{"id":18216,"date":"2026-03-07T07:21:31","date_gmt":"2026-03-07T06:21:31","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=18216"},"modified":"2026-03-07T07:21:31","modified_gmt":"2026-03-07T06:21:31","slug":"portrait-de-la-marquise-de-montespan-par-henri-gascar","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/portrait-de-la-marquise-de-montespan-par-henri-gascar\/","title":{"rendered":"Portrait de la marquise de Montespan par Henri Gascar\u00a0"},"content":{"rendered":"\n

Portrait de Fran\u00e7oise-Ath\u00e9na\u00efs de Rochechouart de Mortemart (1640-1707), marquise de Montespan
par Henri Gascar (Paris, 1635 \u2013 Rome, 1701)
Paris, vers 1675<\/strong><\/p>\n\n\n\n

Le format monumental de notre \u0153uvre rare pour un ovale nous plonge imm\u00e9diatement dans le faste des portraits de l\u2019apog\u00e9e du r\u00e8gne de Louis XIV. Henri Gascar choisit de placer la favorite royale dans un riche int\u00e9rieur palatial, devant un lourd rideau de velours cramoisi qui s\u2019ouvre sur un paysage \u00e0 l\u2019antique. La marquise assise sur son lit de repos est portraitur\u00e9e \u00e0 mi-jambe regardant le spectateur de face avec aisance et assurance.<\/p>\n\n\n\n

\"\"<\/a>
Marquise de Montespan par Henri Gascar.
(c) Nicolas Lent\u00e9<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n

Le visage, aux joues d\u00e9licatement ros\u00e9es est anim\u00e9 de ses larges yeux bleus aux paupi\u00e8res l\u00e9g\u00e8rement baiss\u00e9es, lui conf\u00e9rant un air languissant. La marquise porte une coiffure dite \u00ab \u00e0 l\u2019hurluberlu \u00bb tr\u00e8s en vogue dans les ann\u00e9es 1670-1680. Les boucles, savamment ordonn\u00e9es mais d\u2019apparence spontan\u00e9e, adoucissent les traits et cr\u00e9ent un halo lumineux autour du visage. Un collier de perles souligne son rang et sa f\u00e9minit\u00e9.
Elle est v\u00eatue d\u2019un chemisier blanc orn\u00e9 de riches dentelles, nou\u00e9 a la poitrine, une robe d\u2019int\u00e9rieur de soie violac\u00e9e brod\u00e9 de rinceaux d\u2019or et d\u2019argent et doubl\u00e9 de satin orang\u00e9 n\u00e9gligemment attach\u00e9 \u00e0 son \u00e9paule par une agrafe de perle. Son \u00e9paule droite est couverte de large \u00e9tole bleue lapis brod\u00e9e d\u2019or.
Son bras droit s\u2019appuie gracieusement sur un coussin de velours rouge, le contraste entre le bleu de l\u2019\u00e9tole et le rouge du coussin, rehauss\u00e9 par l\u2019\u00e9clat nacr\u00e9 de la carnation, t\u00e9moigne du go\u00fbt typiquement baroque de l\u2019artiste pour une palette riche et les effets de mati\u00e8re.<\/p>\n\n\n\n

\"\"<\/a>
Marquise de Montespan par Henri Gascar.
(c) Nicolas Lent\u00e9<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n

La gestuelle des mains constitue un \u00e9l\u00e9ment central de la construction symbolique de l\u2019image. Loin d\u2019\u00eatre de simples d\u00e9tails expressifs, elles articulent une v\u00e9ritable rh\u00e9torique visuelle, fond\u00e9e sur un subtil \u00e9quilibre entre int\u00e9riorit\u00e9 et rayonnement.
La main droite, pos\u00e9e d\u00e9licatement sur la poitrine, rel\u00e8ve d\u2019un geste de retenue protectrice. Plac\u00e9e \u00e0 la jonction du d\u00e9collet\u00e9 et de la dentelle, elle semble temp\u00e9rer l\u2019\u00e9clat sensuel du \u00ab d\u00e9shabill\u00e9 \u00bb par une nuance de pudeur. Ce geste rappelle la tradition iconographique de la V\u00e9nus pudique, o\u00f9 la main qui couvre est aussi celle qui attire le regard.
En contrepoint, le bras gauche se d\u00e9ploie vers le premier plan. La paume ouverte, l\u2019index l\u00e9g\u00e8rement d\u00e9pli\u00e9, introduisent un mouvement d\u2019adresse au spectateur. Ce geste ouvert, fr\u00e9quent dans le portrait d\u2019apparat du XVIIe si\u00e8cle, signifie l\u2019aisance, la disponibilit\u00e9 et la ma\u00eetrise. Il rompt la frontalit\u00e9 de la composition, cr\u00e9e une profondeur spatiale et guide le regard vers la figure centrale.<\/p>\n\n\n\n

\"\"<\/a>
Marquise de Montespan par Henri Gascar.
(c) Nicolas Lent\u00e9<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n

\u00c0 l\u2019arri\u00e8re-plan, une terrasse orn\u00e9e d\u2019une balustrade, une statue classique et quelques figures secondaires \u00e9voquent un cadre id\u00e9alis\u00e9, allusion \u00e0 la culture humaniste et \u00e0 la mise en sc\u00e8ne symbolique propre au portrait de cour sous le r\u00e8gne de Louis XIV.
Notre portrait illustre la construction de l\u2019image publique de Madame de Montespan \u00e0 l\u2019apog\u00e9e de sa faveur. Plus qu\u2019une simple effigie, l\u2019\u0153uvre participe \u00e0 la propagande visuelle de la cour : elle affirme la puissance sociale, le prestige et la sophistication culturelle de celle qui fut l\u2019une des femmes les plus influentes du r\u00e8gne.<\/p>\n\n\n\n

Henri Gascar<\/strong> (Paris, 1635 \u2013 Rome, 1701), portraitiste recherch\u00e9 de l\u2019aristocratie europ\u00e9enne, fut un peintre favori de Madame de Montespan. Apres un d\u00e9but de carri\u00e8re \u00e0 Paris, il s\u00e9journe \u00e0 la cour de Londres en 1674 sous le patronage de la duchesse de Portsmouth qui lui assure les nombreuses commandes. \u00c0 son retour \u00e0 Paris, Gascar est \u00e9lu membre de l’Acad\u00e9mie Royale le 26 octobre 1680. Son style, influenc\u00e9 par la tradition du grand portrait fran\u00e7ais inaugur\u00e9e par Charles Le Brun, associe solennit\u00e9, raffinement d\u00e9coratif et mise en sc\u00e8ne th\u00e9\u00e2trale.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Portrait de Fran\u00e7oise-Ath\u00e9na\u00efs de Rochechouart de Mortemart (1640-1707), marquise de Montespanpar Henri Gascar (Paris, 1635 \u2013 Rome, 1701)Paris, vers 1675 Le format monumental de notre \u0153uvre rare pour un ovale nous plonge imm\u00e9diatement dans le faste des portraits de l\u2019apog\u00e9e du r\u00e8gne de Louis XIV. Henri Gascar choisit de placer la favorite royale dans un […]<\/p>\n","protected":false},"author":6,"featured_media":18220,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[574],"tags":[],"class_list":["post-18216","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lobjet-du-mois"],"yoast_head":"\nPortrait de la marquise de Montespan par Henri Gascar\u00a0 Le 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