{"id":18619,"date":"2026-09-14T09:05:22","date_gmt":"2026-09-14T08:05:22","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=18619"},"modified":"2026-09-14T09:05:22","modified_gmt":"2026-09-14T08:05:22","slug":"portrait-de-dame-a-leventail-francois-eisen","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/portrait-de-dame-a-leventail-francois-eisen\/","title":{"rendered":"Portrait de dame \u00e0 l\u2019\u00e9ventail- Fran\u00e7ois Eisen"},"content":{"rendered":"\n

Huile sur toile sign\u00e9\u00a0et\u00a0dat\u00e9\u00a0sur le marbre de la table: \u00ab\u00a0peint par f. Eisen \/ peintre du Roy. 1748<\/em>\u00a0\u00bb \u00a0<\/em>Fran\u00e7ois Eisen (bruxelles, Vers 1695 \u2013 Paris, Apr\u00e8s 1778)<\/strong>
Cadre\u00a0<\/strong>en bois dor\u00e9 et sculpt\u00e9 aux roseaux et coquilles d’\u00e9poque\u00a0<\/strong>XVIII\u00e8me\u00a0si\u00e8cle <\/p>\n\n\n\n

Dat\u00e9 de 1748, notre portrait s\u2019inscrit dans l\u2019un des moments les plus brillants du r\u00e8gne de\u00a0Louis XV, lorsque la cour, sous l\u2019influence croissante de Madame de Pompadour, cultive un go\u00fbt raffin\u00e9 pour l\u2019\u00e9l\u00e9gance, les arts et le luxe.<\/p>\n\n\n\n

\"\"<\/a>
Portrait de dame \u00e0 l\u2019\u00e9ventail par Fran\u00e7ois Eisen.
(c) Galerie Nicolas Lent\u00e9<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n

\u00c9l\u00e9gamment install\u00e9e dans un int\u00e9rieur palatial, la jeune femme arbore une toilette particuli\u00e8rement somptueuse, dont l\u2019exub\u00e9rance des \u00e9toffes et des ornements traduit le raffinement de la haute soci\u00e9t\u00e9 du\u00a0XVIII\u00e8me si\u00e8cle. Elle tient d\u00e9licatement un \u00e9ventail d\u2019ivoire, accessoire de mode autant que signe de distinction sociale. Au premier plan, deux livres et une lettre d\u00e9cachet\u00e9e sont pos\u00e9s sur le marbre de sa table \u00e0 \u00e9crire, \u00e9voquant les occupations intellectuelles et \u00e9pistolaires d\u2019une dame de haut rang.<\/p>\n\n\n\n

\"\"<\/a>
Portrait de dame \u00e0 l\u2019\u00e9ventail par Fran\u00e7ois Eisen.
(c) Galerie Nicolas Lent\u00e9<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n

Le peintre s\u2019attache \u00e0 rendre toute la richesse de sa toilette et la vivacit\u00e9 de ses couleurs, tout en modelant avec finesse les traits de son visage. Ses cheveux poudr\u00e9s sont relev\u00e9s sous une \u00e9l\u00e9gante coiffe de dentelle, piqu\u00e9s de fleurs qui lui conf\u00e8rent une touche champ\u00eatre. La pr\u00e9cision du dessin dans l\u2019ex\u00e9cution des dentelles se conjugue \u00e0 une touche plus libre dans le traitement des plis du satin rose et des jeux de lumi\u00e8re. Les rubans aux reflets moir\u00e9s qui retiennent les manches ajoutent encore \u00e0 la richesse de l\u2019ensemble. Son expression, \u00e0 la fois r\u00e9serv\u00e9e et assur\u00e9e, est mise en valeur par la douceur du model\u00e9 et la lumi\u00e8re qui effleure son visage. Un \u00e9clairage puissant venu de la gauche d\u00e9tache la figure du fond architectural et attire le regard vers le visage, la coiffe et le corsage lumineux, donnant \u00e0 l\u2019ensemble une pr\u00e9sence presque th\u00e9\u00e2trale.<\/p>\n\n\n

\n
\"\"<\/a>
Portrait de dame \u00e0 l\u2019\u00e9ventail par Fran\u00e7ois Eisen.
(c) Galerie Nicolas Lent\u00e9<\/a>, Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n

Peint en 1748, le tableau appartient \u00e0 une p\u00e9riode particuli\u00e8rement importante de la carri\u00e8re de\u00a0Fran\u00e7ois Eisen.<\/strong> Install\u00e9 \u00e0 Paris depuis 1745 apr\u00e8s une formation dans les anciens Pays-Bas m\u00e9ridionaux et un s\u00e9jour \u00e0 Bruxelles, l\u2019artiste, d\u00e9j\u00e0 \u00e2g\u00e9 d\u2019environ cinquante ans, s\u2019impose progressivement sur le march\u00e9 parisien du portrait. Trois ans seulement apr\u00e8s son arriv\u00e9e, il signe cette \u0153uvre en se qualifiant de \u00ab\u00a0peintre du Roy<\/em>\u00a0\u00bb, t\u00e9moignage remarquable de la position qu\u2019il entend alors occuper dans le monde artistique parisien.

1748\u00a0est \u00e9galement une date embl\u00e9matique du\u00a0r\u00e8gne de Louis XV. Madame de Pompadour, devenue favorite du roi en 1745, joue alors un r\u00f4le croissant dans la vie artistique de la Cour et de Paris. Le lien avec\u00a0Fran\u00e7ois Eisen\u00a0est particuli\u00e8rement int\u00e9ressant par l\u2019interm\u00e9diaire de son fils, Charles Eisen, jeune artiste d\u00e9j\u00e0 actif dans les milieux parisiens et qui deviendra par la suite proche de Madame de Pompadour et son professeur de dessin. Dans ce contexte, la richesse de la toilette, le maintien du mod\u00e8le et le d\u00e9cor palatial rendent plausible l\u2019hypoth\u00e8se d\u2019une dame appartenant \u00e0 l\u2019entourage de la marquise, sans que son identit\u00e9 puisse aujourd\u2019hui \u00eatre \u00e9tablie. S\u2019il est impossible d\u2019affirmer que cette relation est \u00e0 l\u2019origine de la commande du pr\u00e9sent portrait, elle t\u00e9moigne du r\u00e9seau artistique dans lequel la famille Eisen \u00e9voluait alors.<\/p>\n\n\n\n

\"\"<\/a>
Portrait de dame \u00e0 l\u2019\u00e9ventail par Fran\u00e7ois Eisen.
(c) Galerie Nicolas Lent\u00e9, Proantic<\/figcaption><\/figure>\n\n\n\n

Cette p\u00e9riode parisienne voit\u00a0Fran\u00e7ois Eisen\u00a0pratiquer encore largement le portrait, avant que sa production ne s\u2019oriente progressivement vers les petites sc\u00e8nes de genre, les sujets galants et mythologiques qui feront ensuite sa r\u00e9putation. Son talent de portraitiste lui permet notamment d\u2019acc\u00e9der \u00e0 une client\u00e8le de haut rang : il repr\u00e9sentera quelques ann\u00e9es plus tard des personnages princiers et ex\u00e9cutera en 1757 les portraits \u00e9questres de Marie-Th\u00e9r\u00e8se d\u2019Autriche et de Fran\u00e7ois-\u00c9tienne de Lorraine. Ces \u0153uvres t\u00e9moignent de la consid\u00e9ration dont il b\u00e9n\u00e9ficiait dans le milieu aristocratique, sans pour autant constituer des commandes directement pass\u00e9es par la cour imp\u00e9riale.

Notre portrait constitue ainsi \u00e0 la fois un t\u00e9moignage pr\u00e9cieux des d\u00e9buts parisiens de Fran\u00e7ois Eisen, mais aussi de la soci\u00e9t\u00e9 parisienne sous le r\u00e8gne de Louis XV. Il t\u00e9moigne du moment o\u00f9 Eisen affirme son statut de portraitiste aupr\u00e8s d\u2019une client\u00e8le raffin\u00e9e, tout en s\u2019adaptant progressivement \u00e0 l\u2019\u00e9volution du go\u00fbt parisien pour les petites sc\u00e8nes de genre, les compositions galantes et les sujets anecdotiques auxquels son nom restera particuli\u00e8rement associ\u00e9.<\/p>\n","protected":false},"excerpt":{"rendered":"

Huile sur toile sign\u00e9\u00a0et\u00a0dat\u00e9\u00a0sur le marbre de la table: \u00ab\u00a0peint par f. Eisen \/ peintre du Roy. 1748\u00a0\u00bb \u00a0Fran\u00e7ois Eisen (bruxelles, Vers 1695 \u2013 Paris, Apr\u00e8s 1778)Cadre\u00a0en bois dor\u00e9 et sculpt\u00e9 aux roseaux et coquilles d’\u00e9poque\u00a0XVIII\u00e8me\u00a0si\u00e8cle Dat\u00e9 de 1748, notre portrait s\u2019inscrit dans l\u2019un des moments les plus brillants du r\u00e8gne de\u00a0Louis XV, lorsque la […]<\/p>\n","protected":false},"author":6,"featured_media":18639,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[574,261],"tags":[],"class_list":["post-18619","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lobjet-du-mois","category-peintres-tableaux"],"yoast_head":"\nPortrait de dame \u00e0 l\u2019\u00e9ventail- Fran\u00e7ois Eisen Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"Huile sur toile sign\u00e9\u00a0et\u00a0dat\u00e9\u00a0sur le marbre de la table: \u00ab\u00a0peint par f. 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