{"id":18222,"date":"2026-03-07T07:20:31","date_gmt":"2026-03-07T06:20:31","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=18222"},"modified":"2026-03-07T07:20:31","modified_gmt":"2026-03-07T06:20:31","slug":"les-trois-graces-albert-ernest-carrier-belleuse-1824-1887","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/les-trois-graces-albert-ernest-carrier-belleuse-1824-1887\/","title":{"rendered":"Les Trois Gr\u00e2ces – Albert-Ernest Carrier-Belleuse (1824-1887)"},"content":{"rendered":"\n

Groupe sculpt\u00e9 en terre cuite formant jardini\u00e8re
sign\u00e9 sur la terrasse \u00a0\u00bb\u00a0A. Carrier-Belleuse<\/em>\u00a0\u00ab\u00a0<\/strong> France circa 1870<\/p>\n\n\n\n

Albert-Ernest Carrier de Belleuse dit\u00a0Carrier-Belleuse<\/strong>\u00a0(1824-1887) fut l’un des artistes les plus prolifiques du si\u00e8cle et connut les plus grands succ\u00e8s sous le Second Empire, b\u00e9n\u00e9ficiant du soutien personnel de Napol\u00e9on III. Son \u0153uvre a \u00e9t\u00e9 grandement influenc\u00e9e par le style de la Renaissance italienne et par celui du XVIIIe si\u00e8cle, qu\u2019il contribua \u00e0 remettre au go\u00fbt du jour. \u00a0 En 1837, le jeune\u00a0Carrier-Belleuse\u00a0entre en apprentissage dans l\u2019atelier du ciseleur Bauchery. Il est admis peu apr\u00e8s chez l’orf\u00e8vre Jacques Henri Fauconnier. Par l’entremise de Fran\u00e7ois Arago, il fait la rencontre du sculpteur David d’Angers qui lui facilite l\u2019admission \u00e0 l\u2019\u00c9cole des Beaux-Arts. Carrier-Belleuse y entre en 1840. Remarqu\u00e9 pour son habilet\u00e9 par les grandes maisons de bronze de Paris comme Barbedienne et Deni\u00e8re, il ne tarde pas \u00e0 recevoir de nombreuses commandes de mod\u00e8les pour des cand\u00e9labres, des pendules, des garnitures de chemin\u00e9es, etc.<\/p>\n\n\n

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Les Trois Gr\u00e2ces – Albert-Ernest Carrier-Belleuse.
(c) galerie Tourbillon<\/a>, Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n

En 1848, probablement \u00e0 l\u2019initiative de Fran\u00e7ois Arago devenu chef de l\u2019\u00c9tat, il re\u00e7oit sa premi\u00e8re commande publique pour une petite statue de\u00a0Mademoiselle Rachel chantant La Marseillaise. En 1851, il para\u00eet pour la premi\u00e8re fois au Salon des artistes fran\u00e7ais, o\u00f9 il pr\u00e9sente deux m\u00e9daillons de bronze. De 1851 \u00e0 1855, Carrier-Belleuse s\u00e9journe en Angleterre, \u00e0 Stoke-on-Trent o\u00f9 il exerce la fonction de directeur de l’\u00e9cole de modelage et de dessin de la maison Mintons, grande manufacture de porcelaine. \u00a0 De retour en France,\u00a0Carrier-Belleuse\u00a0s\u2019installe \u00e0 Paris dans un vaste atelier situ\u00e9 15 rue de la Tour d\u2019Auvergne.<\/p>\n\n\n

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\"\"<\/a>
Les Trois Gr\u00e2ces – Albert-Ernest Carrier-Belleuse.
(c) galerie Tourbillon<\/a>, Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n

\u00c0 partir de 1857, il fait des envois r\u00e9guliers au Salon et conna\u00eet la notori\u00e9t\u00e9 gr\u00e2ce au succ\u00e8s de grands marbres, comme la\u00a0Bacchante\u00a0expos\u00e9e au Salon de 1863, et acquise par Napol\u00e9on III,\u00a0Angelica\u00a0(1866) ou encore\u00a0H\u00e9b\u00e9 endormie\u00a0(1869). Au Salon de 1867, son groupe intitul\u00e9\u00a0Le Messie\u00a0lui vaut la m\u00e9daille d\u2019honneur de la sculpture. Il est acquis par l\u2019\u00c9tat pour orner la chapelle de la Vierge en l\u2019\u00e9glise Saint-Vincent-de-Paul. \u00a0 Carrier-Belleuse acquiert en parall\u00e8le une grande renomm\u00e9e pour ses bustes de terre cuite\u00a0qui, \u00e0 bien des \u00e9gards, rappellent ceux des artistes du XVIIIe si\u00e8cle. Il ex\u00e9cute les portraits d\u2019un grand nombre de c\u00e9l\u00e9brit\u00e9s de son temps. Il r\u00e9alise ainsi, entre autres, les bustes de Napol\u00e9on III, Renan, Thiers, Gr\u00e9vy, Arago, Marguerite Bellanger, Th\u00e9ophile Gautier, Honor\u00e9 Daumier, Delacroix, Hortense Schneider, R\u00e9jane\u2026 Il mod\u00e8le \u00e9galement de nombreux bustes d’inspiration mythologique et une s\u00e9rie de portraits historiques et artistiques comme Marie Stuart, Shakespeare ou encore Mozart. \u00a0 <\/p>\n\n\n

\n
\"\"<\/a>
Les Trois Gr\u00e2ces – Albert-Ernest Carrier-Belleuse.
(c) galerie Tourbillon<\/a>, Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n

Carrier-Belleuse a employ\u00e9 et form\u00e9 dans son atelier de la rue de la Tour d\u2019Auvergne de nombreux jeunes artistes de talent parmi lesquels on peut citer Alexandre Falgui\u00e8re, Jules Desbois, Eug\u00e8ne Delaplanche, Jules Dalou ou encore Joseph Ch\u00e9ret ; mais il est surtout connu pour avoir \u00e9t\u00e9 le ma\u00eetre d\u2019Auguste Rodin qui entre comme praticien dans son atelier en 1864. \u00a0 Carrier-Belleuse\u00a0s\u2019est beaucoup consacr\u00e9 \u00e0 la sculpture d\u00e9corative. Il contribua aux d\u00e9cors de nombreux b\u00e2timents importants. On lui doit notamment les cariatides du th\u00e9\u00e2tre de la Renaissance, le fronton de l\u2019entr\u00e9e principale de la Banque de France, les plafonds en stuc des pavillons Lesdigui\u00e8res et La Tr\u00e9mo\u00eflle au Palais du Louvre, la frise du Palais de la Bourse de Bruxelles, ou encore la d\u00e9coration de l\u2019h\u00f4tel de la Pa\u00efva sur les Champs-Elys\u00e9es \u00e0 Paris. Il re\u00e7oit \u00e9galement des commandes d\u2019\u00c9tat pour des monuments : celui de Jean-Jacques Rousseau \u00e0 Montmorency, d\u2019Alexandre Dumas, \u00e0 Villers-Cotter\u00eats, de Mass\u00e9na \u00e0 Nice. Il r\u00e9alise \u00e0 l’\u00e9tranger, la statue \u00e9questre de Michel le brave \u00e0 Bucarest et le tombeau de Jos\u00e9 de San Mart\u00edn \u00e0 Buenos Aires. \u00a0 <\/p>\n\n\n\n

En 1873,\u00a0Carrier-Belleuse\u00a0participe au chantier de l\u2019op\u00e9ra de Paris dirig\u00e9 par son ami Charles Garnier. Il r\u00e9alise les deux torch\u00e8res monumentales qui flanquent le grand escalier, dans le hall principal et les cariatides de la chemin\u00e9e du grand foyer. En 1875, il est nomm\u00e9 directeur des travaux d\u2019art de la Manufacture de S\u00e8vres. Il y imprime une impulsion toute moderne qui se manifeste par la cr\u00e9ation d\u2019une gamme compl\u00e8te de vases.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Groupe sculpt\u00e9 en terre cuite formant jardini\u00e8resign\u00e9 sur la terrasse \u00a0\u00bb\u00a0A. Carrier-Belleuse\u00a0\u00ab\u00a0 France circa 1870 Albert-Ernest Carrier de Belleuse dit\u00a0Carrier-Belleuse\u00a0(1824-1887) fut l’un des artistes les plus prolifiques du si\u00e8cle et connut les plus grands succ\u00e8s sous le Second Empire, b\u00e9n\u00e9ficiant du soutien personnel de Napol\u00e9on III. Son \u0153uvre a \u00e9t\u00e9 grandement influenc\u00e9e par le style […]<\/p>\n","protected":false},"author":6,"featured_media":18227,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[574],"tags":[],"class_list":["post-18222","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lobjet-du-mois"],"yoast_head":"\nLes Trois Gr\u00e2ces - Albert-Ernest Carrier-Belleuse (1824-1887) Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"Groupe sculpt\u00e9 en terre cuite formant jardini\u00e8resign\u00e9 sur la terrasse "\u00a0A. 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