{"id":18429,"date":"2026-06-06T17:02:52","date_gmt":"2026-06-06T16:02:52","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=18429"},"modified":"2026-06-06T17:02:52","modified_gmt":"2026-06-06T16:02:52","slug":"sculpteur-trapanais-du-xviiie-siecle","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/sculpteur-trapanais-du-xviiie-siecle\/","title":{"rendered":"Sculpteur trapanais du XVIIIe si\u00e8cle"},"content":{"rendered":"\n

Cet artefact s\u2019inscrit avec autorit\u00e9 dans le n\u0153ud des productions d\u2019art sacr\u00e9 sicilien du XVIIIe si\u00e8cle, se configurant comme un superbe exemple de micro-sculpture trapanaise destin\u00e9e \u00e0 la d\u00e9votion domestique.<\/strong> L\u2019\u0153uvre, enferm\u00e9e dans un solide cadre octogonal en tortue brune, dont la texture chaude et flamboyante cr\u00e9e un contrepoint chromatique d\u2019extr\u00eame \u00e9l\u00e9gance, r\u00e9v\u00e8le \u00e0 l\u2019int\u00e9rieur une sc\u00e8ne complexe et raffin\u00e9e de la Sainte-Famille. Sur le fond sombre en velours, qui met en contraste la brillance et la blancheur de l\u2019ivoire sculpt\u00e9, se d\u00e9tachent les figures de Marie et Joseph captur\u00e9es dans un instant de protection tendre vers l\u2019Enfant J\u00e9sus. <\/p>\n\n\n\n

\"\"<\/a>
Sculpteur trapanais du XVIIIe si\u00e8cle.
(c) Ars Antiqua<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n

Au centre, la figure du Christ enfant sert de pivot visuel et spirituel, tandis que sur lui se d\u00e9ploie la gloire \u00e9clatante de l\u2019Esprit Saint, repr\u00e9sent\u00e9 sous forme de colombe entour\u00e9e d\u2019un rayon de fines lames d\u2019ivoire qui simulent la lumi\u00e8re divine. Sur les c\u00f4t\u00e9s des figures principales \u00e9mergent de d\u00e9licates formations nuageuses, elles aussi en ivoire, qui donnent \u00e0 la sc\u00e8ne une aura surnaturelle, tandis que le groupe s\u2019appuie sur une monumentale \u00e9tag\u00e8re richement d\u00e9cor\u00e9e de motifs en coquille et de festons, typiques du r\u00e9pertoire baroque tardif. La structure est surmont\u00e9e d\u2019une cimi\u00e8re en bronze dor\u00e9, finement cisel\u00e9e avec un visage ang\u00e9lique entre volute, qui scelle la valeur sacr\u00e9e de l\u2019objet.<\/p>\n\n\n\n

\"\"<\/a>
Sculpteur trapanais du XVIIIe si\u00e8cle.
(c) Ars Antiqua,<\/a> Proantic<\/figcaption><\/figure>\n\n\n\n

\u00a0Au XVIIIe si\u00e8cle, Trapani s\u2019affirme comme l\u2019un des centres les plus florissants de la M\u00e9diterran\u00e9e pour le travail des mat\u00e9riaux exotiques gr\u00e2ce \u00e0 sa position strat\u00e9gique et \u00e0 la longue tradition li\u00e9e \u00e0 la p\u00eache et au travail du corail. Les sculpteurs de Trapani ont d\u00e9velopp\u00e9 une technique sp\u00e9cialis\u00e9e en combinant ivoire, tortue et m\u00e9taux dor\u00e9s pour r\u00e9pondre \u00e0 la demande croissante d\u2019objets de d\u00e9votion priv\u00e9e par l\u2019aristocratie et la haute bourgeoisie. Ces cabanons n\u2019\u00e9taient pas de simples meubles, mais des microcosmes spirituels destin\u00e9s aux chambres \u00e0 coucher, o\u00f9 la pr\u00e9ciosit\u00e9 des mat\u00e9riaux soulignait l\u2019importance du culte domestique. La capacit\u00e9 de tailler l\u2019ivoire avec une pr\u00e9cision millim\u00e9trique permettait de traduire les grands mod\u00e8les de la statuaire baroque en dimensions de poche, en faisant de ces objets des chefs-d\u2019\u0153uvre de l\u2019artisanat artistique recherch\u00e9s dans toute l\u2019Europe et aujourd\u2019hui conserv\u00e9s comme une raret\u00e9 dans les collections mus\u00e9ales et antiquaires.<\/p>\n","protected":false},"excerpt":{"rendered":"

Cet artefact s\u2019inscrit avec autorit\u00e9 dans le n\u0153ud des productions d\u2019art sacr\u00e9 sicilien du XVIIIe si\u00e8cle, se configurant comme un superbe exemple de micro-sculpture trapanaise destin\u00e9e \u00e0 la d\u00e9votion domestique. L\u2019\u0153uvre, enferm\u00e9e dans un solide cadre octogonal en tortue brune, dont la texture chaude et flamboyante cr\u00e9e un contrepoint chromatique d\u2019extr\u00eame \u00e9l\u00e9gance, r\u00e9v\u00e8le \u00e0 l\u2019int\u00e9rieur […]<\/p>\n","protected":false},"author":6,"featured_media":18432,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[574],"tags":[],"class_list":["post-18429","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lobjet-du-mois"],"yoast_head":"\nSculpteur trapanais du XVIIIe si\u00e8cle Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"Cet artefact 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