{"id":18184,"date":"2026-02-17T11:09:12","date_gmt":"2026-02-17T10:09:12","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=18184"},"modified":"2026-02-17T11:09:12","modified_gmt":"2026-02-17T10:09:12","slug":"miroir-fin-xviie-attribue-a-thomas-hache","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/miroir-fin-xviie-attribue-a-thomas-hache\/","title":{"rendered":"Miroir fin XVIIe attribu\u00e9 \u00e0 Thomas Hache"},"content":{"rendered":"\n

Travail du XVIIe si\u00e8cle attribu\u00e9 \u00e0 Thomas Hache(1664\u20131747)
Miroir en bois, \u00e0 double profil invers\u00e9, marquet\u00e9 par la technique du \u00ab\u00a0bois brul\u00e9 au sable chaud\u00a0\u00bb<\/strong><\/p>\n\n\n\n

L’encadrement du miroir, en noyer, est richement orn\u00e9 de marqueterie florale en bois clair sur r\u00e9serves de bois sombre, typiques de la production dauphinoise de la fin du XVII\u1d49 si\u00e8cle. Elle encadre parfaitement tout le contour.
Le reste de la composition est structur\u00e9e par de larges bandes d\u00e9cor\u00e9es de rinceaux feuillag\u00e9s et de vases fleuris, inscrits dans des cartouches ovales centr\u00e9es ou polylob\u00e9s dans les angles, dispos\u00e9s de mani\u00e8re parfaitement sym\u00e9trique.
Il est lui m\u00eame encadr\u00e9 par un filet de bois sombre et clair altern\u00e9.
Un d\u00e9cor \u00e0 la fois \u00e9l\u00e9gant et mesur\u00e9, se distinguant par la belle qualit\u00e9 du dessin en marqueterie.
Miroir d’origine au mercure.<\/p>\n\n\n\n

\"\"<\/a>
(c) Galerie Gilles Linossier<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n

Si Thomas Hache (1664-1747)<\/strong> \u00e9b\u00e9niste grenoblois, r\u00e9alise des marqueteries aussi abondantes, c’est par son apprentissage aupr\u00e8s de Pierre Gole, \u00e9b\u00e9niste du roi Louis XIV et maitre de la marqueterie de fleurs, puis \u00e0 Chamb\u00e9ry o\u00f9 il y d\u00e9couvre le d\u00e9cor \u00e0 l’italienne (les enroulements v\u00e9g\u00e9taux, les entrelacs, arabesques, feuilles d’acanthe et les foisonnement de repr\u00e9sentations v\u00e9g\u00e9tales.) et la technique de la scagliola.
C’est en partant de cette technique qu’il \u00e9labore sa marqueterie d’incrustation travaillant l’imbrication des formes et des essences de bois.
Thomas Hache d\u00e9veloppe ainsi un style personnel, reconnaissable par l\u2019usage fr\u00e9quent de marqueteries florales sur fond sombre, de vases, de palmettes et de rinceaux, appliqu\u00e9s aussi bien aux meubles qu\u2019aux cadres de miroirs. Ici le travail est tel qu’il nous est possible de l’attribu\u00e9 \u00e0 ce grand \u00e9b\u00e9niste.<\/p>\n\n\n

\n
\"\"<\/a>
(c) Galerie Gilles Linossier<\/a>, Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n

Le d\u00e9cor abondamment fleuri jouant sur ces contrastes de couleurs vives et sombres sont une de ses marques. En effet, Il innove dans ces plaquages. \u00ab C’est dans le contenu de ces placages pr\u00e9par\u00e9s \u00e0 l’avance, o\u00f9 les rinceaux, feuillages et fleurs sont stylis\u00e9s dans des compositions tr\u00e8s fouill\u00e9es et denses, qui n’appartiennent qu’\u00e0 lui et qu’aucun autre \u00e9b\u00e9niste, hormis Pierre (son fils), n’a utilis\u00e9es. Les ornements v\u00e9g\u00e9taux qu’elles contiennent sont d\u00e9coup\u00e9s dans un bois clair et ombr\u00e9 pour donner du relief \u00bb Le g\u00e9nie des Hache, par Pierre et Francois Rouge, p. 65.<\/p>\n\n\n\n

On remarque dans notre miroir, toute la qualit\u00e9 des nuances dans un m\u00eame feuillage.<\/p>\n\n\n

\n
\"\"<\/a>
(c) Galerie Gilles Linossier<\/a>, Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n

Des miroirs comparables sont aujourd\u2019hui conserv\u00e9s dans de grandes collections publiques, notamment :
Le Mus\u00e9e de Grenoble, qui poss\u00e8de plusieurs cadres de miroirs et meubles attribu\u00e9s \u00e0 Thomas Hache ou \u00e0 son atelier ;
ou encore le Mus\u00e9e des Arts d\u00e9coratifs de Lyon, par exemple ; o\u00f9 l\u2019on retrouve des d\u00e9cors marquet\u00e9s tr\u00e8s proches<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Travail du XVIIe si\u00e8cle attribu\u00e9 \u00e0 Thomas Hache(1664\u20131747)Miroir en bois, \u00e0 double profil invers\u00e9, marquet\u00e9 par la technique du \u00ab\u00a0bois brul\u00e9 au sable chaud\u00a0\u00bb L’encadrement du miroir, en noyer, est richement orn\u00e9 de marqueterie florale en bois clair sur r\u00e9serves de bois sombre, typiques de la production dauphinoise de la fin du XVII\u1d49 si\u00e8cle. Elle […]<\/p>\n","protected":false},"author":6,"featured_media":18188,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[574],"tags":[],"class_list":["post-18184","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lobjet-du-mois"],"yoast_head":"\nMiroir fin XVIIe attribu\u00e9 \u00e0 Thomas Hache Le Magazine de Proantic<\/title>\n<meta name=\"description\" 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