{"id":18292,"date":"2026-04-07T10:01:07","date_gmt":"2026-04-07T09:01:07","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=18292"},"modified":"2026-04-07T10:01:31","modified_gmt":"2026-04-07T09:01:31","slug":"1913-1923-lesprit-du-temps-paris-celebre-les-arts-dafrique-et-doceanie","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/1913-1923-lesprit-du-temps-paris-celebre-les-arts-dafrique-et-doceanie\/","title":{"rendered":"1913-1923 : l’esprit du temps – Paris c\u00e9l\u00e8bre les arts d’Afrique et d’Oc\u00e9anie"},"content":{"rendered":"\n

Au d\u00e9but du XXe si\u00e8cle, l’histoire de l’art occidental conna\u00eet un tournant majeur avec l’introduction des arts africains et oc\u00e9aniens \u00e0 Paris.<\/strong> Ces objets, d’abord per\u00e7us comme ethnographiques, sont progressivement reconnus comme des \u0153uvres d’art \u00e0 part enti\u00e8re.
Les marchands, Paul Guillaume, Joseph Brummer et Charles Vignier, ainsi que les intellectuels, po\u00e8tes et \u00e9crivains comme Andr\u00e9 Level, Henri Clouzot et Guillaume Apollinaire, artistes avant-gardistes tels Vlaminck, Derain, Matisse et Picasso, sont \u00e0 l’initiative de ce mouvement. Au c\u0153ur du quartier Montparnasse, leur engagement a permis de faire \u00e9voluer la perception occidentale de ces objets.<\/p>\n\n\n\n

\u00c0 travers des documents d’archives, des photographies et des sculptures d’Afrique et d’Oc\u00e9anie, 1913-1923 : l’esprit du temps. Paris c\u00e9l\u00e8bre les arts d’Afrique et d’Oc\u00e9anie met en lumi\u00e8re des expositions embl\u00e9matiques comme celles de la galerie Levesque (1913), de Lyre et Palette (1916), de la galerie Devambez (1919) ou du pavillon de Marsan du Louvre (1923).
Bertrand Goy nous livre le r\u00e9cit de cette d\u00e9cennie historique, dresse le portrait de ces figures de l’avant-garde et retrace la reconnaissance artistique de ces \u0153uvres d’Afrique et d’Oc\u00e9anie.<\/p>\n\n\n\n

Exposition au mus\u00e9e du quai Branly – Jacques Chirac jusqu’au 20 sept. 2026.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Au d\u00e9but du XXe si\u00e8cle, l’histoire de l’art occidental conna\u00eet un tournant majeur avec l’introduction des arts africains et oc\u00e9aniens \u00e0 Paris. Ces objets, d’abord per\u00e7us comme ethnographiques, sont progressivement reconnus comme des \u0153uvres d’art \u00e0 part enti\u00e8re.Les marchands, Paul Guillaume, Joseph Brummer et Charles Vignier, ainsi que les intellectuels, po\u00e8tes et \u00e9crivains comme Andr\u00e9 […]<\/p>\n","protected":false},"author":6,"featured_media":18293,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[575],"tags":[],"class_list":["post-18292","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-catalogue-dexposition"],"yoast_head":"\n1913-1923 : l'esprit du temps - Paris c\u00e9l\u00e8bre les arts d'Afrique et d'Oc\u00e9anie Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"Au d\u00e9but du XXe si\u00e8cle, l'histoire de l'art occidental conna\u00eet un tournant majeur avec l'introduction des arts africains et oc\u00e9aniens \u00e0 Paris. 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