{"id":18505,"date":"2026-07-14T13:04:11","date_gmt":"2026-07-14T12:04:11","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=18505"},"modified":"2026-07-14T13:04:11","modified_gmt":"2026-07-14T12:04:11","slug":"lempreinte-de-boulle-mobilier-et-estampages-a-la-fin-du-xviiie-siecle","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/lempreinte-de-boulle-mobilier-et-estampages-a-la-fin-du-xviiie-siecle\/","title":{"rendered":"L\u2019empreinte de Boulle : Mobilier et estampages \u00e0 la fin du XVIIIe si\u00e8cle"},"content":{"rendered":"\n

Sous le nom \u00ab estampages Beurdeley \u00bb sont conserv\u00e9es \u00e0 la biblioth\u00e8que des empreintes de panneaux de marqueterie de m\u00e9tal, d\u2019\u00e9caille de tortue et de bois pr\u00e9cieux, donn\u00e9es entre 1890 et 1910 par l\u2019\u00e9b\u00e9niste Alfred Beurdeley (1847-1919). Elles furent produites entre la fin du XVIIIe<\/sup> et le d\u00e9but du XIXe<\/sup> si\u00e8cle dans des ateliers d\u2019\u00e9b\u00e9nisterie, probablement \u00e0 l\u2019occasion de restaurations ou de r\u00e9parations.<\/p>\n\n\n

\n
\"\"<\/a>
Estampage de l\u2019int\u00e9rieur de la porte des cabinets du
Mus\u00e9e du Louvre<\/figcaption><\/figure>\n<\/div>\n\n\n

Parmi les 278 feuilles de dimensions diverses composant cet ensemble exceptionnel, 123 ont \u00e9t\u00e9 identifi\u00e9es comme reproduisant en partie ou quasiment en int\u00e9gralit\u00e9 onze meubles prestigieux produits par l\u2019atelier d\u2019Andr\u00e9-Charles Boulle, l\u2019\u00e9b\u00e9niste de Louis XIV. Armoire, cabinets, bureaux, console, commode, la plupart appartiennent d\u00e9sormais \u00e0 de grandes institutions comme le mus\u00e9e du Louvre, le Victoria & Albert museum ou la Wallace collection \u00e0 Londres. Cette exposition en pr\u00e9sente une s\u00e9lection.<\/p>\n\n\n\n

Ces impressions, effectu\u00e9es pour conserver un motif et le r\u00e9utiliser, montrent combien le go\u00fbt pour la marqueterie Boulle a dur\u00e9 tout le long du XVIIIe<\/sup> et jusqu\u2019au XIXe<\/sup> si\u00e8cle, et gardent le t\u00e9moignage de l\u2019\u00e9tat de ces meubles il y a plus de deux cents ans.<\/p>\n\n\n

\n
\"\"<\/a>
Armoire au monogramme de Louis XIV,
Victoria and Albert Museum, <\/figcaption><\/figure>\n<\/div>\n\n\n

Les estampages : d\u00e9finition<\/h3>\n\n\n\n

Malgr\u00e9 leur nom, les estampages Beurdeley ne sont pas des estampages mais des impressions effectu\u00e9es \u00e0 partir de panneaux de marqueterie. Le nom d\u2019estampage a \u00e9t\u00e9 retenu car ils ont \u00e9t\u00e9 produits \u00e0 partir d\u2019objets et non de matrices, \u00e0 la diff\u00e9rence des estampes.<\/p>\n\n\n

\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n

Les relev\u00e9s ont \u00e9t\u00e9 faits en appliquant directement une feuille de papier humidifi\u00e9e sur un panneau de marqueterie de m\u00e9tal d\u00e9mont\u00e9, d\u00e9barrass\u00e9 de ses bronzes et enduit d\u2019encre. L\u2019impression est ensuite effectu\u00e9e \u00e0 l\u2019aide d\u2019un frotton ou d\u2019un rouleau. La finesse du relev\u00e9 est remarquable et restitue les veines du bois et les moindres gravures et d\u00e9coupes.<\/p>\n\n\n

\n
\"\"<\/a>
Bureau plat<\/figcaption><\/figure>\n<\/div>\n\n\n

Destin\u00e9s \u00e0 \u00eatre copi\u00e9s, d\u00e9calqu\u00e9s, ou \u00e0 servir de poncifs, ils ont \u00e9t\u00e9 imprim\u00e9s en plusieurs exemplaires : nous en avons jusqu\u2019\u00e0 cinq du m\u00eame \u00e9l\u00e9ment. Deux estampages sont imprim\u00e9s en sanguine et quatre autres (r\u00e9partis entre deux meubles) ont \u00e9t\u00e9 colori\u00e9s en jaune pour rendre visibles les \u00e9l\u00e9ments en laiton de la marqueterie.<\/p>\n\n\n\n

Les papiers utilis\u00e9s sont des papiers verg\u00e9s, certains l\u00e9g\u00e8rement bleut\u00e9s. Tous les filigranes ayant pu \u00eatre identifi\u00e9s renvoient \u00e0 une production entre la fin du XVIIIe<\/sup> et le d\u00e9but du XIXe<\/sup> si\u00e8cles. Ils sont la principale source d\u2019information sur la date de r\u00e9alisation des estampages.<\/p>\n\n\n

\n
\"\"<\/a>
Commode du type de celle de la chambre du roi \u00e0 Trianon<\/figcaption><\/figure>\n<\/div>\n\n\n

Exposition de la Biblioth\u00e8que des Arts d\u00e9coratifs\u00a0jusqu’au 30 juillet 2026<\/strong><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Sous le nom \u00ab estampages Beurdeley \u00bb sont conserv\u00e9es \u00e0 la biblioth\u00e8que des empreintes de panneaux de marqueterie de m\u00e9tal, d\u2019\u00e9caille de tortue et de bois pr\u00e9cieux, donn\u00e9es entre 1890 et 1910 par l\u2019\u00e9b\u00e9niste Alfred Beurdeley (1847-1919). Elles furent produites entre la fin du XVIIIe et le d\u00e9but du XIXe si\u00e8cle dans des ateliers d\u2019\u00e9b\u00e9nisterie, probablement \u00e0 […]<\/p>\n","protected":false},"author":6,"featured_media":18512,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-18505","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"\nL\u2019empreinte de Boulle : Mobilier et estampages \u00e0 la fin du XVIIIe si\u00e8cle Le Magazine de Proantic<\/title>\n<meta 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