rement \u00e0 d\u00e9cor de marqueterie g\u00e9om\u00e9trique de cubes et sur le plateau d’un paysage avec personnages et architectures dans une r\u00e9serve ainsi que sur l’avant avec incrustations de nacre.Le plateau sup\u00e9rieur est coulissant, d\u00e9couvrant un abattant gain\u00e9 de cuir vert dans un tiroir d\u00e9voilant […]<\/p>\n","protected":false},"author":6,"featured_media":18636,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[574],"tags":[],"class_list":["post-18628","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lobjet-du-mois"],"yoast_head":"\nTable \u00e0 \u00e9crire dite \u00ab \u00e0 la Pompadour \u00bb estampill\u00e9e L\u00e9onard Boudin Le Magazine de 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