{"id":17993,"date":"2025-10-20T14:21:18","date_gmt":"2025-10-20T13:21:18","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=17993"},"modified":"2025-10-20T14:21:18","modified_gmt":"2025-10-20T13:21:18","slug":"table-a-ecrire-dite-a-la-pompadour","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/table-a-ecrire-dite-a-la-pompadour\/","title":{"rendered":"Table \u00e0 \u00e9crire dite \u00ab\u00a0\u00e0 la Pompadour\u00a0\u00bb\u00a0"},"content":{"rendered":"\n

Table \u00e0 \u00e9crire dite \u00ab\u00a0\u00e0 la Pompadour\u00a0\u00bb, de dame enti\u00e8rement \u00e0 d\u00e9cor de marqueterie g\u00e9om\u00e9trique de cubes et sur le plateau d’un paysage avec personnages et architectures dans une r\u00e9serve ainsi que sur l’avant avec incrustations de nacre.<\/strong>
Le plateau sup\u00e9rieur est coulissant, d\u00e9couvrant un abattant gain\u00e9 de cuir vert dans un tiroir d\u00e9voilant une r\u00e9serve.
Petit tiroir discret pivotant sur le c\u00f4t\u00e9 garni d’un encrier et sablier \u00e0 \u00e9crire en m\u00e9tal argent\u00e9. Ornementation de bronzes cisel\u00e9s et dor\u00e9s. Estampilles (deux fois) de L\u00e9onard Boudin (re\u00e7u ma\u00eetre en 1761) et Jurande.
France, seconde moiti\u00e9 du XVIIIe si\u00e8cle.<\/p>\n\n\n\n

\"\"<\/a>
Table \u00e0 \u00e9crire dite \u00ab\u00a0\u00e0 la Pompadour\u00a0\u00bb\u00a0
(c) Galerie Pellat de Villedon<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n

Tout au long du XVIIIe si\u00e8cle se d\u00e9velopp\u00e8rent des meubles qui, outre d’un style nouveau, s’adapt\u00e8rent \u00e9galement aux nouveaux crit\u00e8res de confort dans les riches int\u00e9rieurs du Royaume de France.
L’architecte Jacques Fran\u00e7ois Blondel fit un \u00e9tat de ces \u00e9volutions sociales en d\u00e9crivant trois types d’appartements qui n\u00e9cessitaient chacun d’une typologie de meubles pr\u00e9cise pour en convenir \u00e0 leur usage : les appartements d’apparat, les appartements de r\u00e9ception et les appartements priv\u00e9s.<\/p>\n\n\n\n

\"\"<\/a>
Table \u00e0 \u00e9crire dite \u00ab\u00a0\u00e0 la Pompadour\u00a0\u00bb\u00a0
(c) Galerie Pellat de Villedon<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n

C’est au sein de ces derniers que se d\u00e9velopp\u00e8rent un luxueux mobilier o\u00f9 figurent notamment les tables \u00e0 \u00e9crire dont on pr\u00eate \u00e0 la Marquise de Pompadour le r\u00f4le d’instigatrice quant au d\u00e9veloppement de l’attrait envers ce genre d’ameublement.
Ce d\u00e9cor marquet\u00e9 pris\u00e9 par les contemporains de leurs r\u00e9alisateurs est facilement percevable dans des interpr\u00e9tations diff\u00e9rentes sur des tables \u00e0 \u00e9crire portant toutefois diff\u00e9rentes signatures qui semble d\u00e9montrer que leurs cr\u00e9ateurs partag\u00e8rent leur savoir aupr\u00e8s de diff\u00e9rents ateliers.<\/p>\n\n\n\n

\"\"<\/a>
Table \u00e0 \u00e9crire dite \u00ab\u00a0\u00e0 la Pompadour\u00a0\u00bb\u00a0
(c) Galerie Pellat de Villedon<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n

Notre meuble pr\u00e9sente \u00e0 deux repris l’estampille de L\u00e9onard Boudin. \u00c9l\u00e8ve de Pierre Migeon, celui-ci acquit une r\u00e9putation aupr\u00e8s de ses pairs qui lui permit en plus de son activit\u00e9 d’\u00e9b\u00e9niste d’ouvrir son propre magasin et de faire travailler plusieurs de ses confr\u00e8res dans son entreprise tout en continuant d’apposer sa signature sur leurs meubles issus de cette collaboration.
De dimensions modestes, ces meubles volants trouv\u00e8rent leur place dans l’intimit\u00e9 des chambres et des salons et d\u00e9couvrirent de multiples fonctions tout en se parant d’un opulent d\u00e9cor justifiant la fortune de son commanditaire.<\/p>\n\n\n

\n
\"\"<\/a>
Table \u00e0 \u00e9crire dite \u00ab\u00a0\u00e0 la Pompadour\u00a0\u00bb\u00a0
(c) Galerie Pellat de Villedon<\/a>, Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n

Notre table que nous pouvons dater des ann\u00e9es 1770 s’inscrit dans la p\u00e9riode de Transition entre les r\u00e8gnes de Louis XV et Louis XVI et reprend la structure. Elle rev\u00eat un d\u00e9cor h\u00e9t\u00e9rog\u00e8ne et color\u00e9s de diff\u00e9rentes essences alliant sc\u00e8nes pittoresques aux lignes et droites et marqueteries cubiques \u00e0 leurs cartouches vineux et aux volutes formant rocailles. Ses formes mouvement\u00e9es d\u00e9montrent le maintien au cours de cette d\u00e9cennie d’un attachement des formes h\u00e9rit\u00e9es du Rococo tout en r\u00e9v\u00e9lant l’\u00e9volution des arts pour un go\u00fbt \u00ab \u00e0 la grec \u00bb aux lignes plus s\u00e9v\u00e8res.
Ainsi les meubles rev\u00eatant son estampille peuvent r\u00e9v\u00e9ler le travail de diff\u00e9rents \u00e9b\u00e9nistes tels que les d\u00e9cors architectur\u00e9s pouvant \u00e9galement \u00eatre attribu\u00e9s \u00e0 Andr\u00e9 Louis Gilbert.<\/p>\n\n\n\n

Tant \u00e9b\u00e9niste de renom qu’habile marchand, la production de Boudin fut prolifique et des tables \u00e0 \u00e9crire portant son estampille peuvent \u00eatre trouv\u00e9es dans des mus\u00e9es de renoms tant \u00e0 l’\u00e9tranger qu’en France, notamment au Metropolitan Museum de New York o\u00f9 est conserv\u00e9e une table \u00e0 \u00e9crire du m\u00eame mod\u00e8le que la n\u00f4tre (n\u00b0 inv. 69.9.4). Un autre exemplaire rev\u00eatant un d\u00e9cor bien plus analogue a \u00e9t\u00e9 vendue par Christie’s Londres le 12 novembre 2020 (lot 24).<\/p>\n","protected":false},"excerpt":{"rendered":"

Table \u00e0 \u00e9crire dite \u00ab\u00a0\u00e0 la Pompadour\u00a0\u00bb, de dame enti\u00e8rement \u00e0 d\u00e9cor de marqueterie g\u00e9om\u00e9trique de cubes et sur le plateau d’un paysage avec personnages et architectures dans une r\u00e9serve ainsi que sur l’avant avec incrustations de nacre.Le plateau sup\u00e9rieur est coulissant, d\u00e9couvrant un abattant gain\u00e9 de cuir vert dans un tiroir d\u00e9voilant une r\u00e9serve.Petit […]<\/p>\n","protected":false},"author":6,"featured_media":17998,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[574],"tags":[],"class_list":["post-17993","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lobjet-du-mois"],"yoast_head":"\nTable \u00e0 \u00e9crire dite \u00ab\u00a0\u00e0 la Pompadour\u00a0\u00bb\u00a0 Le Magazine de Proantic<\/title>\n<meta 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